That was an excellent one.

A Brilliant Conflict

This film is so real. It treats its characters with so much care and sensitivity.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

I got this movie in a cheap box set of 50 movies, and it is possibly the worst of the 50. That should tell you how bad it is. Very poorly executed by the writers, director and most of the actors it is neither suspenseful, funny nor charming (which is hard to do with the ultra-charming actor Jack Haley).You will be aware of how annoying it is as you watch it, and likely won't watch all the way through. I didn't watch it all the way, after all there were 49 better films in the box. Retain this hour of your life for more worthwhile experiences. Don't waste your time on "Scared Stiff".

Like all Jack Haley roles, he raises what would have otherwise been a very boring plot to an excellent screwball farce complete with prat falls and fast-paced action. Veda Borg is the only other cast member to come close to keeping up with Haley, although a few quirky characters do make appearances (including one rather annoying child). If they had utilized them more to play off Jack Haley's comedy, this would be a 10 star movie. The plot is still generally a weak one, but the star more than makes up for it. Overall, a good rainy Sunday afternoon movie if there ever was one. If you liked this movie, watch Haley's "One Body Too Many", also an excellent screwball comedy with spooky overtones.

A crime comedy about a chess-deck and chessmen, rather modest as script and performance, TREASURE OF FEAR, with Jack Haley and Ann Savage, directed by Frank McDonald, has too many small ideas to assemble them into a story. A journalist's trip, a romance on the road, the quest for Marco Pollo's chess-deck and the hunt for a murderer are mixed in a story with mysterious, intriguing characters, in an unsatisfying and approximative way. The treatment is light and amusing, but also banal and clumsy. And it ain't too intelligent, either. The performances seem trite, but then the roles were badly written to begin with. A funny, more or less dysfunctional journalist is sent to write an article; he takes the GREYHOUND, stumbles into a murder case and is also co-opted into hiding an old chess-deck. He meets various inscrutable characters—oldsters, a couple of broads, an annoying kid. Too bad a possibly funny subject isn't well handled. The script is weak. So, perhaps this ain't the definitive Marco Pollo chess-deck comedy. It lacks that lively charm which proves that a mind contributed. For ambitious screenwriters, that's a challenge—to write the definitive Marco Pollo's chess-deck comedy.

Larry Elliot (Jack Haley), first-rate chess enthusiast but fourth-rate newspaper reporter, is off to Grape City where the Grape City Winery will crown Miss Muscat. In a lovesick mistake, he buys a ticket to Grape Center where perky antique storeowner Sally Warren (Ann Savage) is headed to make a mysterious purchase. It only takes an instant to see that Elliot is naive, innocent, foolish and as dense as a pound of lard. Think of Haley here as unpleasantly like a dim second banana to Harry Langdon. We wind up staying at the Grape Center Inn and Winery where an extremely valuable chess set has been hidden. This tired, tired mystery comedy features the inn's owners, the elderly, eccentric and competitive Walbeck brothers; the elderly and severe desk manager; the pain- in-the-rear child prodigy who thinks he knows all about fear stimuli; the glowering keeper of the prodigy; the not elderly at all Veda Ann Borg; the suspicious "Professor;" and a tough escaped murderer who just might be the owner of the chess set, There's creeping about at night, hidden passages, a turning door, a toupee, wine vats and a car horn. Jack Haley said once that if it weren't for the performance he gave as the Tin Woodman in The Wizard of Oz, he'd probably be forgotten. Sadly, it's true. Scared Stiff tries for laughs and frights. If it doesn't succeed at least we've only wasted 65 minutes. For those who can remember two-movie matinees for 25 cents, where the audience didn't evaluate the laughs, just enjoyed them, it's difficult to come down hard on something like this. There's no harm intended and no harm caused. In a brief opening scene an actor named Edward Earle plays, unbilled, Larry Elliot's impatient uncle. We see him once. Earle was born in 1882, had a reasonably successful career as a lead in the early silent movies but slipped to second leads by the start of the talkies. From there he faded precipitously. By the end of the Thirties he was doing unbilled bits, and stayed there through television until he finally called it a day in 1960. As an old man, Earle was asked by Ben Bagley to take part in Bagley's Revisited series...LPs (and then CDs) of little known songs Bagley discovered from some of the very best theater song writers. And it so it came about that Edward Earle sings several Cole Porter songs on Ben Bagley's Cole Porter Revisited Volume 2. He's funny, a bit lascivious when called for and knows exactly what he's doing to put across a Porter lyric. He's just grand. He's also memorable doing "Dainty Quainty Me," cut from The Seven Lively Arts because Bert Lahr refused to sing "enema' (which Porter rhymed with "cinema"}. In Bagley's Noel Coward Revisited, Earle sings three songs, including the unmistakably left-handed and sophisticated "Green Carnations," a witty song all can enjoy, especially if you're a young, languid man about town. Earle died, full of years, in 1972 at the California Motion Picture Country Home. He was 90.