Please don't spend money on this.

Nice effects though.

Lack of good storyline.

This is a must-see and one of the best documentaries - and films - of this year.

The psychologist knows he needs Pat (Flo Gerrish/Lawrence), knows her schedule and dressing room, checks her out some more, knows she doesn't pay attention to what's going on around her, and pursues his need of her.Excellent erotic scene. one of the best, wonderful expression of needing her; stopping her from walking forward, backing her into the water heater, removing her robe, having her perfect body, getting between her perfect legs against the water heater, her helping by lifting up that wonderful leg, him and her positioning, and he drills her to where she's being jolted and she sounds-off and her hair pieces get knocked out of her hair as he drills her into the water heater, her holding on to him, hugging him, first his torso, then his neck, due to her feeling far to good.

Schizoid is fairly up front with you in the first 5 minutes or so: if you like seeing very sleazy movies where a guy in black gloves and a pair of scissors is going after women in not-terribly-clever-but-direct ways, then this is for you. But in place of having a director with some actual visual appeal or attempts at creating a distinct style like some of the Giallo directors (i.e. Argento or Fulci), you get here instead the 'different' side of things with casting: Klaus Kinski. For me, I thought this was the filmmakers going about it somewhat obviously - like, of course he's the killer, right? I mean, look at him! Or it might be Christopher Lloyd, who is the sort of maintenance man who shares an elevator with the main female character after fixing the boiler (so he says) and showing what a handy-man he is by moving the elevator by pressing a button with a screwdriver. Or could it be... someone else?? This is fairly standard stuff - the main woman, Julie of "Dear Julie", is part of some sort of weekly couples (or singles?) therapy group that also includes Lloyd's character, and we see how these murders unfold and how Julie wants to try to entrap the killer, who seems to be sending those word-cut-up type of letters - and yet it's hard not to want to keep watching with Kinski there. This is basic stuff for him, but he takes it seriously enough, and even created some ambiguity with his character. He also gets to play MELODRAMA (in bold type) with his daughter character, who lost a mother years before and blames him for it some reason or another. They have father-daughter squabbles, and those are some of the more entertaining scenes of the movie. For what it's worth, he makes it sort of compelling.The rest of it is not very remarkable, neither in the kills (again there's little tension since we've seen these before, or at least you have if you've ever seen a horror movie, let along a slasher) nor in what seem to be red herrings going left and right (i.e. Lloyd's character, who gets kind of short-shrifted in the grand scheme of the story). The filmmaker, David Paulsen, didn't do that much else other than this movie and one other, and it's clear he's in it to create the requisite drama necessary to keep the story going, without putting in the work to make the dialog more than groan-indusing. And Craig Wasson, who one would later see in Body Double, is relegated to a role that any actor could play... almost, anyway.Even the title is kind of disappointing; there's not too much of any kind of 'schizo' side to things, and we're just waiting for the other shoe to drop as far as when the killer may strike next or go after Julie, or when the cops might do *something* with this case. And yet because of people like Kinski and Marianna Hill (who is alright as Julie, just enough to get by), I can't say it's a total failure or mess. It's just... there, with some sleazy 80's horror-synth and a "twist" ending that reeks of hackery.

"Schizoid" is a fair early-80's slasher flick that suffers from a distinct lack of personality. It boasts a somewhat name, B-list cast, and derivative yet effective stalking scenes. Writer-director David Paulsen tries, in vain, to make everyone a suspect, but you eventually stop caring because of the clumsy script contrivances he expects us to swallow. But there's nothing here you haven't seen before, except maybe Klaus Kinski, wildly miscast but still highly entertaining as a marriage counselor who carries on affairs with his patients! I'm not ashamed to admit he kept me watching the whole way through. 2.5 stars out of 5.

While watching this one, I kept thinking about that anecdote Claudia Cardinale recalls in Herzog's documentary about Kinski. They were doing a love-scene together (she claims he was nice, humble and respectful towards her) and all of the sudden, Herzog brought in an ocelot. Kinski freaked out, as good as slaughtered the poor animal (endangered species!!!), and refused to work again for the whole day. "He was such a nice man", she then goes on. And I'm sure his daughter has similar tales of warmth and paternal joy to tell. What's the point I'm getting to, It's clear what Kinski is doing in this film: his character is allowed to gratuitously bonk every single women in the film, even ogle his own naked daughter and beat up a few others. It must have been a relief for such an intense person to not have to act. And still he is able to sleepwalk through this lame excuse for a slasher movie.It isn't even funny (except for that bathtub-scene, where the director must have suddenly realized he was going to miss out on a screaming face unless he came up with something -you'll never believe that one-). I watched it in fast-forward, and those were a long fifteen minutes. Avoid if you can, sleep through it if you must.