Who payed the critics

Very best movie i ever watch

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

"Scrooge; or Marley's Ghost" is a British black-and-white silent short film from 1901 and I have read different statements on how long it was in the original and how much of it was saved and still isn't lost after way over a century has passed. The version I watched ran for roughly 6.5 minutes. This is of course another take on Charles Dickens' famous "A Christmas Carol" The director here was very prolific back then and it is from relatively early in his career. For lead actor Smith, it was apparently the only career effort in front of the camera, at least according to IMDb, although it is of course very possible that he appeared in other works whose existence is forgotten too because they are lost as well. Anyway, I personally am not sure if I had recognized the tale here had I not known what it was beforehand. Without sound and color, the medium film may simply not yet have been ready for the Dickens material and the emotion, depth and significance that comes with it. So I gotta give this one here a thumbs-down. Not recommended.

The oldest surviving cinematic adaptation of "A Christmas Carol" is a very truncated version to the point that the Ghosts of Christmases Past, Present and Future don't even appear. Jacob Marley shows Ebenezer Scrooge what the latter needs to know. There's apparently no available info about who the cast is. Only about half the movie exists today, and I watched it on Wikipedia. I understand that a lot of movies during cinema's infancy were adaptations of classic novels so that viewers would already know the story and there would be limited need for intertitles.Aside from being the oldest surviving adaptation of Dickens's classic novel, there's nothing particularly special about "Scrooge; or Marley's Ghost". It's actually based more on J.C. Buckstone's stage adaptation "Scrooge". I'll forgive it for looking like it does - the background looks painted - since movies were just getting off the ground. My favorite adaptation of Dickens's novel remains "Scrooged", starring Bill Murray as a greedy TV exec (one of the lines describes a TV ad as "the Manson family Christmas").Anyway, it's an OK movie.

Scrooge; or Marley's Ghost (1901) *** (out of 4) Most people, myself included, haven't heard of Paul's Animatograph Works, the production company here but they were the first to produce a film version of Dickens' A Christmas Carol. In the film we see Scrooge visited by three ghosts and his redemption. This is a pretty unique film for 1901 in many regards. For starters, title cards weren't being used during this era but this film here has pretty long ones and I'm pretty sure that this is the earliest film I've seen them used in. The film also tells a "story" which again wasn't the norm for this era. One would be shocked that a three-minute film could stay pretty faithful to the original story but this film does a pretty good job at that. I was really surprised to see the film pay close attention to the original material, although, needless to say, this film does have to speed things up quite a bit. The special effects, from the Melies style of film-making, are pretty good and hold up well today. Apparently this film originally ran a bit longer but hopefully the other few minutes will be found at some point. What remains is an interesting bit of history.

Nowadays, we often take for granted the approach, grammar and techniques that make up self-contained narrative movies. This seems to have been a natural advancement, but it was actually a difficult problem to early filmmakers. Many hesitated to even edit together spatially separate shots to tell a story for concerns that it would seem discontinuous. In "Scrooge; or Marley's Ghost", Walter Booth and R.W. Paul approached this problem by using a story that a general audience already knew, but abridged it, explained some finer points in the intertitles and packaged it within the tableaux style. Perhaps, a lecturer would even provide further clarification during an exhibition. Several other filmmakers tried this as well, including Cecil Hepworth with "Alice in Wonderland" (1903) and Edwin S. Porter with "Uncle Tom's Cabin" (1903). The earliest and most common films of this kind, however, were the passion plays. Another early story film James White's "Love and War" (1899) was accompanied by explanatory song. This kind of filmic storytelling soon became outdated in comparison to, but for a time coexisted with, the story film, especially the chase films, which established continuity editing. Of course, novels would still be abridged, intertitles would occasionally do too much of the work, and the tableaux style continued in some places, but films became self-contained narratives. Therefore, this film is outdated, but it does have some interesting aspects.This is perhaps the earliest screen adaptation of Charles Dickens' "A Christmas Carol". Apparently, there were earlier film versions of other Dickens' stories, but according to the British Film Institute, this is the earliest that survives. Ewan Davidson for the BFI further adds that it was based on a play by J.C. Buckstone, which like the film, dispensed with the different ghosts for a condensed vision provided by Marley's ghost. Additionally, Dickens, with this book, was one of the more important 19th Century writers to invent the family-oriented, charitable and gift-giving Christmas holiday that we know today. Likewise, this film is an early example of a Christmas film released during the season.This was an elaborate film for 1901; originally, it supposedly contained 13 scenes. What remains is less than five minutes with about six scenes in their entirety and a brief glimpse of another scene. In what remains, there are some novel techniques for the time. There are multiple exposure shots for the ghosts, but this effect had already been done in previous films; this is, however, the earliest instance that I've seen of using the multiple exposure effect for overlapping images with title cards. This is also an early use of title cards in general, although they had appeared less elaborately in a few earlier films, including "How It Feels to Be Run Over" (1900). Furthermore, this is the first instance I've seen of the wipe, which transitions between shots. Dissolves are also used, which is a transition effect that Georges Méliès had already established in his films. Scenes are also tinted.