True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

One of the worst ways to make a cult movie is to set out to make a cult movie.

The English title is a good one, as despite the great opening scenes in Paris, it really is a film about how people deal with the extra stress Christmas seems to bring, or as the characters describe it, a "hostile depression". I could enjoy seeing this as a Christmas tradition! My rating is actually a 7.5, if that was an option. The film is a little understated, in that typically French way.I like the way the actors do a reminiscence directly to the camera and the audience, especially Francoise Fabian and Claude Rich, who play the couple who have been split up for 25 years but who have not seen each other since, even though they have 3 daughters.I also liked Sabine Azema, who I just realized I had seen very recently in Coeurs (2006)... aka Private Fears in Public Places... as Charlotte, and didn't even recognize her. Claude Rich does the voice for Arthur. While Charlotte's character is interesting, I couldn't recommend Coeurs.La Buche, however, yes.

My favorite holiday movie for modern times!, February 1, 2005 Reviewer:   Glutton for books - See all my reviews The first time I watched "La Buche," was a few days before Christmas in 2000, when I was not able to visit the family for Christmas. I saw it with a French friend who was not able to go home either. It is an absolutely delightful French movie about the pressures associated with the holiday season, with thought -provoking characters. Much of it will make you laugh, but I hesitate to define it as a comedy, because the term implies a simplicity which the film exceeds by including many dramatic aspects of life; chief of these are questions of identity, what makes us happy in life, and who are family and what are they for. The core of the plot is members of a family spending the Christmas together, who have not shared a Christams celebration in many years. La Buche refers to a type of Christmas cake often eaten in France during Christmas. For the uninitiated, the French please excuse my description, it resembles a large Liitle Debbie Swiss roll. The characters of the film, like family life, are full of unexpected surprises. Yvette, mother of the family is grieving from the loss of her second husband, and the film opens at a funeral. Her deceased husband was a musician, as was her first husband. The person may have died but it seems that the jealousy lives on. The father of the family, Stanislas, is the mother's first husband. He usually spends the Christmas alone with his favorite daughter, Milla, believing that it should not be an stressful time for him because he is Jewish, trying unsuccessfully each year to avoid the pressure associated with the holiday and its memories of its painful past, such as when he left his life in Russia behind as an child immigrant with no possessions. This year he takes a different approach to Christmas, due to a near death experience, the recent widowhood of Yvette, and determination to make amends for mistakes from his past. Neither parent was a perfect spouse, but the children (who are grown adults) have varying perceptions of who is the better person. There are three daughters: Milla views her mother with contempt, Sonia faults the father, and Louba seems equally devoted to both. Sonia and Milla seem the epitome of success; one with an apparently ideal marriage and family, one with a thriving career. The other daughter, Louba, appears to be the least ambitious and successful in life. But what really constitutes ideas like ambition, success, and happiness? How should these values to be qualified? What guarantees do we have for stability in life in our pursuit or implementation of such qualities? Apparently, one of Stanislas' most cherished Christmas memories was when as a poor child he received one simple toy, and the gift of a safe place to spend the night. In addition to the traditional family, there is Joseph a boarder to whom Stanislas rents his former music studio, and who has a young child from a previous marriage and desperately wants to spend Christmas with her. Joseph rushes Stanislas to the hospital and saves his life; a service which makes the daughters curious to learn more about him and his life. To delve too much into explaining the characters of the film, gives away much of the film's surprises that make it so enjoyable. In true form to good characterization, no one is exactly whom they first appear to be, and learning who they really are is the best part of the viewing experience. There is much stress during the holiday season to pretend that life is working out according to plans and that you are happy, because it is a time for celebration. Even those who are not formally religious experience this pressure during the holiday season. This movie examines that phenomena and makes you feel that you are not an anomaly for feeling tension associated with encountering family during that time of the year. By the end of the film, you feel it is okay to admit the problems that pretension of perfection exerts on your life, even if it is Christmas. In fact, the film teaches that the ability to share your imperfections and sorrows, as well as your hidden aspirations is part of what constitutes a family, and exercising this ability cements your familial relations for the better. Despite the gravity of the characters' problems and conflicts, this is ultimately a great feel-good film, that can be enjoyed at any time of the year.

Interesting look at individual family members as they approach the dreaded Christmas Holidays. Nothing is as it seems and everyone's issues have deep roots. Well lit and filmed the film is a little long and slow in places but worth a look.

Every year, American TV serves up so-called holiday fare, meaning made-for-TV movies about Brady Bunch-like families getting together for Christmas. Most are so forgettable that they get thrown out faster than used Christmas wrapping.The French are in general much better at dealing on film with human relationships and the complexities of modern families and so I guess it should come as no surprise that they put together a far more engrossing story of a Christmas gathering.Daniele Thompson's "La Buche" delves into the complex relationships in one family which is just days away form Christmas when the stepfather dies. The film opens humorously at his funeral, which for some is a time of mourning and for others,just a great, big inconvenience.There are three intriguing daughters in this family and all of them lead complex lives, propelled along by the same thing that propels most French films -- love. The oldest daughter, played by Sabine Azema, is a 42-year old singer in a Russian cabaret who has been having an affair for 12 years with a married man. The middle sister, Emmanuelle Beart, is the woman who appears to have everything: beauty, wealth, husband, kids and the kind of controlling personality that keeps them all dancing to her tune. The youngest sister, Charlotte Gainsberg, is a vaguely rebellious young, motorcycle riding loner who has no man of her own, but would like one. Then there's their real father, Claude Riche, a guy who apparently during his active years bedded more women than Magic Johnson.American holiday movies usually include some family members in crisis and a lot of family members sharing recriminations about past transgressions. "La Buche" serves up its share of both, but with a French twist. Everyone in this family has their share of sins to confess and forgiveness to seek and in some cases, even monumental decisions to face. But they all seem to do it not only with style and grace, but with a lot of humor thrown in for good measure. If this holiday film has a message, it seems to be that you can make the best of any situation if you try hard enough.The acting and directing here are first rate and the characters, especially the three daughters, are so intriguing you almost don't want the film to end. You want to find out how all three daughters handle the changes coming to their lives.That's probably the best thing you can say about any film and hats off to director Thompson for making it so with "La Buche."