Secret Honor
Secret Honor
| 07 June 1985 (USA)
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In his New Jersey study, Richard Nixon retraces the missteps of his political career, attempting to absolve himself of responsibility for Watergate and lambasting President Gerald Ford's decision to pardon him. His monologue explores his personal life and describes his upbringing and his mother. A tape recorder, a gun and whiskey are his only companions during his entire monologue, which is tinged with the vitriol and paranoia that puzzled the public during his presidency.

Reviews
TrueJoshNight

Truly Dreadful Film

Helloturia

I have absolutely never seen anything like this movie before. You have to see this movie.

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Orla Zuniga

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

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Quiet Muffin

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

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SnoopyStyle

Former President Richard Milhous Nixon (Philip Baker Hall) is alone in his study talking into a tape recorder. He has his closed-circuit TV setup, his drinks and a gun. He talks to and about the portraits on the walls. His rants are rambling as he reflects on his life and what has happened to it.I'm not a fan of one-person plays that get transferred to the big screen. It starts from a deficit where it doesn't have the danger and the immediacy of a live show no matter who's doing it. The other problem is that this is a fictional account. It tells the audience right away that this is all fake. It's like an alternate universe and it's hard to say how much truth can be gleamed from this movie. Robert Altman can't do much more than point and shoot in this film. PBH is a great actor and I have great praises for his work. It's an interesting film to see him act but it's not much more than that. I rather have a well researched documentary about Nixon.

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gavin6942

A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.This comes down to one thing: an examination of the acting skills of Philip Baker Hall. Since the direction is so limited, it really cannot say anything good or bad about Robert Altman (who had already made his name by this point).Hall's Nixon is something of a madman. He fluctuates through every range of emotion within 90 minutes, at times flipping between anger and suicidal tendencies. What a wild ride. Of course, the film is clearly marked as fiction... so we should not assume this person was in any way related to the real Nixon.

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AdamKey

**May Contain Spoilers**I just finished viewing this incredible, astoundingly intense motion picture for the very first time after hearing about it for 20 years. Philip Baker Hall (who played the character of "Library Cop" on "Seinfeld") essays the part of Richard Nixon in an unforgettable one actor performance. The film had been shot at the Univ. of Michigan, the crew composed largely of UM students, while director Robert Altman was doing a short hitch as filmmaker-in-residence there and has the interesting, "you are there" immediacy and intimacy of a filmed stage play or TV show.The set is a large, wood paneled office, apparently in Nixon's home in San Clemente, a few months after his August 1974 resignation from the Presidency. An angry and restless Nixon nervously paces back and forth with a glass of scotch whiskey in one hand and a loaded revolver lying on his desk, yelling angrily into a running tape recorder about the details of his childhood, adult life, controversial political career, his deep and unhealed resentments and miseries, repeatedly hurling a stream of caustic invective at portraits of Dwight Eisenhower, Jack Kennedy and Henry Kissinger, reserving most of his vitriolic (yet fascinating and perceptive) bile for Kissinger, rarely (typically) blaming himself for his own misdeeds, all the while intermittently and nervously scanning a battery of CCTV monitors whose cameras are already observing and recording him. Nixon on several occasions mentions the mysterious "Bohemian Grove" located in rural northern California (a subject of much "conspiracy theorizing" in recent years.) This film is a must see, if for no other reason to experience Hall's stunning and overwhelming performance as the desperate and doomed Tricky Dick, to appreciate Altman's unique cinematographic and directorial style and to vividly grasp the nature of an bafflingly influential human and cultural "focal point" in recent American history. Additionally, whether one is or isn't a Nixon hater, after finishing this film one may gain some understanding of and deeper insight into if not grudging respect or sympathy for this undoubtedly gifted and highly skilled yet incredibly tormented and angry man whose character, behavior and personality was a rare and corrosive but powerful and unforgettable blend of all of the tragic protagonists that had ever emerged from the works of Shakespeare, Dostoevski and Conrad to Fitzgerald, Beckett and Pirandello.Hall's Richard Nixon, like Marlon Brando's character of Col. Walter Kurtz in 1979's "Apocalypse Now" is a poignant and intense collage of what some might term a classic "American archetype;" a brooding and obsessive "failed overachiever" whose single-minded drive to reach that nebulous yet seductive goal of "being somebody" had been completely and irreparably derailed at the final bend by the same volatile forces that had also driven him relentlessly and vindictively toward that goal, leaving all sorts of tragic wreckage, human and political, in his wake. Was Nixon good, bad, both, neither or something else altogether? And finally, from the opening scene of "Secret Honor," a more specific and pointed question arises, one that persists all the way to the film's final two words: Is there a little bit of Dick Nixon in all of us?

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zetes

Not to say too much about Secret Honor: just know that it is an amazingly written monologue with amazing acting by Philip Baker Hall and amazing direction by Robert Altman. One might accuse Hall of overacting, but you should remember that this is stage acting. It's exaggerated, but that's the way stage acting works. Of course, Richard Nixon was pretty damn insane, so maybe this isn't overacting at all! The writing builds a lot of pathos for Nixon, which you wouldn't expect, while not letting him off any hook. And the ending kicks a lot of ass. F*ck 'em!!! The third best Altman film I've seen, after Nashville and 3 Women. 10/10.P.S. - It was a bit difficult to understand, since I am not 100% familiar with Nixon and the era. If you don't know anything about this stuff, just avoid it.

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