Very disappointing...

Save your money for something good and enjoyable

It is a performances centric movie

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

An urban architect along with his married partner get caught up in a romantic triangle with an ambitious Broadway actress.Professionally done programmer that unfortunately fails to ignite. Frankly, the leads, Francis, Brent, and Hunter, go through the motions, but the men in particular don't project much emotion. Francis, on the other hand, lights things up with her smile and A-grade wardrobe. But she too doesn't go much beyond an indelible presence. Fortunately, supporting players Dickson, Jeans, and Singleton manage to inject needed verve and color.So, will the tangled relationships get straightened out by movie's end. Silly question. Too bad the film wasn't made before the deadening Production Code (1934). That way some real secrets might have been revealed. Instead, I'm pressed to pinpoint even one titillating faux pas. Looks like the title was little more than a commercial ploy. Anyway, the dialog is occasionally sprightly while director Keighley keeps things moving. Overall, the 70-minutes amounts to a cranked-out professional product with a highly misleading title.

In light of some pretty corny stuff from "way back when" AND from 2016, this film took me by surprise! Kay Francis, whom I'd never thought of as attractive, was absolutely gorgeous, and the costuming (not mentioned in any user review here) is fabulous. And so was the way she wore them. She played a strong, ambitious woman -- thank you, screen writers -- who ultimately got what she wanted (a rarity in those days: it wasn't a husband), and succeeded because she was smart w/out being hard, charming w/o being silly, and a fine actress in the opening "audition" scene. The pace was terrific, plus I kept finding myself laughing out loud -- not at the dated girlfriend's routines (ugh -- annoyingly overacted and hammy) but by the unexpected frequent quips in the repartee, particularly between the two main male characters; 'I'll send you an icicle from Norway" instead of "I'll send you a postcard?" Continually unexpected and original, and for those days, realistically acted. My 9 instead of 10: the point I deducted was for the Plantaganet gal's hamming.Low key makes plot points & fits a team's acting. Timing is everything -- the film is well paced,and delightful. And Francis has chops! Looking back, ahead of its time in acting style AND clothing.

Kay Francis must have had some interesting secrets in the way she had two men chasing her in Secrets Of An Actress. Beauty, talent, and that little something extra that makes one a star.In Secrets Of An Actress, Kay is the daughter of a famous stage actor who has tried to match that career. But all she gets is road company tours in various classics. She wants to be a hit on Broadway and in a role created for her. As it happens she has a play that she wrote with just that in mind. To find a producer is the key.Enter Ian Hunter who is a successful architect and pretty well fixed financially. A chance meeting in a bar with Francis and he's literally swept off his feet. Hunter has a younger associate in his firm played by George Brent who is likewise smitten with Francis, but he's just a little bit married to Gloria Dickson, one real piece of work.If you're a fan of Thirties screen comedies I think you'll know where this one is going. Doesn't mean the ride isn't pleasant. The script is a witty, sophisticated one and the cast performs it well. Look for a brilliant performance by Isabel Jeans as Francis's best friend, an old time actress with a little drinking problem. She plays it like a combination of Eve Arden and Zasu Pitts. In her case the old Latin phrase in vino veritas rings true as she has some really good observations, especially with a drink or two.A few years down the road, I think someone would have recognized Diana Barrymore for the model of Francis's character. Secrets Of An Actress, though from the Warner B picture unit is a bright comedy, very typical of its time.

The reviews I've found call this a melodrama but it could also be labeled a comedy, though the laughs are not all intentional.Take the scene where George Brent tries to convince Ian Hunter that backing a Broadway play is a bad investment. No matter how accurate the figures he throws up are, the audience knows anytime a film's stars "put on a show", it's going to be a hit.What we might no expect is that the supporting characters are more interesting than the leads. It's not so surprising with Gloria Dickson since she's playing the villain but when the best friend (Isabel Jeans) steals every scene from the romantic lead (Kay Francis), we know the picture is in trouble.The big problem is the film is not melodramatic enough to be a melodrama and not funny enough to be a comedy