Simple and well acted, it has tension enough to knot the stomach.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

This film isn't exactly about the most exciting topic, china from Limoges, France, though it turned out to be a dandy film. It's a very lengthy film (almost 3 hours) that takes a very leisurely stroll through the adult life of a husband and wife--chronicling the husband's assumption of control of a family business and the ensuing ups and downs of this business. Once again, I know this doesn't sound very good to watch, but it is--particularly if you don't mind a long movie. I especially liked the way the characters changed throughout the film and the message the film gives that you cannot lose sight of your loved ones on your way to fortune.About the only negative I can think of in the movie is the inconsistency of the makeup. While the two main characters age well throughout the film and definitely appear quite old when the film concludes, for some odd reason Isabelle Huppert looks pretty much the same throughout (even though at least 25 years had passed from when you first saw her until you last saw her in the movie), as did one other minor character. Oh well, it's certainly not enough to damage the movie significantly--just an odd little flaw.

"Les Destinees sentimentales" feels like it's bringing to life selected scenes from some beloved French family saga that it helps to have read, which is hard for non-Francophones as the 1936 novel by Jacques Chardonne isn't available in English. The look is delicate and beautiful (and it soothed my headache) with gorgeous costumes, settings and Impressionistic cinematography as it traces the intertwining lives, families, and businesses of wine growers and porcelain makers in Limoges in the first half of the 20th century. But as a family saga, I just kept thinking over and over how much better is "The Godfather" or even "Sunshine."The three sections, each about an hour long, are divided to indicate the changing interests of the central character -- to wife #1, then wife #2, then to running the family business (yes he almost says: "They keep bringing me back in!"). But whether it's the writing (as adapted by director Olivier Assayas) or the acting of Charles Berling, he just isn't commanding of our attention. As one gossipy cousin complains towards the end, first he was with one wife, then for no particular reason the second, then somehow he was obsessively running the family factory -- so what does he want? And her mind didn't even wander past the subtitles a few times like mine did, missing some plot points here and there.(originally written 4/20/2002)

I just saw this picture and it gave me the impression of Assayas trying to give us a symbolic message on globalization, French versus American markets, and at the end he delivers a movie about the film industry itself.As they say, do it for the French market!Cinematography is at its best, rhythm of images goes perfectly along character´s feelings at the moment.Beautiful ball sequence and very good explanation on ceramic and china industry at beginning of 20th century, breath taking swiss sceneries.I WW sequence is also very well done.Emmanuelle Beart and Isabelle Huppert are splendorous,La Huppert appears less but is much more intense.Also got the impression that novel had much more to offer than the 3 hours film version, but this is film, anyway, and script is script.Beginning and ending with a death scene, love is the only worthy thing in life.

The first hour is much more closer than Visconti's Gattopardo than others recently films: a breathtaking, sensitive, exquisite look of the protestant bourguesie of Limoges, at the beginning of the XX cenntury when "an old age" is sinked. Then, the epic turns into Bertolucci`s Novecento. But actually, the whole love story is undoubtely a genuine Truffaut. Huppert is superb, but also Berning and Beart. The camera moves in a way you've forgotten. A must see.