The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
View MoreIt's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
View MoreI think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
View MoreAmazing worth wacthing. So good. Biased but well made with many good points.
View MoreSpunky young Susan (a winningly fresh and sassy performance by the adorable Zenee Zellweger) and her friends start their own rock group as well as open a nigh club. However, they face opposition from local uptight adults who consider rock'n'roll to be the devil's music. Director Allen Arkush, working from a sharp script by Trish Soodik, relates the enjoyable story at a zippy pace, offers an affectionate evocation of the 50's teen rock scene, maintains an engaging breezy tone throughout, and nicely addresses the racism and repressive conservatism of the period. Moreover, the main characters are drawn with great warmth, the vibrant soundtrack seriously smokes, and the picture possesses an infectious bounce and crackling energy that's a total joy to watch. The zesty acting from the enthusiastic cast keeps it humming: Howie Mandel as hip TV show host Danny Klay, Patricia Childress as Susan's sweet gal pal Cookie, Max Perlich as groovy drummer Tony, John Doe as surly rebel biker Lucky, Gerrit Graham as jerk producer Lipsky, and P.J. Soles, Dey Young, and Mary Woronov as evil square buzz-crushing parents who are determined to stop rock'n'roll. Popping up in neat bit roles are Dick Miller as Officer Paisley and William Schallert as a stern judge. An absolute blast.
View MoreAbout the only thing going for this movie was the music. Not only was this movie disappointing, but the ending was very unsatisfactory. I'm surprised Rene Zellwiger's career recovered from this. Howie Mandel was at that point in his career to actually turn down roles. This one, he should have turned down. Hairspray, (original) was way better than this disappointment. At least that movie had a satisfactory ending. Shake Rattle and Rock should be retitled "Shake Rattle and put this DVD under the tire of your car and run over it. " This movie was a low point for everyone involved.
View MoreShake, Rattle and Rock was a 1994 effort made by Renee Zellweger before she was famous, so I suppose she can be forgiven for this film (and I use that word loosely). Renee does at least try to make the best of a hackneyed plot, about kids who just want to rock 'n' roll in 1950's America, while looking adorable as a redhead in the process.However, even her cuteness cannot save this blatantly cheap looking movie. I have no problem with a movie being low budget (a lot of my favourite movies are of the independent variety) but a movie should never look this cheap. Also it's kind of hard to have a period piece when it looked like there was very little money, talent or competence to work with. I didn't see one classic car, and isn't that a prerequisite of a movie that's supposed to take place in past (especially the 50's or 60's)? Another bad sign that I noticed right away was that the opening credits were done in the same style of font that is often favoured by cheap porn. Now I'm not a porn connoisseur mind you, but I have seen a few with this same style of (hilariously cheap looking) opening credits.Zellweger plays a chick named Susan whose parents just don't get her, so she unleashes her frustrations by dancing it up as a regular on an American Bandstand rip off show called The 3 O'clock Bop (or something like that) that is hosted by Howie Mandel! That should be a red light right from the start; that Howie Mandel is making an attempt to act! This movie was so pathetically bad that I found it hysterical. There are some comments on this site that say this film was a satire, and hence was trying to be horrible on purpose, but I really and honestly think that it took itself seriously. And THAT made me laugh my ass off! How did I come to watch such a train wreck? I'm visiting my parents for a few days and I woke up about two hours ago and couldn't get back to sleep, and I actually found Shake, Rattle and Rock on my parents DVD shelf. What possessed my mother to buy this is beyond me, so I will have to investigate when she gets up. I'm betting five bucks that she came across it in the bargain bin at Wal-Mart...wait a minute, I can't make a bet with myself! Anyway, I have to make fun when she gets up none the less. Most likely this DVD was purchased for five bucks or less, but it's still a gip.I can't really review this movie because I only watched about 45 minutes of it before I had to turn it off! It's pretty bad that I couldn't force myself to sit through the entire 83 minutes, but maybe I'll torture myself and watch the remainder of it later if I'm really and truly bored (and I would have to be).I just really couldn't stomach watching Renee be attracted to the token bad boy of the movie, because it's obvious this teenage motorcycle hoodlum is at least 40! Wait, I have the IMDb page open for this piece of junk, let me check out the motorcycle hoods filmography. YES, I was right! The actor's name is John Doe (of all names) and he WAS 40 when this movie was made! I was jovial before, but now I'm cracking up! The make-up in Shake, Rattle and Rock was obviously one of the films many other oversights, and was probably done by the directors little sister. I say this because 40-year-old teenage motorcycle punk has a noticeable black eye that pops up (not long before I turned the movie off) that isn't explained, and it looks like an attempt to conceal it was made with a dollop of cheap foundation. I'm guessing that someone on set punched him because of his lousy acting, and that fact that he was 20 years too old for this damn part.The breaking point for me came when the cast started doing a montage/dance sequence in slow motion while getting ready for the big concert. Ugh, I must have looked bi-polar at that moment because I was both disgusted and laughing so hard that my stomach muscles hurt. Only watch this movie if you are in the mood to see what parts an A-list actress like Renee Zellweger had to reduce herself to back when she was slumming it in Hollywood.
View MoreFrom the opening beat I fell in love with SR&R. A delightful little spoof on the teen years in the 50's complete with a Murray the K style announcer, a downtrodden teen queen and her garage band, 4 hysterical busybodies intent on saving the world from the evils of music [who were hysterically funny], a way too old motorcycle "Fonzie", and lots of singing and dancing. A fun movie not to be taken one bit seriously nor making a statement of any kind.
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