Not even bad in a good way

A story that's too fascinating to pass by...

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

After playing with our expectations, this turns out to be a very different sort of film.

SHOUT AT THE DEVIL is the splendid adaptation of the splendid Wilbur Smith novel about a British gent and an American poacher who take on the might of the German Empire in Africa in the First World War. As expected given the source material, it's an exotic and action-packed adventure yarn, delightfully old fashioned with it.The film wins plenty of kudos for the central pairing of Roger Moore and Lee Marvin, two larger-than-life actors who make for a great combination. Moore plays a slightly more serious riff on his usual persona, while Marvin is all swagger and drunken behaviour. The film wisely uses their potential for comedy by pairing them in lots of hilarious scenes, not least the never-ending fist fight.Of course, there's a serious story buried in here too, along with one or two devastating plot twists that only Smith could have come up with. Reinhard Kolldehoff is a thoroughly despicable villain, both pompous and cruel, and the countdown-timer denouement is as exciting as it was when I read the book years ago.If you like films that celebrate good, old-fashioned derring do, Dutch courage and thoroughly caddish behaviour, then you'll be sure to enjoy this one too.

Despite the learned commentators preceding, I have a fear that anyone who despises the wanton murder of elephants (for their Ivory) willshout at their TV for not being warned of the realistic shooting scene early in the picture. (I have yet to see the scene with the baby). It is no wonder women have no use for this storytelling-gone-awry. Just be warned. Shaggy silver-haired, lead ball-to-the-leg-wound survivor Lee Marvin appears in the vintage of Monte Walsh but this picture lacks a theme song by Mama Cass. If it did, it would be titled "Save the last sandwich for me""This" is a TV network airing on secondary digital channels that runs full-length "turkeys" from the '70s and '80s and also episodes of Mr. Ed and Patty Duke -both of which feature talking horses. The picture quality is excellent if you get your rabbit-ears correctly aimed, the wind doesn't blow tree branches around and if the atmosphere is clear from you to the transmitting tower.

Shout at the Devil finds Lee Marvin in sub Sahara Africa in 1914 just before the start of World War I. He's a rollicking, live by your wits character named Flynn, very much similar to Humphrey Bogart's Charlie Allnut in The African Queen. Marvin takes up with an Englishman played by Roger Moore who's been stranded in Africa on his way to Australia.Marvin has a running rivalry with the local German governor played with Teutonic relish by Reinhard Kolldehoff. He's the Road Runner to Kolldehoff's Wily Coyote. During the first half of the film, it plays just like a road runner cartoon.When war is declared however, Kolldehoff crosses into British territory where Marvin has operated with sanctuary and exacts a terrible vengeance for being constantly made a fool of. On Marvin, on Moore, and on Barbara Parkins, Marvin's daughter who Moore has now married and had a child with.This is World War I so the Germans aren't behaving like the Nazis of the second World War. But Kolldehoff you can see a potential recruit for Hitler in the post war years. In fact I don't think it's an accident that Kolldehoff and his character Fleischer look very much like German Field Marshal Ludendorff who was sympathetic to the early Nazi party.Shout at the Devil is a broad comic adventure for the first half and turns serious in the second half. Moore and Marvin have a nice easy chemistry between them, Marvin is reaching back to his Cat Ballou days and the bag of scene stealing tricks he used to get an Oscar. Moore is hard pressed, but does keep up.And who doesn't like a live road runner cartoon.

There really was a German cruiser in WW I (SMS Koenigsberg) that went up the Rufiji River for repairs and was sunk by the British by using mortars on "monitor" type boats. Also, there was a German officer (Colonel Von Lettow-Vorbeck: read "Guerilla" by Edwin P. Hoyt) that took the cannons off of the ship and had them manhandled around the African countryside to defeat the British. Please note that Von Lettow was a gentleman and excellent officer at guerilla warfare and NOT the stealing, avaricious fat baby killer depicted by Fleisher. That being said, this film concerns British colonists (good, farming types that use thier black conscript soldiers to defend) and German colonists (bad, tax collecting types that use their black conscript soldiers to attack). Lee Marvin is the crusty but loveable curmudgeon, Roger Moore is the con man with a heart of gold and Barbara Parkins is the farmer's daughter and, hands down, a dish in her day.***SPOILERS*** All is well until the German officer finds out that Marvin & Moore are poaching his tax targets and he revenges by burning down Marvin's house and killing the infant of Moore and Parkins. Now all bets are off and lightheartedness ends. Now the German officer, his friends, his coworkers, his countrymen, his soldiers, the people who owe him money and everyone that looks like him must die. So ultimate revenge is had and in a fitting poetic justice, Mom of infant Parkins, extracts the final measure of justice from the German officer.Another reviewer wanted to know why the title was "Shout at the Devil". The reason is that when men do evil, thier destiny is Hell, where all they can do thereafter is "shout at the devil".9 of 10 stars