Great Film overall

Disturbing yet enthralling

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

This is a very funny film written and directed by Marshall Brickman, who wrote Woody Allen's ANNIE HALL, MANHATTAN, and MANHATTAN MURDER MYSTERY, as well as numerous other films. He only directed four films, of which this is the first, and it shows the least directorial skill unfortunately. His second film LOVESICK (1983, see my review) was much more satisfactory as a film. SIMON should have been far more hilarious than it is, but Brickman was too inexperienced and did not plot the pace sufficiently to keep the action moving, so that it repeatedly sags with people talking for too long, and with too much space between the jokes. However, it is very good value if you are willing to go with the flow and not mind the minor faults. Austin Pendleton is the co-star, along with Alan Arkin, and Madeleine Kahn is one of the two female leads. Austin is my cousin, and I believe he and I met Maddy Kahn together for the first time at the Upstairs at the Downstairs when she was still doing live shows, long before she was ever in a movie. This film is a comic sci fi caper, where a think tank full of mad scientists interested in brainwashing techniques, which is run by Austin, choose Arkin for an experiment. They put him into an isolation tank for a very long period of sensory deprivation and persuade him that he is an alien. Much of the comedy then results from Arkin's behaviour once he comes to believe this. Wallace Shawn adds good support, as he always does. I won't spoil the ending by discussing what this all leads to, but 'a good time was had by all', as they say.

Alan Arkin does love mind-bender roles, doesn't he?, and this gem was a virtual playground for him!The players are all top-notch, and it's never dull for a moment.. but to explain it... hmm, wow.. well, it's really a film you have to judge for yourself.. It's very much like Woody Allen's "Sleeper", which I could watch all day long and still laugh as if I'd never experienced it before! And also herein are wisps of Arkin's most well known work, "Catch-22", in that it does deal with the mind and all its weird wacky wonders!It's a sort of surreal fun romp, that takes you on one velly intellesting ride.. the scenarios are all hilarious, and it's a must-see for anyone who loves Alan Arkin, Austin Pendleton, and especially (Woody)Allenesque films, that take you just a bit to the left of the center of reality~ ..Ah, but then, that's trying to describe it, and again I recommend that you find it if you can, (I believe it has been put to DVD now), and experience it for yourself, because I would be hard-pressed to whittle it down to a simple description myself!It's a screeeam, it's got a fabulous cast, and it's got a heck of a lot of phenomenal writers and creators behind it.. A highly underrated classic! . . . Do yourself a favor and see it! :)

If you haven't seen this you are missing out on a real gem. It was an underground cult hit upon release, then vanished into obscurity. This is a clever, truly brilliant film and it's a true crime that it hasn't been released on DVD. One of Arkin's best performances, up there with Seven Percent Solution. A bizarre film that can appeal to all fans of Woody Allen films, Mary Hartman, Mary Hartman TV show, etc. One highlight is the reference to the old TV program, Celebrity Bowling, which of course itself was one of the most bizarre things ever to hit TV screens. Worth the price of admission for that joke alone! Attention producers: DVD required asap please!

"Simon" is dated by a number of the foci of different scenes (sensory-deprivation tanks and princess phones, for example). Still, it is one of my favorite comedies despite it's flaws. I can't qualify its appeal to me as entirely rational or securely grounded in aesthetic standards. I saw it on one occasion with a close friend of mine and my house mates at that time. He and I laughed our heads off while the house mates were puzzled by both the film and our reaction. They didn't like it. It's probably a safe bet that those who like the film "Annie Hall" will like this. The introduction to the secret government scientific foundation is a gas as is the "evolution" sequence. The composition of the closing shot is almost painfully beautiful but its impact is much diminished in versions formatted for television.