Very disappointed :(

Truly Dreadful Film

Am i the only one who thinks........Average?

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

I came to this movie without any preconceived notions or expectations. I don't usually watch westerns (I don't think Shanghai Noon or My Name Is Nobody would be considered as such by the great and the good!) but as I like Matt & Jeff Campagna's style, I thought it was worth a look.The movie opens with the four main protagonists in a situation where you just KNOW someone will get shot. What is going on? How did they get here? These questions are answered as the movie progresses, and even though you are expecting a twist, you will not guess what that twist is ultimately revealed to be! I must admit, I wasn't sure what to expect of this movie, I didn't know if a "Post Apocalyptic Western" was going to be to my taste. Well, if this offering from the Campagna Brothers is anything to go by, I can't wait to see the next Internext Studios production! The desert location, the western-style characters, the preacher, the secret town, all add to the story, which is well written, well told, and very engaging. I watched out of curiosity, but I'll watch again just to enjoy the movie again! I don't want to spoil your enjoyment of this movie by revealing too much. However, I must say that even though they claim it was made on a "shoestring" budget, and sometimes that is noticeable, it doesn't detract from the story, or from the way it's told. The cast do a great job, and I would highly recommend it.

The overt mythic qualities of Six Reason Why nearly suffocate the agile and action-based story line that concerns cowboys laying down the law of the land with their six shooters. Long moments are spent showing the cowboys guns fingered into readiness as they face each other down; characters peer at each other from beneath the brim of their hats; the only horse in the film gets long camera takes almost as if as a separate character his appearance states a certain truth about the place this film holds in the Western myth.The filmmakers eschew any semblance of character goal-achieving objectivity by locating the essence of their tale in storytelling and a dialogue-driven re-affirmation of the code of the old west, with more than a few twists and turns to renovate the film vehicle into a post-modern parable told and retold in flashback as with each successive plot point we go into each character's past to see how they have arrived at the present place in the tale. The overt concept that the Nomad uses as motivation for dispatching his prey is nebulous and without an objective correlative that identifies it must be found in the viewer as part of the baggage he brings to the film from seeing just this kind of western before.

... have I been this disappointed in a supposed breakthrough low budget Indie.This film is a bit of a stretch I'd say. Casting a bunch of fresh-faced 20 somethings with new beards, earrings, and barely a grasp of cowboy dialect doesn't do much for a film billing itself as a Western. The convoluted narrative left me with a total lack of interest about halfway through the film. The score was pretty good, cinematography decent, but I'm sorry, I just couldn't make it to the end. Next time, try tailoring your script to fit better with the resources you have available.

I set out wanting to like this movie.While not a tremendous fan of the Western genre, I enjoyed 3:10 to Yuma immensely, and thought I'd give this movie a try.All I can say, is that I admire the attempt. The Campagna brothers gave it their all, and for that I applaud them. However, this movie was terribly over-acted, more than a tad unbelievable, and cluttered with outdated camera techniques.The film follows the exploits of The Nomad, a mysterious individual who drifts through the uninhabited wastelands of the West. His only company is an unnamed white horse that he never rides. It is slowly revealed that he has been trained by the inhabitants of a ruined city, sealed off from the rest of the world by the western desert. The nature of his training, and his overall mission, is never fully revealed. All we know is that his horse "Will never leave your side as long as you draw breath." and that he kills all those who try to traverse the desert.He grows tired of his wayward life, and begins to form a plan to escape the horse and, presumably, his duties as... well, whatever he is. Guardian? Gatekeeper? We don't know. At any rate, he runs across a man dressed in black, who he takes a liking to. He makes a deal with this man, explaining that the they will rendezvous in two days time, at which point the man in black will pretend to kill the Nomad in an attempt to fool the horse.Let me just say that, as we don't know what the horse is or what makes it so special, this plot point is just a little ridiculous.After the Nomad parts company with the man in black, the Nomad confronts two travelers on the road. The claim to be tracking the man in black, for the murder of Man #1's father. In exchange for what appears to be a AA battery (!?) the Nomad agrees to guide them through the desert.At one point they encounter a large lake, which the Nomad claims has been tainted with E-85, which broken down pumps had drawn out of the ground. May I point out that one does not drill for E-85? The 'oil' had, according the Nomad, powered the "Old Machines". At this point in the film it is firmly established as being at some point in the future.I'll skip to the end. The man in black, the Nomad, and the two Travelers end up in a shootout, ending with the Second Traveler stealing the horse. It is revealed that the Second Traveler is secretly the employer of the Man in Black, and an outcast from the city the Nomad is supposed to protect.The plot isn't too terrible, as far as science fiction/westerns go. But the back story is never fully explained. Furthermore, the acting quality was fairly terrible in respect to the main character. The Nomad utters each syllable with the emphasis of Duke Nukem or Batman. The Man in Black doesn't fit the role of dangerous mercenary at all, and the apparent bad-guy (Traveler #2) has some kind of speech impediment or strange accent that makes him almost comical; especially as his character is something of a mentor to Traveler #1.The desert is not set in a desert, but some kind of arid mountain range. This is really no problem, except that it completely removes the sense of desolation that the film would benefit from (Hidalgo et al.)There are some scenes that utilize truly archaic camera and editing techniques. A sequence in which the two Travelers cross a bridge does not simply fade out as it should, but turns to negative colors and stays on the screen even while the next scene starts behind it, giving the sequence the feeling of being put together in I Movie (the IMDb spell check won't let me spell that correctly) by some high-school Film Society members.The other thing that really gets me is the use of the zoom feature, and I will explain why. Watching old movies, I.E. pre-1985, you quickly notice that they use the zoom a lot. This is because it's a hell of a lot cheaper than building a dolly track. But regardless of how much money can be saved, the zoom feature should not be used in a movie like this. This film is full of smooth, slow pans and dollies. To ruin one of these shots with zoom is easy, because zooming as opposed to dollying makes the movie look dated and cheap. The only excuse for using zoom is if you also use combat-style battleground footage, e.g. Battlestar Galactica or the last scenes of Children of Men.They tried. They really did. The story was there, and the characters had potential. I say this largely because I'm a sucker for post-apocalyptic Sci-Fi. But regardless of my personal bias, this movie just fails to pull itself together. I don't recommend it.