Pretty Good

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Slow Burn is.. odd, to say the least. Living up to its title, it pretty much goes nowhere, tagging along with James Spader and Josh Brolin as they stumble around in the desert, both hitting on treasure hunter Minnie Driver, who constantly outwits them. This kind of lower budget, steamy stuff just seems to have a licence to languish, in the sense that story is of little concern, it's more about mood and episodic character interaction than anything else. Spader and Brolin are doing the 'Of Mice & Men' shtick here, playing two hapless escaped convicts, one a sharp tongued weasel (Spader) and the other a dimwitted lug (Brolin). They're kind of lost, in both perpetual arguments and the vast Mojave around them, when they run into Driver, whose presence, and the idea that there's a whole whack of diamonds buried out there somewhere, inevitably stirs things up. The diamonds belonged to her parents, and there's hazy scenes relating back to a tragedy involving her gypsy father (Chris Mulkey, briefly) and a mysterious character played by Stuart Wilson who serves as pseudo-narrator as he wanders around out there too. Got that? It's OK, they barely explain it better than I just did, I've seen the thing twice and I'm still not sure how it all adds up either. Sweat, sand, sensual looks snuck between Brolin and Driver, dreamy atmosphere, threats of violence from Spader's overacted, crazy eyed moron, a treasure hunt and general lack of cohesion is all you'll find out here in this desert. Good for an absent minded watch or for background noise, not much else though.

This little budget film concerns a a couple of American young (Chris Mulkey and Benedetti) with a little girl named Trina are searching for a familiar heritage what were lost in a Mexican steam desert when their grandmother died . But the Trina's parents are mysteriously deceased and she (Minnie Driver) , one time grown , goes on the search a box of missing diamonds against the advice of Frank (Stuart Wilson), an old parents friend . Meanwhile, Trina looks around , the treasure has already been found by two escaped convicts (James Spader, Josh Brolin) and take Trina hostage and steal her car . When the car is crashed , Trina attempts to dupe both cons against one another and so she can catch the valuable stash of diamonds . Then they're forced to struggle for stay alive , with no water, in a desperate quest for survival.This is a predictable adventure involving valuable diamond smuggling , it is an intriguing story that contains lust , ambition and betrayal . Packs suspense , thrills , ending twists and a little bit of action . Recounts the life survival story of a trio along a remote desert . But the director doesn't focuses totally on desperate quest for survival , choosing instead to focus on all aspects about ambition , lust and greed and including a brief psychological studio . The motion picture was middlingly directed by Christian Ford in his first and only one movie . He's usually writer for TV Sci-Fi movies (Star Trek : Deep space nine , Category 7: The end of the world , Final days of Planet Earth) and comedy (Kazaan). Rating : Average though entertaining .

The reason I rented this film was because it featured James Spader. However, after watching it I would say Mr. Brolins performance deserves far more kudos. Overall, the film was so-so. The plot was a tad shaky and not layered out very well. Minnie Driver did a good job of looking haggard and perplexed but her role did not require much else. Spader was fine but his accent drove me mad. It was a funky cross between a man with a frog in his throat and a fellow from New Jersey. Despite the lackluster pace of the film I enjoyed every minute that featured Duster(Brolin). He played his character with depth and was convincing. I really liked that he had a special protection feeling for the bird, that was sweet. Overall though, this film was pretty shoddy and could have been a way better piece than it was.

As a Minnie Driver fan, I couldn't believe the tawdry disaster unfolded in the telling of "Slow Burn." Produced in part by Two Drivers (Minnie and her sister, Kate), it gives the impression of two intelligent women based on self-destruction. For three generations, Minnie's forebears have been consumed with the search for her grandmother's remains, and with it, the diamonds with which she disappeared into the desert so many years ago. It has consumed all of Trina's (Driver's) life, from infancy into young womanhood. Now, only Trina and her older mentor (and Mom's former lover) are left. Trina has promised that this will be her final year of searching. After this season, she'll throw in the towel. Two bumbling escaped convicts, one a bit dim (but basically of good heart) - the other given to apparant glimpses of insight between fits of pique, literally stagger upon what three generations of desert veterans have been unable to find. One of the cons is played by James Spader, and I swear I didn't recognize him. (As Martha Stuart might say [as far as a career move is concerned], "This is a good thing." His agent would agree. In short, there are disabled trucks with runaway tendencies. Said trucks seem to appear meaningfully late in the movie, almost cluttering the set ... despite their mechanical devastations. With trucks like these, "OK! I'll take the kids!" There's a sterility in interpersonal relationships that makes evem Driver's character appear to be a cardboard cut out. Is this love in bloom, or heatstroke. There's even a touch of 'Marathon Man" here, for those with expensive "tastes." The premise should have been developed into a taut thriller. However, neither the viewer seeking justice nor the sophisticate in search of irony comes away satisfied. There's a lovely and colorful little bird to win your heart; but this is not the bird director Chrisyian Ford delivers to paying audiences. "Is it safe?" to see "Slow Burn?" Only if it's free and you're desperate for seeing Minnie Driver on the big screen.