Let's be realistic.

Dreadfully Boring

Disturbing yet enthralling

The film may be flawed, but its message is not.

Entertaining kung fu comedy/drama, typical of its kind and evocative of a period in which the Jackie Chan film DRUNKEN MASTER and others led to a wave of then new-style Hong Kong flicks all following the same premise. Fans should know the routine by now: a young, accident-prone young man decides to learn martial arts after being beaten by one or more bad guys. The teacher refuses to let him learn but eventually the young man's skill and enthusiasm lead the teacher to accept the offer of a new pupil. The young man uses his new-found skills to beat up those who had previously fought him, and the bad guys fight back by attacking the school. Eventually, outside help is called in, people die, the story takes a dramatic turn, and things play out in one long battle to the death at the film's finale.Where SNAKE IN THE MONKEY'S SHADOW excels is in the quality of the action offered. The various martial artists are very very good indeed and their fights and training kept interesting through the three different styles involved: the bumbling, idiotic "drunken" style; the agile, flexible "monkey" style; the quick and deadly "snake" style. Add in plenty of fight sequences involving the various styles battling against each other, a whole new style being developed in the process ("drunken monkey") and an almost profound fight scene between a real-life snake and monkey and you have an evening's worth of entertainment for the average kung fu fan. Ignore the lack of budget and familiarity of the plot and instead sit back and witness some great kung fu fighting which doesn't let up. There are no slow spots or weak areas in the film, instead it offers action-packed entertainment from start to finish.John Cheung is no Jackie Chan but performs well in the title role, making an effective transition from clueless newbie to new-fangled martial arts master. The supporting cast is highly effective and blessed with some very skilled performers who make complex moves look simple and easy to perform. The fight choreography is outstanding. The comedy value is high, especially at the beginning of the movie, and the typical dubbing job plays out the comedic aspects of the storyline by giving the one of the villains a stereotypically homosexual-sounding voice. As such the film stands head and shoulders above similar fare from the period – even over praised classics.

I haven't seen many Hong Kong kung-fu classics, but watching this somewhat demented zero-to-hero pic has certainly perked my curiosity about a genre I know little about but which, on this evidence, offers delirious pleasures.After an abstract credits sequence showing human bodies in mortal combat, the film begins with a kind of prologue in which a master practitioner of the snake style of kung-fu is beaten by a master of the monkey-style. The snake-master begs his vanquisher to kill him, but the monkey-master spares his life. Snake tells monkey that he will regret this...Years later, a rube of a fishmonger's assistant yearns to study the drunken-style of kung-fu at a local school. After being beaten up by a couple of arrogant sons of a local feudal lord, the fishmonger begs the drunken-master to teach him, but instead is taken on as a skivvy. He clandestinely practises the moves he sees being taught, and soon proves himself more adept that the official students. He gets his revenge by beating the sons, and drags his master into the fray when their father seeks redress. The rich man hires two snake experts to teach the drunken-master a deadly lesson, and one of the snake experts is the master from the prologue.The monkey-master is also involved, as he is now living in the same village as a hermit who befriends the hero. When the snake-assassins have killed both drunken-master and monkey-master, the novice learns to combine the monkey-style and drunken-style in a way which proves fatal to his foes.The film is basically a string of fight sequences, linked by this flimsy story-line. In their way, the fights are equivalent to musical numbers in musicals and sex sequences in pornography - in fact, the careful choreography of the fights and the eroticism of the young male flesh in Snake in the Monkey's Shadow makes the comparison to these two genres very apt. Yet the most striking sequence doesn't involve human combat - there's a truly nail-biting fight between a tethered monkey and a hissing snake which is prolonged, vicious and chilling, not least when you think of how the animals in question must have suffered to get it on screen.Animal cruelty, campy dialogue, paper-thin & polarised characterisation, unfunny slapstick and eye-popping set pieces strung together in a flimsy storyline - Snake in the Monkey's Shadow is classic exploitation fare. It's kinetic displays of human and animal flesh contorted into extraordinary shapes and stretched to the limits of endurance, all with kinetic fury, makes the film a text-book example of what popular cinema is all about, for better or worse.

Long before the Kung-Fu cinema of this period became a cult following and channel 5 (FOX) started running the more contemporary of these movies on Saturday afternoons, my cousin told me about a movie that he'd seen on 42nd st. (NYC, the Mecca of the kung-Fu craze) that I had to see.As a kid, we had grown up on some of the older stuff, 5 Fingers Of Death, 7 Blows of the dragon, and all of the Bruce Lee movies. Most of this during the blackploitation era.Then there was a lull in our Kung-Fu diet, well as far as anything new and different was concerned.So when I finally saw this with my cousin on his recommendation (Said it was so good he had to see it again) I was blown away. I'd never seen anything like it before or since (with the exception of "Kung Fu Hustle" which now ranks a 10 on my greatest Kung-Fu list) The story was tight, the choreography was above average for it's time and the cinematography was top notch.What I like best about this movie, compared to all the others, is that you didn't see a guy get punched or kicked 12 times before coughing up blood and then coming back to give 24 blows of his own before that person hacked up a lung.This was a three to four hit minimum movie, which means there was more focus on style and defense in the fight scenes before eventually someone scored a hit, and when they got hit, they felt it..like a real fight more or less.Also, this was one of the first movies to give you the styles that appeared here....Drunkard, Monkey, Snake and when you think about it, all three are the more flamboyant of styles (not to leave out the Mantis style) I've argued with other Kung-Fu aficionados in video stores over a novice's query as to what's the best Kung Fu movie to start out with.Hands Down, you up your Kung-Fu appreciation immensely with this gem.

I saw this movie with a large audience at a film festival recently and it nearly blew the roof off the place. It's a perfect example of an entertaining film, without a single unnecessary scene. Of course the fight scenes (the reason you're watching a kung fu flick in the first place) are great. This film has a real sense of humor and a great pace; it could be useful for converting new fans to the whole genre.