ridiculous rating

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

An old-fashioned movie made with new-fashioned finesse.

"Snowman's Land" is the second film written and directed by Tomasz Thomsen and came out almost 10 years after his first work "Stiller Sturm". The main character is played by Jürgen Rißmann and while I was occasionally not sure if he was boring or quietly convincing, as a whole, I liked his performance. It was a mix of the two characters mentioned in the title of my review. He also had nice physical presence. There were quite a few indicators of what is going to happen. For example when his young colleague (reminded me a bit of Pinkman in "Breaking Bad") tells he is unbreakable at one point, it was fairly obvious he is not gonna survive this movie. Same goes for the character played by Kanischtscheff. When he keeps rambling about how this is all gonna be his I felt that he will be killed off at some point as well.I personally enjoyed the first 30-45 minutes of this film the most. There is not really a lot happening, but the tension between the two contract killers and the woman is pretty interesting. When Berger enters the picture, it gets slightly worse, although I liked the idea that they wanted to try to kill him. However, he was faster. When they find the girl and Berger suspects somebody else, it all gets a bit weak and the best moments of the film had already passed. Especially that bald muscular guy all of a sudden knocking out Berger was so out of nowhere, certainly one plot twist too many. I'm not too big on the narrator either. The ending was a bit strange as Berger and the bald guy suddenly disappear and Rißmann's character actually manages to get into safety. It would have made sense if they, according to the title, would only have displayed what happened in the snowy forest area, but early on and also the final scene took place somewhere entirely different. Maybe too much of a forced happy ending for my taste.This film works best with its dark humor. The dramatic sequences were not that great mostly and it was not an outstanding thriller either, but that whole tongue-in-cheek approach is well done. That intro was pretty entertaining with the botched shooting. All in all, I recommend watching it. I just wish the second half of the film could have been half as superb as the first.

This "thriller" has a wandering yet fittingly weird plot, but the film sets the role of acting (and the lines actors are given to work with) into unusually high relief. A laconic loser whose expression almost never changes (with perfectly greasy hair) is coupled with a younger, fun-loving guy very much NOT of the overdone stoner-dude type that populates so many American movies. It takes a lot to worry this childlike "man," and the actor is possessed of a sweet, rubbery face of infinite expressiveness that makes the story a true joy to watch. For example, the transformations that flicker across his increasingly lustful countenance as a hot babe talks about sex are a wonder -- this is method acting at its most delightful. He's got a metal plate in his head that makes it bullet-resistant, which could have been cartoonish, but is somehow just right for his character. He's a 33-year-old (my guess) who never left junior high. His companion pulls his weight in the other direction with his world-weary ennui (not to mention boredom, anxiety and flickers of intelligence and terror). It's weirdly fun to watch an occasionally very suspenseful movie carried along by two such un-German Germans (to those familiar with Germans as they're usually portrayed). I was very entertained by this film.

I was at the German premiere night and I love this film. Kaurismäki, Cohen Brothers, von Trier and Faith Akin all rolled into one. Great cast, but the scenes with Eva-Katrin Hermann, Thomas Wodianka and Jürgen Rißmann should be singled out for their blue touch paper comedic timing and dramatic control.Lensed by Ralf M. Mendle on Red, there's not a single duff shot in the film. The script is a delight and the direction is masterly. Thomasz Thomson helmed this low-budget cult pic: he will definitely be back with another in-your-eye script and a way bigger production budget. Watch this space.Disclaimer: I have no work or financial involvement in this film.

Snowman's Land is about a couple of hit men who are sent to a remote snow-bound house to fulfil an unspecified mission. While there they accidentally kill a crime-lord's wife and shortly after this, things begin to spiral out of control.This German crime film is essentially character driven. There are a number of quirky personalities who populate the narrative. And some humour is certainly derived from the interactions between these people. Most of the strength of the film comes from this, as the storyline is basically quite weak. The plot-line is extremely loose, where things happen and twists in the story occur with very little overall purpose. The interaction between the femme fatale and the hit men, for example, has the potential to lead the story into interesting territory but it never unfortunately really happens. Instead, her accidental murder more or less becomes an irrelevance and the story moves on into a less interesting direction. Generally speaking, the focus of the movie is very much more on deriving humour rather than thrills from the crime story framework.Snowman's Land is by no means a poor film; it's just one that could have been so much more. While it is funny and inventive at times, it is also a bit too unfocused for its own good too. Worth checking out if you like quirky crime comedies though.