the audience applauded

The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

This is a gorgeous movie made by a gorgeous spirit.

"So Big" did a lot to salvage Barbara Stanwyck's career. Apart from "Ladies of Leisure" which had prestige, many of Stanwyck's early films were potboilers and, often, her's was the only performance worth watching. This story of mother love and self sacrifice was dear to people's hearts at the time (struggling through the Great Depression) and Stanwyck's honesty and earthiness made her a natural for Selina Peake. Warners surrounded her with the best talent they had - William Wellman directing, George Brent as the male lead (although his part lasted barely 10 minutes) and the studio's new ingenue, Bette Davis, in an interesting role as a young artist who tries to guide Dirk back to his roots. There were also two of the better child stars of the day - Dawn O'Day was Selina as a child (five years later, as Anne Shirley, she would play Stanwyck's daughter in the acclaimed "Stella Dallas") and the very cute Dickie Moore as "So Big" as a child.In many of Edna Ferber's books the male characters didn't hang around, they either abandoned their family or were killed off (Ferber never married and many critics felt she didn't really understand men) and "So Big" was no exception. Selina's beloved father (Robert Warwick) is shot (he has a gambling house, a fact that all through her childhood has been kept secret). The only friend who hasn't deserted her secures her a job as a teacher in High Prairie, but her first impressions of the town are not favourable. She finds the Pooles, her host family, ignorant and crude, the mother (another thankless role for Dorothy Peterson) is worn out and old at 31. The one ray of hope is Roelf, who is eager to learn and, when Selina arrives, is half way through reading the dictionary. He also departs, after a time, to make his way in the world.Selina marries Pervus DeJong (Earle Fox), a decent farmer, but someone who is mired in the past and won't learn new ways or experiment with different crops - asparagus for example. Life is going to be a long, hard struggle but his death gives Selina the opportunity to try new methods. All she has left is Dirk (Hardie Albright) but he is a bitter disappointment to her. Not only is he materialistic and worships money, he is also going about with a married woman, who convinces him to give up architecture for the lucrative field of advertising. With his new executive postion he is slipping further from Selina's values, but he then meets Dallas, a young artist, who convinces him to find truer ideals. Roelf has just returned from Europe, where his renown as a sculptor has made him a celebrity, and he is eager to see Selina, who he regards as his inspiration. Together, they all return to the farm and the film ends with Dirk's realisation that he had been misguided and Selina has known all along the answer to true happiness."So Big" is just "So Wonderful". One of the nicest scenes (I think) is when Selina, newly widowed, takes "So Big" to market. There, they meet two "ladies of the night", one of them, Mabel, strikes up a friendship with "So Big". Another small role for Noel Francis, she always played shady ladies but she had the bearing of a Duchess.Highly, Highly Recommended.

This is an extremely condensed version of Edna Ferber's Pulitzer Prize winning novel. It moves much too fast, missing the epic scope of Ferber's writing, but it works on its own small terms, establishing characters, filling them out, though in miniature, and telling Ferber's story. I wonder what she thought of this version! Stanwyck is wonderful in this, simple and straightforward, really playing the character. This was an amazing performer. The more I see of her body of work the more impressed I am. She could do anything, comedy, serious drama, playing all kinds of characters from good to bad, "dames" to ladies.Bette Davis shines in this early performance. She was only twenty four years old here, and without tricks or gimmicks (the kind she would use increasingly as she got older and the passion for acting faded) she plays a character, inhabits her, plays in the scene and really holds your attention. She looks lovely by the way, even with her platinum dyed tresses.

This movie is simple and true to the tale it tells.The casting is fine and honorable. Barbara Stanwyck is very touching as the young schoolteacher in a rural area.The way she arrives at the name for the person who is the tile character is sweet and genuine. When we flash forward, and she is made up to look genuinely older, he is a real pill, and our hearts break. But what better salvation for a young man on the make could there be than the young, blonde Bette Davis, forceful and sympathetic as an artist who turns him around so his mother can again be proud of him.

Well acted by Barbara Stanwyck, and, in a lesser role, Bette Davis. Stanwyck's make-up to age her throughout the film is remarkable. I must mention one part of the film that, though unintentional I'm sure, to me was funnier than the campfire scene in "Blazing Saddles". In several scenes Stanwyck asks her small child, "How big is my boy? How big is my son?" The small boy stretches out his arms and says, "Sooooo big!". Thus the name of the film. But toward the end, Stanwyck, as an old woman is in bed, and she asks her now grown adult son who is standing at her bedside, as a way of remembering the past, "How big is my son?". And he replies by taking his two index fingers and expanding then about 10 inches apart, and say with a smile "So big!"