The Worst Film Ever

Just perfect...

Good concept, poorly executed.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Jane Budden (Myrna Loy) has decided to leave her farm and move to the big city in order to find a husband. Unlike some women, Jane is very open about wanting a successful husband and why she ends up marrying the far from successful Hiram Maxim (Dno Ameche) is perplexing. However, over time, this crackpot inventor actually turns out to be very successful. This film is about their life together and the family. Interestingly, unlike many other films of the era, this one is relatively uneventful--more a slice of life film instead of one with any great events or crazy happenings. Instead, it's just a nice little showcase for two actors away from their home studios (Loy with MGM and Ameche with 20th Century Fox) and doing a film for Universal. Nothing great, nothing bad about this one...just a nice story and nice acting.

This is an odd film. It's a biopic of a real inventor, though in the film we learn nothing about his inventions. Instead, we learn about his family life. There's almost no real plot. Just a series of portraits of three lives -- Hiram Maxim (very nicely portrayed by Don Amece), his wife (Myrna Loy, who also is wonderful here), and their son (the tragic Bobby Driscoll). I wish I could tell you what the plot was...but I can't. It's just a very charming, nicely acted, somewhat lavishly set period piece. There is a bit more humor than would be realistic, but the movie is more about relationships.I guess what makes this film so appealing is the acting. I always felt that Don Ameche had a very strong and likable screen personality, and that is very evident here. The same can be said of Myrna Loy.I feel at a loss to describe why you should watch this film...yet I recommend you watch it.

Ameche and Loy are playing roles not unlike more brilliant performances in more brilliant movies during the 1940's. That doesn't make So Goes My Love any less enjoyable despite the unnecessarily esoteric title. A more appropriate title would have been The Unconventional Hiram Maxim - a British-born inventor who lived in Brooklyn and, according to this movie, was fond of eschewing dignity. Loy is as successful here in engaging her co-star in remarkable chemistry and holding her own on the comic front (her smoking of a cigar is hilarious) as she was to be in her upcoming masterpieces Life with Father and Mr. Blanding Builds His Dream House. Ameche, fresh off Heaven Can Wait - one of my personal all-time favorites - and having perfected the inventor biopic in his essay of Alexander Graham Bell, is ideally cast as Maxim and has excellent chemistry with Loy. Add in highly competent support by Bobby Driscoll as Loy and Rhys WIlliams as an equally eccentric portrait painter and you have a highly amusing if episodic 80 minutes of entertainment.

Based on Hiram Percy Maxim's memoir, 'A Genius in the Family,' this film attempts, rather poorly, to explore the comedic aspects of Maxim's relationship to his father, Hiram Steven Maxim. Taken by itself, it's a rather superficial film about the man who revolutionized the machine gun, by inventing the version that operates on the power of the bullets' expelled gases. Maxim's accomplishments are hardly mentioned, instead depending on the fictionalized relationships between his wife and son. The younger Maxim, by the way, founded the American Radio Relay League, the national organization of radio hams. While he he is famous to that particular fraternity, he is virtually unknown elsewhere, and even his father's fame is now largely forgotten.