Southern Comfort
Southern Comfort
| 25 January 2001 (USA)
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This moving documentary chronicles the last year in the life of Robert Eads, a trans man dying of ovarian cancer. We're introduced to several prominent figures in Robert's life -- most importantly, his life partner and caretaker Lola Cola, who is also trans. The two prepare to lead a panel at the annual Southern Comfort conference, a yearly event created for transgender individuals.

Reviews
KnotMissPriceless

Why so much hype?

Lucybespro

It is a performances centric movie

Executscan

Expected more

Ariella Broughton

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

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bethanyj

This documentary is extremely well-made, taking the subject of gender that many tend to steer away from and making it personal, emotional, and applicable. Robert Eads is faced with a profound irony - after living his life as a man, he finds that the only biological part of him that is female is killing him. The infuriating piece of this story is that he is denied treatment because of his gender identity. The tragedy of this story is powerful, and it allows viewers to see the reality of society's prejudices against people who do not fit into perfect categories. The end of the film leaves viewers with an important question, "Nature delights in diversity. Why don't human beings?"

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idreaminamythyst

At its essence, Kate Davis's film, Southern Comfort, is about a transgendered man who is dying from cancer in his female reproductive organs. Southern Comfort is more than this, however. It also deals with the intricacies of the social community that the main character, Robert Eads, has surrounded himself with since transitioning from female to male, details the romantic attachment that Robert has formed with his girlfriend Lola Cola near the end of his life, and examines the dynamics between Robert and his genetic family. More than this, Southern Comfort engages in a discourse on human sexuality that serves to enlighten the audience viewing the film on the realities of transgendered life in the backcountry of the Deep South.

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Haydeck

This has to be the best documentary I have ever seen. Just a matter of time when someone will do a movie about Robert Eads, the most extraordinary southern cowboy. This documentary could have been mediocre if it wasn't for him, his incredible wit, optimism and intelligence. A real man from head to toes who ironically died of a widespread ovarian cancer, primarily because no doctor wanted to treat a transsexual. It is a marvelous real life drama that doesn't preach, it simply delivers the story that deeply touches you, points out the stupidity of prejudices and inhumanity of American health system and rises questions about what gender really means.

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Doug Phillips

Set in the verdant yet somehow stark landscape of rural Georgia this film opens with the female-to-male transgendered subject of the film, Robert Eades, stating: `This is Bubba country.' And he is SO accurate.This powerful film profiles transgendered people in very poor and very rural Georgia. Most of them are faced with poor or non-existent medical care by `professionals' that are, more often than not, embarrassed by their patients. These are people that are just trying to find a little happiness for themselves and receive what should be basic human rights -- and time and again they are denied those rights.While the name of the film is "Southern Comfort," that is also the name of the annual transgender conference/convention held in Georgia. The subjects of this film survive from one day to the next for the few days each year when they know that they are not alone. As Robert states: `For once we outnumber THEM.'Robert is in the nearly unbelievable position of being a man dying of ovarian cancer. He was unable to receive proper medical care because of the ignorance and uncaring of the doctors that were available to him. They all seemed to feel that he would be an embarrassment to their ‘medical practices.'There are horrific examples of surgical horror stories and botched operations -- with the ghastly scars to prove it.The interviews with the families of the subjects of the films are especially revealing:The son of Robert Eades (from when he was a woman) can't quite keep straight whether to refer to him as a man or as his `mom.' But it is clear that he loves him deeply.The father of Robert says: `I had a dream that my daughter would marry a man that would be President of the United States.' Never imagining for a moment that his daughter could be president. Because in his narrow and limited mind women cannot be president just as women cannot be men. He refused to have his face shown when he was interviewed.What shines out above all else in this transcendent film about a man's life is the wisdom, wit, humour and charm of a man who the system failed. Remarkably, a man that showed no overt bitterness right up to his death in a hospice.Lola Cola -- Roberts partner and a male-to-female transgendered person -- closes the film by saying: `Nature delights in diversity ... why can't human beings?'

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