I gave it a 7.5 out of 10

hyped garbage

A Major Disappointment

Story: It's very simple but honestly that is fine.

Affectionate tribute to the popular director of such low budget but financially successful films such as "House On Haunted Hill", "The Tingler" & "13 Ghosts" presents his life from unknown director on forgotten westerns and the like, to his big break on "Macabre", where he came up with the "Fright Break" gimmick to involve the audience in the picture itself, and made a fortune doing so. Eventually getting a contract with Columbia pictures, he churned out various pictures from the late 50's through the 60's, until times changed, and his brand of horror film was considered outdated. Can be seen on the William Castle 8-film DVD set from Sony, as an extra feature.

A very well received and insightful Documentary. This warm and glowing tribute to the legendary B-Movie Director/Producer is wonderful and heartfelt. There are many well known and peripheral Filmmakers and Fans on screen touting the talent and the quintessential showmanship of this Professional.The Film is a must see for Fans of the Director, Horror Movies, young Auteurs, and anyone with a curiosity about the industry and the behind the scenes "manufacturing" of Art as Product or Product as Art or whatever it was that he perpetuated in his long career.There are unexpected and unknown stories told here from family members and Friends and the whole thing seems welcome and comprehensive. As far as the Movies by themselves minus the signature gimmicks that drew audiences by the Millions, in retrospect, some of them, you decide which ones, are extremely entertaining and yes, shocking.There is one thing that must be said. If you are just beginning to seek out these Films, it is recommended that you see them first before viewing this Documentary. You will appreciate the Man and even the Movies much more. There are some spoiling scenes shown that give away much of His underrated work.

I gave it a 10, since everyone else seemed to like it and it would have been churlish not to. The reason I'm troubling you is to add a personal observation on Castle's work.I've seen "Homicidal" and "The Tingler" (the version with the clever colour sequence where everything except the blood is in black and white) a few times and "The House On Haunted Hill" many times.Even I am not old enough to have seen them when Castle was up to his showman tricks, thus I can appreciate them for their own merit. And while most pass him off as second-rate, schlocky, hammy, etc., I believe they do him a disservice.The end sequence of "Homicidal" is GENUINELY shocking and works today - and the premise of "The Tingler" while silly, was highly original.But "The House On Haunted Hill" was a TRIUMPH. Having used that Frank Lloyd Wright house as its exterior, the great Vincent Price and a solid cast, plus a good score and production values - when I first saw it at a packed late-night showing in the late Sixties, it produced an audience reaction I'd not seen before and have not seen since.It was the bit where the heroine is alone in the basement (if you've not seen the film, stop reading NOW) and we are waiting to hear the hero on the other side of the wall.With NO telegraphing of what is coming, the camera slowly pulls back, forcing the AUDIENCE to switch their gaze to... I'm saying no more (my "spoiler" declaration above only covers THIS movie).The point is, I believe this ploy was DELIBERATE - not accidental - and when it happened, the WHOLE AUDIENCE SCREAMED (including most of the men!) It took the audience about TEN MINUTES to calm down.Now THAT is superior film-making. A flamboyant showman he might have been, but "House" and the other two films I've mentioned were GOOD MOVIES. Castle may not have been a Hitchcock, but he was no Ed Wood, either.It's easy to concentrate on someone's quirks and forget to examine their TALENT. So I hope this documentary acknowledged that. I look forward to seeing it.

This documentary on schlockmeister William Castle takes a few cheap shots at the naive '50s-'60s environment in which he did his most characteristic work--look at the funny, silly people with the ghost-glasses--but it's also affectionate and lively, with particularly bright commentary from John Waters, who was absolutely the target audience for such things at the time, and from Castle's daughter, who adored her dad and also is pretty perceptive about how he plied his craft. (We never find out what became of the other Castle offspring.) The movies were not very good, it makes clear, but his marketing of them was brilliant, and he appears to have been a sweet, hardworking family man. Fun people keep popping up, like "Straight Jacket"'s Diane Baker, who looks great, and Anne Helm, whom she replaced at the instigation of star Joan Crawford. Darryl Hickman all but explodes into giggles at the happy memory of working with Castle on "The Tingler," and there's enough footage to give us an idea of the level of Castle's talent--not very high, but very energetic. A pleasant look at a time when audiences were more easily pleased, and it does make you nostalgic for simpler movie-going days.