Stylish but barely mediocre overall

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Solid but not brilliant Melbourne made telemovie. Stiff is the first movie made from the books of the Murray Whelan series & had that "first movie of the series" feel, a lot of time was spent establishing the characters & their relationships.The ending was a bit unsatisfying, the discovery that Gardiner was the bad guy & his final moments appeared to be rushed & that part of the story not fully fleshed out.Good to see brief cameo performances from Australian Labor Party legend Barry Jones & current ALP Premier of Victoria Steve Bracks. Would we see Liberal (conservative) Party officials appear in a film that takes pot-shots at their party setup? I don't think so!

Throughout Australian Film there are many examples where the nobler characters tend not to say too much. They tend to be quite laconic, resorting to the occasional outburst which might take the form of a diatribe aimed at life's foibles. Murray Whelan, played cleverly by David Wenham, is depicted as one of those characters. His self deprecatory humour is typical of the genre and a breath of fresh air. For me this film exuded Melbourne. Although maybe just a little harsh on the State parliamentarian. Delightfully idiosyncratic. Some of the scenes around the factory were hilarious. Less convincing may have been the villain , Herb Gardner, played by Alan Hopgood, and Lionel Merricks, played by Sam Neill.

This film, while written by a talented funny man, with a good acting line up, did nothing for me. It lacked a beginning, an ending and a plot. Finding a dead man then researching through everything, only to find Mr Whelan dogged by bad guys, and no link was ever established as to why. I expected better work from Aussie film makers. This only serves to send Australian films back 30 years when the merest hint of one sent shudders down my back. It wasn't funny, not even amusing, it totally sucked. An awful lot was said about fictional and notable Turkish names of employees at the meatpacking plant, yet no connection was established with them and that exclusive club, and having politicians playing cameos was just plain silly. Are Australian writers wanting to lose out to big budget companies in America when it comes to quality TV movies? The Australian public deserve better than the trash it currently gets. I'll give it a 1/10 and that's being nice.

Australian telemovies have a reputation to uphold. They are supposed to be poorly written vehicles for our much trotted out band of thesps to portray clichéd characterization coupled with inane dialogue. I must say, I AM disappointed. What I witnessed tonight was an interesting storyline with believable characters and a very talented David Wenham giving my cynical mind a reprieve from the standard fare. Shame on you! I liked the program. Wenhams' laconic Murray Whelan is certainly a treat to witness. He's like a scruffy Blue Heeler getting kicked from pillar to post but still keeps coming. You have to admire that sort of tenacity. I delighted in the gentle humour of the story and Murrays' optimism despite his train-wreck lifestyle.Anyway, I was happy to see a production that did not contain the usual suspects and would welcome many more Whelan adventures. Top shelf.