When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

STRAY is an indie drama that drags and drags and drags right from the outset. It's listed as horror but feels more like a dark psychological thriller, or at least it would if they'd remembered to add any thrills in. The female protagonist is a runaway with a murderous past who turns up in a small town to begin a new life. Will anyone uncover her dark secret? You won't really care in this slow-moving and uneventful movie which has a glossy, TV movie look to it.

If you are looking for a blood-and-gore horror film you will probably be disappointed with STRAY but if you enjoy tense, suspenseful psychological thrillers with plenty of twists and engaging characters you will be hooked. This film held my attention from the first scene right to the very end and, to be honest, I have found it hard to stop thinking about it. The story follows Jennifer, a young woman with a devastating secret who wrongly believes that she can escape her past. She returns to the small town where she was born hoping to get a job, find a man and live a normal life but what follows is an intriguing series of twists, turns and revelations that gradually reveal the truth about her. Although this is a low budget movie the acting and cinematography are solid and the story is completely absorbing. Recommended.

Awful. This "movie" earns all of it's one star glory on IMDb's rating scale with 1 being awful.I watched, as it dragged along, thinking it will get somewhere. Maybe. 3/4 of the way in to the go nowhere script I stayed to figure out if this was a Lifetime movie about a crazy bee otch, like they all are from that network. I assume it is by the commercial breaks interspersed throughout and the awful acting - if that's what you would call it.I was successful in figuring out the person who reviewed this before me was obviously involved or related to someone in this abortion. The acting left a LOT to be desired. As for the cinematography described by the other viewer as being so good, well I busted out laughing reading the review. (Hint: if you're going to write the review as a favor, next time dummy down all the Oscar worthy dialogue.) The script was laughable. A sophomore in film school could've done better. The reference to Psycho by the other reviewer was another clue they're involved in the making. This isn't even in the same ballpark!Do yourself a favor...don't waste any time on even pushing the play icon on this drivel. To exercise even that much inertia is more then "Stray" deserves.

"Stray"Nena Eskridge's riveting story of an abused woman desperate odyssey to find normality in a chaotic world is yet another echo of the dark side of past film noir classics. It is through Nena Eskridge's bold direction that this film defines itself as a "dark film" a.k.a. "film noir" through the films use of light and shadow and it's criminally inclined malevolent characters. While the film was obviously produced on a small budget, it reminds one of past classics like "Psycho" and "Identity". Nena Eskridge artistic rendering is painted with a broad brush filled with a Hitchcock cinematic type of magic that causes the viewer to wonder "What is going to happen next?" Actresses Gabrielle Stone provides a stellar performance as a confused and tormented young woman who is running from a dark past and is willing to do anything and everything to find a new life. This film is a timely reminder that "what we want, is not always what we want" and "what we get, is not always what we get". Arita Trahan turns in an amazing performance as an older woman that provides a much needed comparison as well as contrast to Gabrielle Stone's character. The cinematography provided by David Landau was excellent, and while the film was shot in color it still fulfills the necessary ingredients to be "film noir". Kudos to Nena Eskridge for the creation of her wonderful story of a woman with a mirror cracked personality who struggles to find a new life while trying to run away from a dark and disturbing past. This time around with Nena Eskridge's capable direction, the old adage "You Can't Go Home Again" takes on a whole new meaning.