I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

The film may be flawed, but its message is not.

Story: It's very simple but honestly that is fine.

Call it a war on espionage, a war on terrorism, a war for world peace. It's a serious example of the horrors of what evil will do to destroy freedom and create anarchy. This starts off with the most horrifying murder, that of a scientist who has created a tracking devise to prevent our ships and oilers from being detected. The enemy uses it for just the opposite, to be able to track tankers and destroy them so bombers cannot be re- fueled. When radio engineers are let go from their positions out of suspicion of being part of this espionage ring, one of them (Richard Arlen) unknowingly becomes involved with the villains, putting both the government and the bad guys on his trail.A subplot involving Arlen's niece being in surgery sugar-coats the drama which at its best has elements of film noir and at its weakest, elements of DrKildare. Some of the chase sequences with Arlen desperate to get the goods away from the Japs and Nazi's is close to what Dick Powell was trying to do in the same year's "Murder My Sweet". Wendy Barrie is along for the ride as a government agent who at first follows Arlene around and later tries to help him. One dimensional villains give a predictability to this interesting and often complex drama that isn't overloaded with war propaganda and is at its best when it focuses on the important elements of the story and gets off the unnecessary soap involving the little girl. More psychologically gripping than action packed, it ranks slightly higher than most of the propaganda filled action films released through Pine Thomas at Paramount around the same time.

It's a shame someone would equate this film to a propaganda reel. Unnecessary jingoism was part of American culture at the time. Only three brief instances of possible propaganda exist here -- 1) when our protagonist says he wouldn't want to join the New World Order because he doesn't like their tactics. Saying that is a bad thing? I guess it was not fair since we didn't get a Nazi response to how their way of life really is. 2) the quote over the intercom "You know what to do, boys" when the air squadron heads out for a combat mission. Unnecessary cheerleading in a movie, yes, but part of American film culture at the time. 3) at the end, when our antagonist becomes an American citizen, he says "We know our way of life is best, and we're fighting to keep it that way." Again, should the movie have been fair to Nazis by giving their point of view on their way of life? Seriously?!? Sometimes we know wrong is wrong and there doesn't need to be a defense of it. Therefore, not propaganda.Lastly, this movie does NOT defend the right to be an illegal alien. Nothing is illegal about our antagonist. He's a legal alien but not a citizen. Illegal status never once enters the conversation.Overall, an okay, swift moving crime/war drama that isn't very memorable but definitely not a terrible 76 minutes.

Richard Arlen generally took on films which had some thought involved over action. Here, the thought is missing.It is a McCarthy era style film about espionage, with Arlen as a "brainy" sort who gets into a lot more fisticuffs than one would imagine. We're given the FBI characters who really don't fit into any mold-they're not McCarthy, they're not sharpshooters, they're not any of the usual cinema stereotypes, and that may be the only thing going for this very generic spy piece, since the plot never even begins to make any sense.We have a "cute kid" of course, since a Hollywood male hero has to be a family man or former family man. The kid does an excellent job, too, but is really just a gimmick in this formula film.

You've got the makings of a neat little espionage thriller buried here in a 1940's 'B' programmer, not too dis-similar from the Charlie Chan flicks of the era. A stolen radio transmitter at the center of the story allows Nazi operatives to track the movements and destroy seafaring tankers loaded with oil by means of an enemy submarine. Recently fired from his job, radio technician Lewis Deerhold (Richard Arlen) is surreptitiously recruited to the Nazi cause under a false pretext, and winds up in a boat load of trouble of his own, dodging FBI agents and Nazi bullets as he tries to figure out who the good and bad guys are. Even his romantic interest, Ann Patterson (Wendy Barrie) winds up looking like she framed him in a set up, so you can't help feeling old Deerhold will get the short end of the stick either way it turns out.I have to say, I thought it was pretty harsh at the start of the picture for the FBI to call for mass firings in the broadcast industry just to see who might turn up sympathetic to the Axis cause. Not that I doubt it could have happened for real, but seeing it portrayed that way sent a nasty shiver up my spine. What's even more incredible, Deerhold's boss tells him straight up that the FBI made him do it - "I'm sorry old man, but we're at war..." But you know, the Nazis themselves were a pretty chilling lot too; how about that menacing 'Heil Hitler' salute among the bad guys.I'm actually quite addicted to these 1930/'40's era mysteries, but this is the first time I've ever seen a police chase featuring a cop on a running board shooting at a getaway car. Another first was catching Deerhold using the 'saved by the water wheel trick' at the Nazi hideout. And while we're at it, the death by tractor scene at the opening was also a novel way to open up a story. So for a virtually unknown drama from Paramount's early days, this one managed to entertain in quite the original fashion.Not to say that it was all credible, there was some goofy stuff too. When the American pilots locate that German sub and knock it out to high heaven, the toy sub they used to film the scene was pretty transparent - "One bomb, one sub, let's go home." And say, how do you explain amateur radio jockey Johnny hooking up with the Feds when they make the bust at Old Mill Springs? Sure Johnny, we can use a twelve year old along for the ride when we pinch the Fuerher's boys! Those little quirks aside, this could be the basis for a pretty thrilling modern day re-make in the right hands. Of course you'd replace all that 1940's gadgetry with the latest in electronic surveillance and telecommunications gizmos. The only thing is, you'd have to come up with an updated hook to revive the Nazis. Which by the way, wasn't the choice of Dr. Huneker's attack dog ironically clever - it was a German Shepherd!