Better Late Then Never

It's a mild crowd pleaser for people who are exhausted by blockbusters.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Any mafia don worth his salt will tell you that if you whack a guy, you've got to make sure he's got no kids that will grow up and come after you. Look at Don Ciccio in the Godfather Part Two. Failed to kill Robert De Niro as a kid. Thirty years later, dies with a huge knife in his gut. Same with this guy here. He doesn't even bother trying to kill the kid – he just lets him watch!Years later and that kid is now Christopher Mitchum. That's Robert Mitchum's son to us lesser beings, and in terms of inheriting his father's looks and acting talents, let's just say he looks like his father. Chris is bringing vengeance to the mob in a big way, gunning down people left and right (including Umberto Raho). Chris heads off for Italy while Captain Karl Malden picks up his trail.Once in Rome, Chris sets his sights on Claudine Augur, secretary to Mafia boss Don Alfredi and romances her by getting involved in a car chase with her! Claudine is won over by his car chase skills, and after getting in the sack with him, reveals that the Don has a daughter at a boarding school in France…Meanwhile, Karl Malden (whose nose was a product of boxing, I now know) starts doing a little research of his own, meeting with the Mafia boss, whom he knows personally, and trying to save the Don's daughter after she's kidnapped. Then again, things aren't that straightforward. Karl Malden is obviously one of those actors who would entertain ordering some chips at a Drive-thru, and he's good here as the soft hearted policeman who charms his way to the kidnapper.I'm not so sure about Christopher Mitchum or Oliva Hussey, mind you. Chris is a good action star but doesn't seem to get too excited about anything, and Olivia also seems to me to be very detached, no matter what role she's in. She does choose interesting films to star in, however. She was in the creepy-as-hell US slasher Black Christmas (1974) and the brilliant Australian sci-fi flick Turkey Shoot, as well as appearing in the post-apocalyptic Virus (1980) and Stephen King's It (1990). Mitchum didn't fare so well, but appears in The Day Time Ended (1977) and crazy Indonesion action film Final Score (1986). He also played 'ranch hand' in the 1993 film Tombstone. All that is relevant to The Summertime Killer.This isn't as violent or crazy as other Poliziotesschi films, and almost feels more American for some reason. Maybe it's due to a focus on characterisation. Be warned – there's an almost two hour long version out there too, but it's only added dialogue.

This vendetta story contains suspense , noisy action-packed , gun-play , motorbike racing and lots of violence . Acceptable Actioner deals about a six-year-old boy witnesses gangsters beating and drowning his daddy to death . Twenty years later , we follow the now-grown young called Ray Castor (Chris Mitchum) begins to chase and eliminate the mobsters who did it , determined to wipe out the entire band of hoods . As he systematically pursues and kills these gangs of hoodlums in N.Y. , Rome, and Lisboa . A police inspector named John Kiley (Karl Malden) investigating the murders , and a Mafia chief hires him to privately track down the murderer . A boss named Lazaro Alfredi (Raf Vallone) who heads the band , are just as determined to stop him . Meanwhile , Ray kidnaps his daughter Tania (Olivia Hussey) and things don't always go the way you expect .Stirring film in which there are nail-biting action scenes , drama , intrigue , explosion , suspenseful set pieces and big stars , if not much continuity . Chris Mitchum with his usual stoic acting -similarly his father Robert- , displays amount of weapons arsenal and fists killing nasties . Agreeable all action seventies Euro-nostalgia trip , being fast paced and rightly developed . An action filled European vengeance flick in which the avenger protagonist falls in love for his hostage and there are some thrilling motorcycle pursuits along the way before the final takes a slight twist . Successful crime thriller that follows the Vigilante genre in Charles Bronson/Death Wish style . It's certainly thrilling and exciting , though the morality may be questionable , even in this time, as the spectators were clearly on the Chris Mitchum's side . Mid-seventies Lisboa-Madrid come across as very European locations and serve as an excellent backdrop for most of the action . The plot was a satisfying mix of set pieces and unexpected plot twists . A fun and romantic snapshot in time and place in which a kidnapper falls in love with his victim . Varied cast formed by great stars such as Karl Malden , Olivia Hussey , Raf Vallone , Claudine Auger as well as Spanish secondaries such as Jose Nieto , Gustavo Re , Gerard Tichy , Ricardo Valle , among others . Even by today's standards, it would be good, provided someone cared to restore it's brightly colour , perfect editing, and natural sound . Atmospheric musical score by Sergio Barditti , even referenced in ¨Kill Bill. Volume 2 (2004)¨ , as score song "Summertime Killer" is taken from this film, heard when The Bride first enters Bill's hacienda. .The director was defending his name and career , but also his money in more ways than one , as he was one of the producers investing in the project . Antonio Isasi Isasmendi is a good professional , a craftsman who has directed several films in diverse genres , as adventures and action ,especially , such as The dog 1979 , 1968 Las Vegas, 500 millions , 1965 Estambul 65 and 1963 The mask of Scaramouche ."Summertime Killer" results to be a surprisingly solid little film , including some action scenes very skillfully staged Good revenge thriller is worth trying . This is a movie thats both entertaining and enlightening . Certainly worth watching if you're in the mood for something other than typical exploitation fare.

A young boy witnesses the murder of his Father by vicious mobsters, 20 years pass the Kid now a young man (Christopher Mitchum) plots his one man vengeance trail on all those responsible for his Father's death. Hot on his heels is a hard boiled cop (Karl Malden) who has been hired by he Mob to stop the kid, who has already killed a fair few of the Mob, The Kid's ace in the hole, is when he kidnaps the daughter (Oliva Hussy) of the leader of the Mob (Raf Vallone)in order to lure him out to make him an easy target, However things get more complex for the Kid as the two young'ns gradually fall for one another. A great piece of 70's Euro trash exploitation, with nice cinematography,great Motorbike stunts by the master Remy Julian and his posse of stunt men and a great score by Luis Baclov (Django). Both Mitchum and Hussey are excellent in their roles and they seem to develop some sort of surreal chemistry. Karl Malden makes the best of a very sparse script,

Hey there must be fans out there of the 70s European action movies. The king of the genre is Charles Bronson but a lot of other US actors packed up and headed over to Europe to churn out some mid budget violence.This time its Christopher Mitchum ( son of Robert), Karl Malden, and Olivia Hussey, with support from Italian Raf Vallone.Its basically the young man seeking revenge redeemed by love plot mixed in with the old cop with a guilty conscience who wants to atone for his sins plot. And its not half bad with some nice motorbike stunts, cool sunglasses worn by Mitchum and nice location photography in Spain. And of course there is that ambience found in these 70s Euro action films where there are long pauses, meaningful angles as well as a gallery of existential or thoughtful characters. Its no classic but its fun. The only question is when is Tarantino going to get around to this sub genre?