Terrible acting, screenplay and direction.

Good concept, poorly executed.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

I love ballet, and I love Swan Lake. Swan Lake with males as swans and a somewhat anti-romantic(in musical eras that is) approach in some scenes is a different production, but I like it for its uniqueness.And it is wonderfully done all the same. The story is classic and haunting, and the music is utterly amazing with a sense of elegance and melancholy about it.The costumes and sets are big and grand, not to mention they look wonderful. The camera work and editing helps hugely, and David Frame's conducting of a 27-member orchestra is commendable.The choreography is fantastic, not just in the solos and duets but also in the group dances which are very energetic without feeling too heavy. The performances also add a lot, Scott Ambler is great as the Prince and Fiona Chadwick is a suitably icy queen, but it is Adam Cooper's show all the way.In conclusion, different, unique yet absolutely wonderful and not one to forget in a while. 10/10 Bethany Cox

This work of art is just stunningly beautiful and powerful; I saw it performed on stage in London and bought the DVD version the next day. The soundtrack is excellent, the orchestra is well balanced and well conducted. The on-stage performances are breathtaking and moving. My only complaints relate to the vision mixing; a few dodgy camera angles and the rapidity of some of the cuts. This is ballet and although TV directors have a golden opportunity to enhance the experience by showing far more than a square-on proscenium arch shot, they should only rarely cut to anything closer than a mid-shot; certainly not for just one second, it is disorientating and it ruins the flow. Despite the fact that I think the editing leaves a lot to be desired I still give it 10 for sheer mastery in every other area.

Matthew Bourne's Adventures in Motion Pictures company produced this version of the classic ballet, using an almost all-male cast, first as s stage show and then immortalised in this filmed version: Adam Cooper and Scott Ambler head the group of excellent dancers.This version has the prince enthralled by a male swan which eventually leads to a far bloodier destruction than in the well-loved version - the choreography is powerful and the settings are reminiscent of 30s and 40s movie sets. This company - now known as New Adventures - are clever and with their later productions The Car Man (a version of Carmen) and Nutcracker! (a version of The Nutcracker) have continued to add a great deal to the modern dance movement.

This is truly a masterpiece. I remember the EXACT day the first and only time (so far) I ever saw this beautiful thing. It was June 4th, 1998....I had just gotten back from summer theater practice and my mother was having a Candlelite party. I'm not an extremely sociable person, so I took to my room, turned on the TV, and started flipping through the channels. Then I heard some familiar music on the PBS channel and so I stopped and watched. It was Swan Lake...and I must say...a very different Swan Lake. I was only 16 when I saw it...and I begged my PBS station to play it again for me--and I NEVER do that. Trust me. You'll like it too.The first second I started watching it, I was mesmerized. I wanted to turn it because it was kinda weird...but I just couldn't. It was Tchaikovsky--the best composer ever...and I'm his #1 fan...so I just had to keep watching. I'm VERY glad I did. The Swan and the Prince...they're not gay, folks...it's something very different that I just can't explain. Boyhood tenderness? An old friend who was loved too much? Call it what you will. The dancing was gorgeous...every song was choreographed with beauty and passion and how I feel Tchaikovsky would have wanted it. THIS version of Swan Lake is what Tchaikovsky wanted but could never make because of the "honorable" status one had to uphold in the 19th century...because Tchaikovsky himself was homosexual--a "bad" thing.If you're into modernized classics, wonderful stories, beautiful dancers/dancing, gorgeous music, and weepy finales, this is for you. To all the guys who hate this mushy stuff: I REALLY think you might like Matthew Bourne's Swan Lake. It's definitely not your typical ballet.