I gave it a 7.5 out of 10

How sad is this?

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Copyright 13 March 1964 by Universal Pictures Company, Inc. New York opening on a double bill at the Palace and other theatres: 24 December 1964. U.S. release: 1 February 1965. U.K. release: 28 March 1965. 7,650 feet. 85 minutes. SYNOPSIS: Lone survivor of a family massacre is pursued by three hired gunmen into Apache territory. COMMENT: Making extensive use of action footage from some 3-D feature (Fort Ti?) for its Indians-attack-the-fort climax, Taggart is a reasonably actionful "B" western, with a strong if over-talkative villain (Dan Duryea), a commanding if too briefly observed heroine's dad (Dick Foran), and a quite pretty if late-entering female lead (Jean Hale). There are other interesting players as well, though I would exclude the somewhat surly Tony Young, who seems to have only the one expression and to deliver his lines in a similar monotone. Springsteen's direction and other credits are competent enough. The editor has done a reasonable job splicing in the stock material of cattle rustling and fort storming which gives the movie the air of a fair-sized budget. The story is developed somewhat along television lines with our hunted hero involved in three different encounters. The first is with a widow desperately trying to make a go at being a bar-girl -- an appealing portrait here by Claudia Barrett. Fans will recognise Bob Steele in a fleeting part as the Taggart cook. Aside from the stock footage, lots of dialogue, repetitious and/or fixed camera positions, Taggart has other "B"-picture stratagems including the novel idea of having the hero remonstrate (at length of course) with his dad for not hiring enough men! It's a pity that some of this ingenuity wasn't devoted to developing and motivating the character played by Elsa Cardenas. This lack of conviction undermines the impact of the climax considerably.

The original L'Amour novel -- good. (I've read it -- you should to.)This screen play -- sketchy; the performance, story line not much better.I'm amazed this saw the light of the projection booth -- even in the mid-60's.Good character actors & D. Duryea turned in his patented wise-ass villain performance.If you're storm-stayed somewhere, trapped in your iron lung or otherwise immobilized -- it's better than infomercials (just). Otherwise, get a library card.

Tony Young stars in the title role of TAGGART (1964), a rancher's son who embarks on a mission of revenge after his parents are killed by the son of a town boss. After tracking down the culprit and killing him in front of his father, he is pursued for much of the film by a professional killer, Jay Jason (Dan Duryea), hired by the dying town boss and provided with a dubious warrant. The two men wind up in an abandoned Spanish mission occupied by Adam Stark (Dick Foran), an older man with a young Mexican wife, Consuelo (Elsa Cardenas), and a daughter from a previous marriage, Miriam (Jean Hale). The whole middle section of the film is essentially a five-character drama. The Stark family has a secret, one which compels hot-to-trot Consuelo to come on heavy, first to Taggart and then, after Taggart rebuffs her advances, to Jason, in the hopes that one of them will help her leave the mission with a cache of hidden wealth. An attack by rampaging Apaches complicates things. They all flee, but not all together, headed to a nearby fort for an action-packed finale.The editors use lots of footage from other Universal color westerns, including one with a cattle drive and one with Indian attacks on a wagon train and a cavalry fort. Even the long shots, with the main characters riding against panoramic backdrops, seem to be taken from other movies, requiring the costumes in the new footage to match the previous footage. I wish I knew which westerns the footage came from. I've probably seen them, but I'd love to see them again. Also, the Spanish mission in which the Starks reside looks more like a hacienda to me. It's a bit of a stretch for the characters to call it a mission. Still, it's an enjoyable western which moves well and is enacted by a cast of players who know how to make this kind of thing work, all supervised by a director who's an old hand at this.Dan Duryea plays his character as quite talkative and gregarious, rather unusual for such a greedy and cold-blooded character. He doesn't display much charm, so he never exactly fools anyone. It's a rather odd performance by the veteran heavy, but it keeps the confrontations between him and the more stoic Taggart quite lively. Both Duryea and Dick Foran had been under contract to Universal Pictures back in the 1940s. They'd previously co-starred in AL JENNINGS OF OKLAHOMA (1951), where they played brothers. David Carradine makes his debut here in a silent role as an ill-fated gunslinger. Elsa Cardenas is sexy and attractive in the femme fatale role. She only did a handful of films and TV episodes in Hollywood in the 1950s and '60s, but instead spent most of her long career in her native Mexico, starring in movies and TV novelas (soap operas) and evidently attaining a level of stardom she couldn't have gotten in Hollywood. (She's apparently still active in Mexican television.) Even so, I wish she'd spent more time in Hollywood. I would love to have seen her in more westerns.Tony Young never managed to achieve much in the way of stardom and spent most of his career in TV guest spots and supporting roles in occasional feature films. He's quite good here, boasting a deep, soothing voice which could easily charm the ladies, a tall frame that suited him well for westerns, and a straightforward, confident manner. With his dark good looks and heavy-lidded eyes, he could have made a splash in Italian westerns like so many of his peers were doing in the 1960s and probably could have had a much bigger career as a result.

"Taggart" was an enjoyable little western from "B-plus" department of Universal. It has the look and feel of an Audie Murphy western, however an excellent story and the crisp direction by R.G. Springsteen, make it a cut above the average.Tony Young plays the title character, a man wrongly accused of murder. Dan Duryea in yet another of his "smiling cad" portrayals, plays the chief villain. The biggest and most pleasant surprise is the casting of screen veteran Dick Foran as the heroine's father. Foran turns in an excellent performance, a fitting epitaph to his long career.The cast also includes Jean Hale as the heroine, Emil Meyer (Shane) as the town boss, Peter (son of Dan) Duryea and David Carradine as gunslingers and western favorites Ray Teal, Harry Carey Jr. and Bob Steele in other roles."Taggart" is a good western.