I love this movie so much

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Blistering performances.

Amazing worth wacthing. So good. Biased but well made with many good points.

***SPOILERS*** Lex Barker in his final role as Tarzan the Ape Man is kidnapped and tortured by a gang of Ivory poacher's lead by She-Devil Lyra, Monique Van Vooren, and held hostage by them. That's until he can bellow out his famous bull elephant, not ape, call to get the local heard of elephants to meekly get into line to have their precious ivory tusks amputated by the pouches. It's after Tarzan's luxury's tree-house, that didn't have fire insurance, in the jungle was burned down by the pouches with his wife Jayne, Joyce Mackenzie, and pet monkey Cheetah possibly perishing in the flames Tarzan felt that he had nothing to live for. And even welcomed death at the hands of his kidnappers lead by a whale like Vargo, Raymond Burr, who tried to get him to play along, by getting the elephants to turn themselves in, with them.It's when both Jane and Cheetah showed up alive that Tarzan agreed to give the bull elephant call only to have the elephants stampeded their intended killers into chopped meat not go quietly to their death. With Vargo getting the worst of it being crushed alive when the roof, of his headquarters, came crushing down on him. As for She-Devil Lyra she ended up getting hers not from the stampeding elephants but from her wimpy butter-fingered husband Fidel, Tom Conway,who in trying to prevent from getting trampled shot her , by accident, instead before the charging and out of control elephants did a number on him.Raymond Burr just back after staring in his last jungle film "Bride of the Gorilla" where he played the gorilla was excellent here as Vergo the 275 pound heavy who liked to throw his weight around and ended up getting a lot more weight, in being trampled to death, thrown at him instead. It was 4 years later after shedding some 75 to 100 pounds that a slimmed down looking Burr got the role as TV's Perry Mason that not only turned him, who up until then was always playing villains, not only into a good guy but also a TV icon and legend as well.

Thankfully this was Lex Barker's last Tarzan film. Discarding clichéd Cold War leanings and Eastern European villains in the stories, the routine plot of "Tarzan and the She-Devil" turned its attention to hot-blooded Europeans with similar greedy motivations, this time for profits from ivory trading, including three mean Mediterranean males and one Belgian woman. But as Jane's mishaps are central to the plot, the enterprise turns too mellow and becomes more melodramatic than the previous entries that showed the Greystokes' domestic life. In the story Jane is abused, lost in the jungle, kidnapped and imprisoned, and in the proceedings the Greystokes' tree house is set on fire, so there was a need to introduce before romantic images and dialogues between Tarzan and Jane that in the end seem too ludicrous and out of place. On top of that Monique van Vooren's character (a Belgian business woman called Lyra) becomes too soft to be one of cinema's unforgettable she-devils (think of Ona Munson in "The Shanghai Gesture", Gale Sondergaard in "The Spider Woman", or Mari Blanchard in "She Devil", for example). Directed by Kurt Neumann (a veteran in Burroughs land, having directed Johnny Weissmuller in "Tarzan and the Amazons", "Tarzan and the Leopard Woman" and "Tarzan and the Huntress") the film still has high entertainment values to keep our attention. As Neumann went on to direct "She Devil", "Kronos" and the original "The Fly", Lex Barker became a superstar in European adventure films, made two movies with Cuban H-Bomb Chelo Alonso, appeared in Fellini's "La dolce vita" with Anika Ekberg and De Sica's "Woman Times Seven" with Shirley MacLaine, and lived happily ever after married to Miss Spain 1961, until his death in 1973.

TARZAN AND THE SHE-DEVIL (RKO Radio, 1953), directed by Kurt Neumann, stars Lex Barker making his fifth and final screen appearance as Edgar Rice Burrough's lord of the jungle. As the writers of the series attempt new ideas with their screenplays, and gearing to another direction from its previous efforts, for the first time since TARZAN ESCAPES (MGM, 1936) starring Johnny Weissmuller, does the fearless Tarzan allow himself to become the victim, losing his savage fight to overpower the villains, who, in this production, are strong enough to gather more attention than to the main characters. While the title reads like a horror movie, giving indication of Tarzan matches wits with Dracula's daughter, the woman in question is a princess compared to the male hunters she supervises, particularly one enacted by Raymond Burr only a few years before changing his frequent bad guy image to prosecuting attorney in TVs long running series, "Perry Mason" (1957-1966).The story begins with routine everyday life as Tarzan (Lex Barker), his companion, Jane (Joyce McKenzie), and pet Cheta, find peace and tranquility in their jungle habitat until ivory poachers, Lyra (Monique Van Vooren), Fidel (Tom Conway), Vargo (Raymond Burr), Maka (Robert Bice), and others enter the scene. They want Tarzan to round up a large heard of elephants for them. Naturally, Tarzan refuses, so Lyra, leader of the expedition, attempts to persuade the lawman of the jungle by having Jane kidnapped. As the hunters carry out her plan, a struggle ensues, starting off a fire that burns down the tree-house. As Jane makes her escape, she is injured, left in a semi-conscious state, roaming about the jungle to face the dangers of the wild, including a crocodile and deadly snake before she is taken in and cared for by a native tribe. As for Tarzan, he returns to find his home burned and Jane gone. Believing Jane has perished in the fire, he becomes despaired. Not caring what happens now, he allows himself to be captured by Lyra's men, chained like a slave, held prisoner in a cottage, submitted to whippings (with limited scars of his torso), and when all else fails, extreme measures are used by having his arms tied above his head onto a wooden-like door frame structure. The angry Vargo tells Tarzan that if he doesn't do what they want, he'll hang there "until he rots." At this point the nearly unconscious Tarzan continues to be the prisoner, making no attempt whatsoever to save himself.The problem with the Lex Barker's "Tarzan" series is the lack of consistency from one film to another. After succeeding Johnny Weissmuller as Tarzan, Barker never played opposite the same Jane twice. He inherited Brenda Joyce in his initial role in TARZAN'S MAGIC FOUNTAIN (1949), followed by Vanessa Brown, Virginia Huston, Dorothy Hart and finally Joyce McKenzie. Second problem is having the much younger Barker, who looks very educated, to not be more articulate. In fact, in his last as Tarzan, he has fewer lines than ever before. Those familiar with the Barker/Tarzan series might ask themselves, "whatever became of their adopted son, Joey?" introduced by Tommy Carlton in TARZAN'S SAVAGE FURY (1952). Characters simply come and go, and while Cheta remains, Tarzan and Jane are once more childless. A few years later, Tarzan would go it alone, with Jane written out of the stories, forever absent with no explanation.While the proposed title, TARZAN MEETS THE VAMPIRE, is a misnomer, TARZAN AND THE SHE-DEVIL is even more misleading. As for the scenario, which finds Tarzan enslaved, it's at times unpleasant, especially witnessing an action hero who never loses to become weakened while submitted to torture. At any rate, TARZAN AND THE SHE-DEVIL which runs at 76 minutes, does have its moments of interest, but not enough for excitement purposes. It may not the best nor the worst in the series, but its action relies mostly on suspense, whether or not Tarzan will be able to regain his strength, free himself from his captivity and do what's traditionally expected of him other than his ape calls. TARZAN AND THE SHE-DEVIL, which has never been distributed on video cassette or DVD, did become one of a whole series of Tarzan adventures from 1934 to 1968 to be presented on American Movie Classics cable channel (1997-2001). In spite of the weakness in the scenario, which might have been the reason for Lex Barker to surrender his loincloth, Tarzan, like Ian Fleming's James Bond, due to its popularity, would continue to hit the theater screens for many years to come, performed each decade by different actors. Next chapter: TARZAN HIDDEN JUNGLE (RKO, 1955) starring Gordon Scott. (**1/2)

Tarzan looks like a real hero of the '90's here, not only stopping illegal ivory poaching but upholding human rights by foiling some latter-day slave trading. This time it's one of those curiously light-skinned tribes that inhabit Central Africa in some of his movies.The film's title is something of a misnomer. The nominal she-devil here is Monique van Vooren, who sponsors the poachers, but she's a pussycat compared to Raymond Burr, full into his "heavy" role. This was the last time around as Tarzan for Lex Barker, no reason to shed any tears, though admittedly the character isn't one you can do a whole lot with. Joyce Mackenzie was the fourth actress in a row to give a single performance as Jane, and she does an OK job. There are some nice scenes of domestic bliss with the happy couple in this movie. All in all this is just another Tarzan flick, not so great, a little better than most. But you always knew what you were getting with these movies.