Fantastic!

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Lex Barker is back as a Johnny Weissmuller's replacement as the new Tarzan and has a better than expected outing in this long running (and by this point rather played out) franchise. Tarzan finds himself as peacemaker between warring tribes (complete with racist stereotypes of African people, as was common for most of the Tarzan films), who've been stirred up by gunrunners. The supporting cast includes Virginia Huston, George Macready, Alan Napier, and of most interest is the casting of singer, dancer, actress Dorothy Dandridge as Melmendi, Queen of the Ashuba, although her talents are painfully wasted on this juvenile material. Still, as juvenile as the material is, I did enjoy the man-eating plants and other jungle nonsense. Overall, it's nothing classic, but decent enough if you're a fan of Tarzan films.

This is a good Tarzan action movie. Featuring such notable supporting actors as Alan Napier and Walter Kingsford, you get the impression that the studio wanted to make a quality film here- its not just another b-movie throw away. Talented director Byron Haskins (who directed many notable movies of the 40's, 50's and 60's as well as a career in cinematography) is in charge with a sure and steady hand. Lex Barker is a big strong hunk and he does a fine job as Tarzan, who faces some serious perils. Bad tribal chief King Bulam very nearly kills Tarzan with his bare hands and a knife in an exciting fight sequence. George Macready is at his meanest as he murders several people and almost kills everybody else. Macready is really a nasty baddie in this one. Virginia Huston is an athletic and poised Jane who contributes her usual lovely and capable movie effort in an underwritten role.Dorothy Dandridge steals this movie with terrific screen presence. She is ravishing as Good Queen Melmendi. The director wisely showcases Ms. Dandridge, who ignites every scene she is in and makes it special. She is a powerhouse obviously destined for future star potential."Tarzan's Peril" is a worthwhile, vigorous and fast-moving adventure movie. You will be satisfied if this is what you are expecting from a film outing with a classic adventure hero.

Third Tarzan film starring Lex Barker is still good, directed by Byron Haskin, who had made "I Walk Alone" and "Treasure Island" and who would go on to make the science-fiction classic "The War of the Worlds" and the adventure films "The Naked Jungle" and "Captain Sindbad". Labeled as the first Tarzan film made in Africa, the material mostly consists of establishment shots and good sequences of dances and tribe life, aptly directed by Philip Brandon and photographed by cinematographer Jack Whitehead. It matches only moderately well with the studio shooting, but still gives add some distinction to the product. As it happened before with Charlie Chan, Mr. Moto and Sherlock Holmes, Tarzan is affected by the United States foreign policy, so he is part of a Cold War intrigue. Thankfully it is not openly exposed, but suggested: the villain (George Macready) is called Radijek, he probably comes from Poland or any other country behind the Iron Curtain, and he is providing guns to the Africans, although not under the Soviet aegis: he is a ruthless, egotistical, murderous dealer, who wants to sell his weapons and collect . His first opponent is a retiring British commissioner (Alan Napier), who defends the colonialist regime of the Crown, and wants to leave the natives under control and evangelized by Protestant missionaries, a work that took him 30 years. But things get violent soon in this entry, quickly increasing the body count and including women abuse, as Queen Melmendi (Dorothy Dandridge) is subject to the whims of the feisty but mean ruler of another tribe, King Bulam (Frederick O'Neal). As usual Cheetah keeps stealing things and getting scared even by rubber snakes.

Oh, sure, this movie has flaws, but I liked it a lot.Lex Barker was a very handsome, muscular Tarzan, and he moved very well.However, the grunts and broken English phrases that worked so well with Weismuller's stoic, wooden presence seem quite odd and out of place coming from an actor with Barker's chiseled features and classic good looks. On the other hand, as my friend Dave Sindelar pointed out, it's a lot easier to believe that Barker's Tarzan is the son of an English Lord. In any case he was a pleasure to watch in action.There were some minor missteps: The chief of the "bad guy" tribe (who wanted to buy guns to conquer the peaceful Ashuba ruled by Dorothy Dandridge) looked utterly ridiculous in his head-dress, which circled his entire head and made it look as if he were peering out of a fur-lined toilet seat for the duration of the movie. The actor deserved a better costume design than this. Also there was also a completely weird and gratuitous and badly staged fight scene with what appeared to be some carnivorous jungle plants that had nothing to do with anything else in the movie. And the other miscue that stuck in my mind was the odd decision to inter-cut Tarzan's final fight at the end of the movie with the villainous gun runner Radijek with scenes of Cheeta swallowing a gold watch and burping. That effectively neutralized any suspense and excitement they may have been trying to generate.The big problem with "Tarzan's Peril" is that the movie lacked a sense of urgency or real forward momentum. Not a lot happens, to be honest. But the production values are good (the producers made pretty good use of the live footage shot in Africa) and the two big fight scenes are well done, and the actors do a pretty good job inhabiting their characters.If you have to watch a Tarzan movie for some reason, this would be a pretty good one to pick.