I like the storyline of this show,it attract me so much

The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

German made thriller about a killer with connections to Tattoos. When a body turns up burned and mutilated, with a chunk of skin missing, a senior cop blackmails a younger cop into helping him try and find the killer, as well as another missing girl gone two years. The investigation leads to several other bodies all with missing tattoos. Dark thriller that was explained to me as in the vein of Seven. I don't think so. It is a dark and disturbing little thriller that isn't particularly happy. Very well made and well acted the film is a bit too much form over substance at times, with its dark brooding passages and very deliberate set design. Its not bad but it kind of lessons the thrills since the film seems at times more intent on looking good. It also doesn't help that the who of the who done it is a bit too clear. Still its worth a look for those who like gritty, good looking thrillers that are a bit on the squishy side.

After watching the exceptionally powerful acting in "Downfall", I was subconsciously hoping for the same performances in this film. But nah, the acting was pretty wooden and I ended up not caring about anyone! As far as thrillers go, this was pretty good but not what the hype made it out to be. Didn't actually see any victims being skinned for their tattoo either, only the aftermath on corpses. Had me hooked in and interested but as a fan of more hardcore horror/thrillers, I'd only recommend this to easily offended/disturbed viewers (due to lack of graphic nature) looking for a decent enough Saturday night in with a big bag of noisy Doritos.

If David Fincher's SE7EN was a mystery shot through the prism of 70s American crime films, then Robert Schwentke's TATTOO is a mystery shot through the prism of 70's European art films. The comparisons are inescapable, it shares SE7EN's dark look, dual detectives, mid-point chase and "something in a box" as well as its meticulous, exacting direction, but it is a very different film with very different thematic agendas. This German film about a secret market in skin and its thematic concerns of guilt, conformity, identity, violence and heritage suggest obvious connections to the Third Reich and the current crisis of east/west reintegration of culture. This rich thematic tapestry is held together by one of the most precise, stylish and icily dreamlike directorial debuts to be seen in decades. Shades of Antonioni and Cronenberg, as well as Tourneur and Hitchcock inform a style which is never imitative and truly hypnotic. Strong, understated performances ground the film, which stumbles only in a pre-climax exposition scene that feels shoe-horned in, for until that point, every piece of information is earned and visually realized. Schwentke is a director to watch; provocative, thoughtful and clearly in love with the art of cinema.

I've seen Tattoo in a sneak preview and i think its pretty bad. The story has too many flaws and the dialogue is awful. If you like seeing dead bodies and other disturbing pictures without a good story behind, then go into this movie. But please dont compare this one to David Finchers Seven.