At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

While it doesn't offer any answers, it both thrills and makes you think.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Great movie. Not sure what people expected but I found it highly entertaining.

Khalid Mohammed's Tehzeeb is a tribute to Ingmar Bergman's Autumn Sonata, and he officially acknowledges Bergman for being the inspiration for this film. Mohammed is a good director, but his attempts to make an art film and add all the possible ingredients of Hindi commercial cinema trip him a bit up this time. In his wonderful 2000 film Fiza he did the same, but much more delicately, and while Tehzeeb is definitely a good film, he tends to go a bit overboard with all the appearances, subplots and redundant characters. Having said that, Tehzeeb is still a great watch, and due credit goes to Mohammed's fine script and direction, Javed Siddiqui's realistic dialogues, A.R. Rahman's soundtrack which gives life to the movie, and of course the credible acting by the leading actors.Starting with the flaws, the entire Diana Hayden story could and should have been deleted. What does it have to do with the film and its story? I did not really understand the purpose of her appearance and what actually it was all about. And besides that, she is such a non-actor! Her accent is terrible and she is annoying throughout. The Namrata Shirodkar one was redundant as well, though more bearable because of the nice song and the wonderful scene that follows it (the advice Shabana gave Namrata about the rules of success in showbiz). There were several other instances, like Diya Mirza's ridiculous disco dance. That was apparently a take-off on the exceptional "nervous breakdown" dance numbers of Sridevi and Meenakshi Sheshadri in the films Lamhe and Damini, respectively, but in this film, it's just pathetic.Now to the film: Shabana Azmi and Urmila Matondkar star as a mother and her daughter (second time after Masoom in 1983. 20 years ago, can you believe it?!). Urmila is Tehzeeb, a young married woman who looks after her mentally ill young sister, and Shabana is Rukhsana Jamal, a popular singer and her estranged mother. Although she does love her mother and misses her, Tehzeeb has always considered her mother the cause of her father's death and her younger sister's (Dia Mirza) mental disability. All of a sudden, Mrs. Jamal calls Tehzeeb to inform her that she is going to visit her. Both women are excited towards the meeting. Here the story actually deepens. The film brilliantly follows and depicts this mother-daughter relationship, its ups and downs, and finally shows how they come to terms with each other.Quite expectedly, while the film is titled after Urmila's character, it belongs to Shabana Azmi, who is natural, credible and charming as the vivacious and colourful star Rukhsana. It's a pleasure watching her delivering these witty dialogues in her own inimitable style. Urmila, while always a talented and intense performer, tries to do more than required at some scenes. She is too impulsive, and while it's an integral part of her acting and always interesting to watch, I think she should have tried some restraint in this role. Arjun Rampal, playing Tehzeeb's loving and supportive husband Salim, is also the film's narrator, and he succeeds on both accounts. Mohammed rightly tries to give his role as much substance as possible, and Rampal performs exceedingly well; he plays Salim with utmost sincerity and humour and makes him thoroughly likable and entertaining. Dia Mirza is cute and effective as the mentally disabled and love-seeking Nazo.Tehzeeb is aided by a great technical crew and is excellent in cinematography, editing and particularly music. A.R. Rahman scores once again with a terrific background score and equally great songs, among which I especially loved "Na Shiqwa Hota", a soulful number which efficiently summarises the mother-daughter relationship on-screen. Mohammed wonderfully portrays the lifestyle of modern Muslim families, and this is yet another factor which warrants a fascinating watch. The film's ending is unexpected and surprising. Some may like it, some may not. I was disappointed by it, but it's actually what makes Hindi movies so unique and special, no? Tehzeeb is not without its flaws, but after all I still think it is an interesting and moving film and an altogether worthy effort. I recommend.

The legendary Shabana Azmi and the immensely talented Urmila Matondkar reunite after 20 years, again as mother and daughter, in Khalid Mohamed's tribute to Ingmar Bergman's 'Autumn Sonata'. 'Tehzeeb' seems to be either a movie one hates or one loves. I love it for its sincerity. There is no hidden agenda. It's about a Muslim family but unlike almost every recent Indian film this one does not attempt to bring out the conflict between Muslims and people of other religion. It's a story about relationships: the relationship between mother and daughter, between two sisters and between a husband and a wife, period.However, 'Tehzeeb' isn't without its share of flaws. Khalid Mohamed's script could have done without a few unnecessary subplots. The whole Diana Hayden track should have been left out as it contributes nothing. Perhaps the director's intention was to show Salim's loyalty towards his wife (or to give Arjun Rampal a larger part) but the track was irrelevant. The Namrata Shirodkar track does offer some comic relief (although Satish Kaushik is irritating) and her sensational item number is beautifully executed. But, this too could have been left out as it does take away focus from the main story. I wish they had left the entire last song, 'Mujhpe Toofan Uthaye Logon Ney' of which we only see a couple of minutes before it breaks to closing credits. This one song marvelously summarizes Rukhsana Jamal's life.'Tehzeeb' is a very well executed film. I did not like the director's directorial debut 'Fiza' but here he does a better job overall. Javed Siddiqui's dialogues are very poetic and playful and particularly the last dialogue delivered by Urmila to Shabana is very moving. Santosh Sivan's cinematography and Sharmishta Roy's art direction are superb. A.R. Rahman's music (songs and background score) are phenomenal. It is perhaps one of his most underrated scores. Javed Akhtar's beautiful lyrics deserve mention too.In terms of acting, 'Tehzeeb' belongs to Shabana Azmi and Urmila Matondkar. It was great to see them work together as mother and daughter again. Both actresses are phenomenal in their roles and I hope they work again soon. Shabana Azmi looks very glamorous as singing sensation Rukhsana Jamal. She acts like a star but at the same time is very convincing as the helplessly loving mother. Urmila Matonkar easily pulls off the role of the loving but conflicted daughter, the unconditionally caring sister and the lovely wife. Arjun Rampal is excellent as he holds more than his own opposite the two more accomplished ladies. He's the one who lightens the tense atmosphere between the mother and daughter and provides wonderful comic relief. Diya Mirza is convincing as the mentally underdeveloped Nazo and kudos to her for choosing such a risky role at an early stage of her career. All four actors share a warm chemistry and are believable as a family. They seem to have been very comfortable working with each other. Diana Hayden needs to work on her dialogue delivery.'Tehzeeb' could have been a better film but I still think it's great and love it for its authentic portrayal of the family, the music, the performances and the message it brings across. It's emotionally engaging and moving, one that feels close to heart. It's a beautiful movie about acceptance, forgiveness, appreciation, sacrifice and love.

The Bollywood fare is burning brighter with each film. When an actor the like Arjun Rampal(Salim) is thrown with the likes of Shabana Azmi(Rukshana Anwar)and Urmila Matondkar, some of the talent has to rub off on him and it does in this marvelous movie called "Tehzeeb"(Etiquette). Even though it is difficult to accept them in the role of a mother and daughter the acting prowess of Shabana Azmi takes a notch over Urmila and both come out as top notch talent at the end, where as the other two characters have a long road ahead. Except the song that Shabana sings for her daughter, the music of AR Rahman is a flop to think he may be an overworked composer. The standout is ace direction, Screenplay and Cinematography.There is not much dowdt that Urmilla Matondkar has immense talent that very few of her contemporaries can match. Suffice to say this a a beautifully enacted film that lingers long after the movie including the very short and impressive perf. by Rishi Kapoor.

Tehzeeb, starring Urmila Matondkar, Arjun Rampal, Diya Mirza, Shabhana Azmi and Rishi Kapoor, is a well acted and produced film. The strongest charcters in the film were definitley Urmila and Shabhana Azmi, who play mother and daughter in the film. The story revolves around Tehzeeb (Urmila) and her struggle to overcome her troubled past and to look after her husband and mentally disabled sister. Her mother is her serious grudge which is what the film is based on. The conflicts they have are the best part of the film. It is a good film and worth watching. 7/10