Terror from the Year 5000
Terror from the Year 5000
| 30 October 1958 (USA)
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Prof. Erling and his financial backer Victor build a prototype time machine to snatch objects from the past. Latest find, a statuette, radiometrically dates to 5200 AD! When this draws colleague Richard Hedges to the island lab, Erling reveals that 20th-century objects put in the machine seem to be "traded" for analogous future objects by intelligent life. And on the sly, Victor's been trying to get a living visitor. Does the future need help, or is the present in danger?

Reviews
HottWwjdIam

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

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Micah Lloyd

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

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Kien Navarro

Exactly the movie you think it is, but not the movie you want it to be.

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Darin

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

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bobhoberg

Hey, the night scenes were even hard to make out on the 1962 Zenith black and white TV, but it still scared us so much that my sister and I couldn't wait to be frightened by it the following year or whenever it was shown again and it was definitely tops on our scary movie list. I mean come on, Sorry, Wrong Number(1948) was pretty scary back then. But this hideous looking creature stole the beautiful nurse's face and the scene where she confronts the guy in the hospital bed is chilling indeed. This is one horror flick that has managed to stick in my mind for forty some odd years. Its not like it won any academy awards but neither did Hitchcock.

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Chris Gaskin

Terror From the Year 5000 is of American International's poorer efforts from the 1950's. It is one of those movies that is so bad it's good.A scientist experimenting with time travel on a remote island in the Everglades manages to bring back a mutated woman from 5200 AD! She starts killing people and after replacing her face with that of a nurse she killed, she heads back to the future.The cast includes Ward Costello, Joyce Holden, Frederic Downs and Salome Jens as the woman from the future. I've never heard of any of these.Despite the very low budget, I rather enjoyed watching Terror From the Year 5000 and taped it when it came on BBC1 during the early hours some years ago. Luckily, I still have it on video.Rating: 2 stars out of 5.

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pmsusana

RE: The DVD edition of 1958's "Terror From the Year 5000" recently issued by Incredibly Strange Film Works (ISFW) of Jamestown, MO: Those of you who've been waiting for a pristine-quality DVD edition of this fun Sci-Fi oldie will have to go on waiting. The very fuzzy picture and sound quality (with contrasts so bad that some night scenes are nearly impossible to make out) make this ISFW DVD a big disappointment, especially considering the $24.99 price tag! (The Horror/Sci-Fi fans among you may also remember ISFW's equally unsatisfactory VHS video edition of 1964's "Horror of Party Beach", mastered from a toned-down TV print with all the gore removed!)I'd say that any DVD or VHS video bearing the ISFW logo should be approached with caution.

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stryker-5

1950's science fiction films are so earnest and so crummy that it's impossible not to like them. "Terror From The Year 5000" is a prime example of the genre.On a lonely island in Florida's Everglades, a professor is experimenting with time travel. The project is successful to the extent that Prof Erling and his assistant Victor are able to trade artefacts with people from the year 5,200AD. One of these items finds its way to the desk of Dr. Bob Hodges, a museum curator and all-round good guy, who is amazed to learn that the figurine dates from the future.Bob Hodges heads for the Everglades, where Prof Erling and his beautiful daughter Claire make him welcome. Victor, meanwhile, has started putting in some unauthorised overtime in the lab, with alarming results...Robert Gurney wrote, produced and directed this gauche piece of malarkey with its wooden acting, daffy plot and laughable sets. The scientific gadgetry in the lab is particularly amusing.The howlers come thick and fast. Bob explains to his secretary Miss Blake (boy, if there were only an oscar for stodgy delivery ...) that carbon-14 dating places the statuette in the future. Just how carbon-14 can do that is baffling to ordinary mortals like me! When Bob fires his shotgun, we hear the shot but there is no muzzle flash from the dummy weapon. When a female in a nurse's uniform opens the door, somebody says, "You must be the nurse". The clock on the lab wall shows silly times which don't match the sunlight outside. The prof's gadget disrupts all machinery in the district when it's switched on. We see a TV set in a local bar pack up, but nobody seems to mind.There are many unintentional laughs ("I'll do my exploring in the laboratory, if you don't mind", "And then the missile centre fired him" etc etc). Every plot point is laboured to death. The non-sequiturs abound. Nobody flinches when it is realised that they are all contaminated with radioactivity, and no-one warns Claire when she walks in. Later, it turns out that the lab has protective suits available. When Victor breaks a pane of glass in the time chamber, he picks up a replacement pane of exactly the right size which happens to be lying beside him. When Bob gets out of bed and follows Victor, he unaccountably has his shoes on. Why would Victor go to the trouble of getting in bed in the same room as Bob, only to sneak out and tamper with the gadget? And why at this stage would Bob want to follow him?It goes on. The 'monster' speaks perfect Greek and English, even though it comes from five millennia in the future. The men know there's a dangerous creature out there, but they stand back and let Claire answer the door. The monster kills Angelo easily, but Claire is able to unmask it without any trouble. When they find the nurse's body, Hedges and Erling stroll back to the house as if they were picking mushrooms. Nobody calls the police when Angelo is found dead. Bob and the Professor abandon the house, with its two women and sick man, to go searching the island together. Nobody thinks of calling for help. The nurse, in her immaculate uniform, has to walk up to the house through swamp and jungle without a guide. When the alarm is sounded, nobody wonders where Victor is until after it's all over.The editing is atrocious. We see the Professor waiting for his cue before speaking, and the lumpy back-and-forth dialogue cuts are dreadful. The close-ups of Bob and Claire swimming in the pond are oh-so-obviously filmed in a studio tank. At one point, Victor says "Professor, we're wasting our time." One can't help thinking he's right.

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