Let's be realistic.

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This movie feels like it was made purely to piss off people who want good shows

I got about five minutes into it and turned it off and threw the disc in the garbage. I mean seriously; my 8 year old could have done a better job directing this 'movie'. The acting was horrible, the cameras were pathetic and the background music was overbearing and louder than the 'actors' lines. Stay away from this one. You'd be better off watching some lame conspiracy videos on YouTube. Sorry IMDb, but this garbage film isn't worthy of '10 lines of text' so I am going to finish this ten lines of text nonsense by talking about peanut butter and jelly sandwiches. First you take a jar of peanut butter and you spread it on a slice of bread. Then you take some jelly and spread it on another slice of bread. You put the two slices of bread together and enjoy something that is 100 times better than this crap movie. There, how's that for a 'ten lines of text' review?

The 9/11 Commission Report (2006) * (out of 4) The Asylum, the studio best known for really bad and really cheap "mockbusters" decided to deliver something straight in this docudrama based on the commission report that was released on the September 11, 2001 attacks. Leigh Scott wrote and directed this picture and I think the majority of the blame has to go to the screenplay. I'm really not sure what type of story they were trying to get across but it's an incredible mess that never makes too much sense. Trying to get all of the pre-9/11 stuff into a low-budget, 84-minute movie was probably a bad idea to begin with but it certainly doesn't help that the execution is so poor. The story is pretty much impossible to follow but even worse is the really bad dialogue. As bad as the dialogue is, it doesn't help that the performances range from bland to bad. I mean, the story is bad, the dialogue is bad and the performances are bad so with all of this considered it's really easy to see why the film tanked. Whenever you're trying to deliver a political thriller, having all of those elements not work is just leading to a disaster. I can't say how many times we were supposed to be caught up in this tense political thriller yet the dialogue they were saying seemed to have been written by a ten-year-old and the performances saying it appeared to be from a high school play. There's just no way around the fact that this film really shouldn't have been made or at least not in the fashion that it was. The "Jason Bourne" style of filmmaking with the camera just sliding around everywhere also doesn't work here. I'm sure it was meant to draw us into the action but it fails. In the end, this film is just bad all around and if you're going to watch something bad from The Asylum then it's best to get something that's also campy.

Despite what the other commentors have said, I felt that this was a very well done independent film. It was also quite informative and found a dramatic way to capture the ultimately dull and boring 9/11 Commission Report. I wasn't bothered by the camera work at all, and thought it was an interesting choice to be a "fly on the wall" rather than use more subjective framing and lighting. I also had no problems with the audio in my 5.1 surround system, although I did notice a couple of places where things seemed a tad out of sync. The acting in this film was exceptional, especially the character of "Mike" played by Rhett Giles. It was a very magnetic and moving performance. I also liked the actors in the Minnesota sequences, as they all felt very real and natural in their dialogue. Perhaps some viewers are bothered by what is clearly a more neutral or almost conservative viewpoint on world events. I found it to be a breath of fresh air, as everything coming out of Hollywood, studio or independent, seems to be obsessed with liberalism and liberal ideology.As a side note, I watched another film by the same company with a lot of the same actors. It was really strange to see actors in such a serious work, then in a complete piece of fluff!

I tried. Lord help me, how I tried. But there are just some people almost incapable of creating quality. Brett Ratner, Uwe Boll, Britney Spears, and Asylum. To their credit "The 9/11 Commission Report" seems like an honest attempt by the company to advance into a more sophisticated state of storytelling and movie making. But for all intents and purposes, it comes off as another truly film in their gallery. At the opening, the disclaimer notifies audiences that all the names have been changed, but the names of the terrorists remain relatively the same. A man named Mussaui attempts to learn how to fly a plane. With a stone cold grimace that would instantly make anyone uneasy, this "undercover" agent is able to learn how to fly on a small computer. And you have to wonder, not how he was able to get into this program so easily, but on how these people didn't even ask questions; because this scene is so far-fetched in its presentation, and the actor playing this man is extremely over the top. And you can see that director Scott attempts to mimic Paul Greengrass with a bright grainy photography that's followed by an awfully dizzying and irritating hand-held direction that, throughout the entire film, attempts to take off from Greengrass's gung-ho guerrilla film-making techniques. You can sense Scott emulating Greengrass's technique for realism, but it becomes rather lame-brained halfway in. Meanwhile the film comes off less a "Traffic" take off, and more a take off on "Law & Order" in which we'll have the disclaimer notifying us the names have been changed, the logo almost reminiscent of the "Law & Order" logo, and then ninety minutes of the actors pumping their chests and discussing politics.Neither of which are ever as compelling as it tries to be. And then when the film seems as if its attempting to be an adult drama, Scott relies on his old failsafe, the sex scene. Scott's new film looks like it really wants to be thought of as a low budget "Munich" but it's not, and it manages to be underwhelming on every such occasion possible. "The 9/11 Commission Report" falls flat, and that's because its limited in its attempts to imitate other films.While I appreciate the ambition inherent behind the camera, this new perspective of the events leading up to 9/11 is flat, and dull. Hard as it may try to be a low-budget "Munich" it's only really as entertaining as a normal Dolph Lundgren film you'd find on Cinemax.