Such a frustrating disappointment

Excellent, a Must See

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

While it doesn't offer any answers, it both thrills and makes you think.

Gary Cooper plays the role of Marco , a venetian adventurer , in this all star production of Marco Polo's adventures . Young Marco travels to China to help Kublai Khan fight against rebels, headed by his own assistant , with a new invention : gunpowder . Entertaining motion picture about oriental and medieval feats in superb Black and White cinematography and luxurious scenarios . High budget Hollywood production deals with Marco Polo travels from Venice to Pekin , where he falls in love with the Emperor's daughter . Marco (sympathetic as well laconic Gary Cooper) becomes the first traveler to record his visit to the Eastern court of the Emperor Kublai Khan . Once there he possesses his protection to merchandise between China and Europe but he prefers to seek out for more adventures . There Marco falls for gorgeous Princess Kukachin (Sigrid Gurie) . Kublai (Barbier) is a kindly fellow , but his villain aide Ahmed (Basil Rathbone replaced originally cast John Carradine as the evil of a piece) wants to get rid of Kublai Khan so he can be emperor, and to get rid of Marco Polo so he can marry the princess . But Ahmed sends Marco Polo to the West to fight barbarians led by a Tartar chief called Kaidu (Alan Hale Jr), but he goes back just in time to save the day . The Italian explorer rescues the daughter of the Mongol leader Kublai Khan , and meets a hermit (the prestigious silent actor H.B. Warner) who has invented gunpowder . During his adventures Polo is imprisoned and will suffer numerous dangers , adventures and risks ; besides he'll quickly discover many Chinese invents as coal , ¡ spaghetti! and gunpowder , among others .It's a spectacular adventure and plenty of emotions , action , romance and evocative musical score from Alfred Newman and Hugo Friedhofer . The picture blends far eastern adventures and medieval scenario . This is one of the most bemusing oriental adventure movies ever made and extremely well produced , lush production design and shot in awesome black and white photography from Archie Stout and Rudolph Mate . This juvenile romp is utterly amusing and entertaining though inexactly based on facts . Don't expect historic accuracy from this typical Hollywood product full of adventures , a love story and lots of action . The notorious producer Samuel Goldwyn were more concerned with offering moving and enjoyable amusement than factual information . However , the picture has some actual events such as the attempt conquest Japan by means a fleet that was sunk by strong winds ,thunders and gale . This marked the screen debut of Samuel Goldwyn's protégé Sigrid Gurie, whom he publicly labeled "the Norwegian Garbo , even though she was born in Brooklyn . In fact , by the time the film was released , it had been discovered Sigrid was born from the rather less exotic place of New York . Look out for Lana Turner in her sixth movie making a short appearance , almost extra , as a slave girl , later she recalled in a Gary Cooper biography that her "fancy black oriental wig" had been glued around her face with spirit gum, while she felt extremely uncomfortable in her costumes . The motion picture was middlingly directed by Archie Mayo who replaced John Cromwell after a few days due to "differences of opinion on story treatment," according to a press release. The film's producer Goldwyn then attempted to rope in William Wyler for the job , but Wyler wanted nothing to do with it, so Goldwyn persuaded John Ford to take over for a few days until he could find a permanent replacement for Cromwell. Archie Mayo was eventually brought in to finish the picture. The film was received poorly at the box-office, becoming the biggest flop up to that time for both Gary Cooper and Samuel Goldwyn; it was estimated that the picture lost close to $700,000 . The flick will appeal to far eastern saga fanciful and Gary Cooper enthusiasts. Other pictures based on this legendary character are the followings : ¨Marco Polo (1962)¨ by Hugo Fregonese and Piero Pierotti with Rory Calhoun , Yoko Tani and Robert Hundar ; "Marco the Magnificent" by Raoul Levy with Horst Buchhold, Anthony Quinn , Elsa Martinelli ; ¨Marco¨ (1973) by Seymour Robbie with Desi Aznar Jr , Zero Mostel ; the best results to be ¨Marco Polo¨ TV (1982) by Giuliano Montalvo with Ken Marshall , David Warner , F Murray Abraham , Leonard Nimoy ; ¨The Incredible Adventures of Marco Polo on His Journeys to the Ends of the Earth¨ (1998) with Don Diamant , Jack Palance and Oliver Reed ; and ¨Marco Polo¨ (2007) by Kevin Connor with Ian Somerhalder , BD Wong and Brian Dennehy .

The above statement is what one critic referred to when the film came out in 1938.It is simply an awful amateurish-like production by Samuel Goldwyn. Mr. Goldwyn produced an absolute bomb here in his depiction of Polo (Gary Cooper) going to China.By the way, with the exception of a map stating Cathay, ancient Cathay is referred to as China in this film. Who did the research for Mr. Goldwyn here, the 3 stooges?The acting is just awful. Gary Cooper comes across like a western star and Sigrid Gurie, his leading lady, must have thought she was doing a poor imitation of Luise Rainer in "The Good Earth."You know you're in for it when Ernest Truex, the bookkeeper, goes singing "Marco Polo" on a gondola at the beginning of the film.Alan Hale and Binnie Barnes play leaders in western China where the Kublai Khan sends them to. The Khan, played by a fellow by the last name of Barbier, sounds like a Brooklyn or Bronx truck man. Barnes and Hale are completely unfaithful to each other.Basil Rathbone, as evil as ever as the horrible Ahmed, minister to the khan, even looks disgusted and rightfully so by all this.H.B. Warner provides the firecrackers, spaghetti and gun powder for all this.Goldwyn lost a bundle on this mess and rightfully so. Since Technicolor was sparingly used in 1937, the film did not have it. It would not have helped.

In itself corny and uneven, this is typical 30s entertainment done on a grand scale; the look of the film is artificial but undeniably lavish. Being a Samuel Goldwyn production, the film is the very antithesis of a history lesson; still, it's more interesting when dealing with the title character's various discoveries in the Orient than his romantic conquests! Goldwyn, however, could surely afford to employ a reliable cast - most of whom, though, one would be hard-pressed to accept as Chinese - including Gary Cooper (likeable as always in the lead, if not exactly believable), Basil Rathbone (a typically sly villain), Sigrid Gurie (Kublai Khan's daughter and, naturally, an object of contention between Cooper and Rathbone), Ernext Truex (funny as Cooper's flustered sidekick), Alan Hale (a jovial rebel leader) and H.B. Warner (who basically replicates his dignified Chang from LOST HORIZON [1937]). Action is sparse but nicely handled (particularly the climax) and, surprisingly, the montage sequences (a feature of many films of the era) utilize some interesting optical effects.The IMDb lists the uncredited contribution of two other directors - John Cromwell and John Ford; since the latter's frequent cinematographer Archie Stout does feature in the credits, I'm inclined to believe Ford was involved at some point...though it doesn't really show in the finished product (the subject was hardly up his street, to begin with)! Back in the day, I had watched both the 1965 international epic MARCO THE MAGNIFICENT and the 1982 TV mini-series MARCO POLO; I'll be following this with an Italian low-brow variation made in 1961 (see review below) and might even rent the recent 1998 version, THE INCREDIBLE ADVENTURES OF MARCO POLO (shortened to MARCO POLO for the U.S.) - if only because it features Jack Palance and Oliver Reed, and was written by Harry Alan Towers!

When they mention cornball Hollywood hokum they're talking about pictures like this catastrophe. I honesty don't know how I made it through the whole thing. One of the definitive pieces of half-witted rubbish ever produced. Makes John Wayne's 'The Conqueror' look like a masterwork.Like the reviewer below mentions, this is Flash Gordon level cheesy. But the makers of Flash knew they were making cheese and Buster Crabbe at least made those serials fun to watch. Cooper sleepwalks through this like he's in shock, or dreaming he's making just another bad movie at Paramount. This one transcends bad. It's not even remotely 'good' bad. It's truly one of the worst films ever made, despite having a solid cast and budget. It distresses me to no end that the writers of this debacle probably bought a new Packard with their salary. God knows what Sam Goldwyn was thinking when he gave this one the go ahead.If you get half way through this one with your sanity intact, brace yourself. By the end you'll be fighting the urge to jam a screwdriver in your ears.