In truth, there is barely enough story here to make a film.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

In my search for a movie to review in my Latin American class, I came across "The Agronomist" at my local video store. Not knowing much about Latin America in general, I was not aware of what went on in Haiti - then, and even now. This was such a powerful film portraying Jean Dominique, the Haitian journalist who spoke out against successive dictatorships on Radio Haiti. I feel he resembles how Martin Luther King, in the way he spoke to become the "voice of the people" and his unending passion to pursue freedom, opportunity and human rights for the Haitian peasantry.I recall one part of the film that caught my attention. The foreign soldiers scene discussing "The Battle of Vertieres" that occurred on November 18, 1803. Composed of escaped Haitian slaves form the Haitian Revolutionary Army,demolish Napoleon's Colonial Forces. Here, Jean Dominique's father tells him when he's just a young boy seeing soldiers pass his house, "You are from this land, you are not French, you are not British, you are not American. You are Haitian!" I feel Dominique's passion to fight for human rights from the elite were rooted in him by his father.Dominique stood for the values of open inquiry, justice and freedom. The documentary provides the world with the insight of this fearless man who wanted to do good in the world. I hope someday his assassins are found and justice is served.

First of all, I thank Mr. Demme for making a film about this extraordinary man. Jean Dominique, needless to say, is someone to admire and learn from. He reminds me of José F. Peña Gómez, a Dominican of Haitian descent, who also took to the airwaves (circa 1965) and became an exemplary patriot. In response to a comment about why the Dominican Republic has relatively stood idle throughout Haiti's ongoing strife, it should be noted that DR sadly has its own ills to tend as well. The island of Hispaniola it's one with two different nations, cultures and languages, a notorious legacy of the tug-of-war between former colonial powers. But like Haiti, it is another victim of many of the same demons that to various degrees afflict much of Latin America. I must admit with much shame that even as a Dominican, only during my residence here in the far-flung region of New York rather than back home in Santo Domingo have I befriended fellow Haitians and came to know more about their culture. Learning about a Haitian luminary such as Mr. Dominique has thus been a treasure.It saddens me deeply how most media outlets to date do scant coverage about what's happening in Haiti and elsewhere with little mention, if any at all, about the feats of Jean Dominique and how his assassins have yet been brought to justice. These and many more reasons make The Agronomist a must-see documentary. In this ever more jaded, cynical world, it's inspiring and much of a solace to find people like Jean Dominique amidst the disheartening and overbearing blanket of corruption and complacency.

The Agronomist, a documentary film by Johnathon Demme, director of Silence of the Lambs and Philadelphia, was made over the course of a decade in Demme's free time about the Haitian radio journalist. When Dominique was killed, this movie became about a martyr story for the people. Demme does a decent job with the confusing tale, but his documentary style might border on boring if it weren't for the astounding presence of Dominique himself. He is a wildly eccentric man, and very funny to watch, especially with his large white teeth and folding face. But you know while you're watching him that he's also very serious. This is at the same time a political movie and the study of an endlessly interesting man. It is a movie that sides with the Democratic, but to call it a Liberal movie is unfair, since the Democratic interests in Haiti are on a much different scale than those of America. Their interests were freedom, every day life. To them, Clinton was a chance for freedom and democracy, and I respect that. There are wonderful sequences such as when they talk about his love of film and agriculture. He was "an agronomist without any land." This is a moving picture that offers a lot of insight into the Haitian culture, and lets us see it through the eyes of this wonderful little man.My grade: 8/10

Haitian agronomist turned civil rights activist with a perilous base, a radio station lost several times to violence, Jean Dominique paid the ultimate price for his unwavering dedication to the ideals of democracy, free speech and an open and uncensored press. He was shot dead outside his radio station, Radio Haiti, by persons still unknown but it wasn't a robbery. It was a final attempt to silence a man revered by countless thousands of his fellow Haitians, especially the poor and dispossessed.Director Jonathan Demme provides much interview footage of Dominique in this ninety-minute documentary. His American-educated widow, Michele, (Homecoming Queen at the University of Maine, participant in the Vietnam-era Columbia riots) was also his partner in the radio station which she now runs.Dominique was born into a comfortable family which in Haiti meant they either worked with the corrupt administration of the day or didn't oppose it. His father inspired nationalistic feelings in the young man who went off to France, as many well-off Haitians did and do, to study. In the interviews, his words are frequently punctuated with a sardonic laugh undoubtedly cultivated in the cafes of Paris.Dominique never gave quarter to "Papa Doc" Duvalier, his idiot son and successor or to Aristide and the military junta that alternated with the now again deposed priest/president.Articulate and fascinating, Dominique had to know he was in mortal peril virtually every day other than the two brief exile periods in New York (where he and Michele wed). Although he both found sanctuary in America and disliked U.S. foreign policy, especially after Reagan succeeded Carter, his ideological values reflect the best ideals of this country. American involvement with and in Haiti do not.Interspersed with the interviews of Dominique and Michele are scenes of near anarchy and brutal violence in the incredibly poor country as well as shots of rituals reflecting the nativist tradition of a largely neglected rural class.I would have passed this film by but for the recommendation of a colleague who used to travel to Haiti decades ago. I'm grateful to him for an eye-opening and deeply disturbing peek into a cauldron whose temperature continues above the social and political boiling point.At the end of the film Michele is seen broadcasting from the station reporting that her murdered husband is alive and still campaigning for the values for which he died. It's not tongue-in-cheek, it's a moving legacy to a man who states in the film that democratic ideals of freedom can't be killed. He was right but he certainly could be and he paid the price for his lifelong heroism.9/10