While it doesn't offer any answers, it both thrills and makes you think.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

This is a dark and sometimes deeply uncomfortable drama

THE ANONYMOUS HEROES is another collaboration between the two biggest Shaw Brothers stars of the era, Ti Lung and David Chiang, and director Chang Cheh, Shaw's number one action director. This one has more of a contemporary setting than many of their other movies, and sees Li and Chiang playing a couple of roguish rebels who decide to help out revolutionary Ku Feng in his battle against some oppressive warlords and their armies.It's a typically action-packed adventure, filled with the brim with the frenetic fight scenes that Shaw are known and loved for, and a film that's very easy to like. The set-piece dominated narrative seems to have much in common with some of the westerns being made during the era and one train set-piece in particular hammers home those similarities no end. Lung and Chiang are both likable presences and are well supported by Feng, who has a more important role than usual, and actress Ching Li. There are even bit parts for Chen Sing, good old Simon Yuen and his offspring, Phillip Ko, and Fung Hark-On.THE ANONYMOUS HEROES features a straightforward story and lots of impressive fight scenes. It's also got a surprising lightness of touch, with plenty of comedy and humour thrown in along the way, although of course things develop into a deadly serious climax which is inevitably the highlight of the whole movie. It's solid Shaw; not one of the studio's absolute classics, but a thoroughly entertaining movie nonetheless.

Anonymous Heroes (1971) was an interesting step for Shaw Brothers famous duo of Lung Ti and David Chiang. In this 1930's era storyline, the two actors star as a pair of wild dudes who like to have fun and raise hell whenever they can. They both like the same girl who hangs out with them whenever they feel like doing something real stupid. But one day, the trio come across a group of revolutionaries who are plotting to take out a local warlord. One of them strikes up a friendship with David and Lung and ask if they'll do a job for them for some quick money. During one of their "raids" for guns, their new found friend is killed. Before his death, they make a blood oath, finish the job of stealing the rifles and get the promised cash so his comrades can continue the revolution. Not a pair of guys who renege on such a serious pact, they decide to carrying on with the mission and try and contact his fellow revolutionary. Along the way the trio steal guns, get arrested, escape and go out like the WILD BUNCH. After dying in a bloody, honorable and dramatic fashion, the three friends forever become heroes in the revolution. They gave up their lives for a cause that they slowly begin to believe in.A strange film that was like a hybrid of BUTCH CASSIDY & THE SUNDANCE KID and THE WILD BUNCH. I was surprised by how different it was. The movie was light hearted fare (until the bloody heroic end) and the actors seemed to be enjoying themselves. I saw the newly restored version that was released by Celestial Pictures. The movie was shown in beautiful Shawscope with vibrant colors and a restored soundtrack.Highly recommended!

THE ANONYMOUS HEROES is a 1971 action-adventure-comedy from Hong Kong recently released on DVD as part of the new wave of restored & remastered Shaw Bros. movies. It stars David Chiang and Ti Lung, was directed by Chang Cheh, with fight direction by Tang Chia and Liu Chia Liang, and written by I Kuang, all members of the same team that made such exemplary Shaw Bros. martial arts films of 1970-73 as THE HEROIC ONES, THE NEW ONE-ARMED SWORDSMAN, BLOOD BROTHERS, DEADLY DUO and, from the same stars and director, DUEL OF THE IRON FIST, all also reviewed on this site.THE ANONYMOUS HEROES lacks the brooding intensity of the other films and opts for a lighter tone and looser approach to the action. The fight scenes are more of a brawling nature than a demonstration of martial arts. The two heroes, knockabout hustlers played by David Chiang and Ti Lung, punch and kick a lot, leap through windows, and use rifle barrels, carts and handy objects as weapons. There is some bayoneting and a lot of rifle and pistol fire. The heroine, Li Ching, uses only a pistol when called upon to fight. It's all fun to watch, but never engages our emotions the way their other collaborations did.The film is set sometime in the early 20th century during a period of civil war in China. There is one brief mention of the Japanese and a slightly more specific mention of a warlord, but the exact time period is hard to pin down, despite the 1940s cars. The plot has to do with a revolutionary (Ku Feng) from South China, whose affiliation is never specified, who recruits the two heroes to steal 3000 rifles and 200,000 rounds of ammo from a local army outpost and transport them by train to "South City," where the rebels are waiting. After lots of adventures and misadventures, the mission is accomplished, but never with any degree of plausibility. The military officers all behave like buffoons and the heroes get away with everything much too easily. The bloody finale comes as something of a surprise given the lighthearted tone of the rest of the film.The film owes a lot more to Sam Peckinpah's western THE WILD BUNCH (1969) and Italian westerns of the period than to earlier Hong Kong martial arts films. The two heroes wear stolen army uniforms for much of the film and the scenes on the train from which they shoot at pursuing troops deliberately recall similar scenes in Peckinpah's film. There is some location shooting for the scenes involving the train, but most of the film was shot in the studio. The process shots of the heroes standing on the train top and the miniatures used to depict a train wreck are jarringly inept. The two heroes smile a lot (too much) and carry on like swashbucklers of yore, ready to leap into full fighting mode at a moment's notice even when the odds are stacked against them. However, they seem to be in it for fun, given their lack of moral purpose or political ideology. They're not even in it for the money, since they refuse to accept pay for the job. David and Ti were always charismatic performers and they go a long way in carrying the weight of the contrived goings-on here. Li Ching, normally the demure heroine (see THE MAGIC BLADE and BOXER FROM SHANTUNG), is much spunkier than usual, playing the customs chief's daughter who helps the heroes transport the weapons and winds up joining them on their journey. Many other familiar Shaw Bros. faces are on hand also, including Wang Chung, Cheng Miu, Wong Ching Ho, Cheng Lei, Cheng Kang Yeh and kung fu villain Chen Sing. The music score seems to be entirely ripped off from Hollywood soundtracks, with John Barry's haunting theme from THE CHASE (1966) standing out as a particularly frequent refrain.