The Battle at Apache Pass
The Battle at Apache Pass
NR | 09 May 1952 (USA)
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Major Jim Colton is a sympathetic leader who has a working relationship with Apache leader Cochise. Colton is undermined by corrupt and politically ambitious Indian agent Neil Baylor who sets up a false attack, and the abduction of a local farmer's son. While Colton is away investigating the matter, Baylor convinces Lieutenant Bascom that Cochise's band is to blame, and incites him to lead an expedition against the Apache band to return the boy.

Reviews
Lucybespro

It is a performances centric movie

Fairaher

The film makes a home in your brain and the only cure is to see it again.

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Kamila Bell

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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Edwin

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

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Spikeopath

The Battle at Apache Pass is directed by George Sherman and written by Gerald Drayson Adams. It stars Jeff Chandler, John Lund, Bruce Cowling, John Hudson, Susan Cabot, Jay Silverheels, Gregg Palmer and Jack Elam. Music is by Hans J. Salter and cinematography Charles P. Boyle. A Technicolor production, the location's for the shoot were at Moab, Utah, with Arches National Park, Colorado River, Courthouse Wash, Ida Gulch and Professor Valley forming the backdrops to the story.The film is a fictionalised account of The Bascom Affair of 1861 and the Battle of Apache Pass that occurred in 1862, the latter of which saw the Indians witness for the first time in the region an artillery attack by means of mountain howitzers. It deals in the events that led up to the battle and focuses on the in fighting between Chiricahua warriors Cochise and Geronimo.Although both Chandler and Silverheels reprise their character roles from Broken Arrow 1950, The Battle at Apache Pass takes place prior to the events depicted in the 1950 movie. As solid as they come story wise, and with beautiful Technicolor scenery, Sherman's film is only really let down by not having acting gravitas in the American roles. Messrs Lund, Cowling and Hudson are OK, but the material needed more assured performers to play off of the excellent Chandler. On the feminine side Cabot does the best with what little she is given to do, while Beverly Tyler, playing a pretty important character narratively speaking, is just a pretty tug-of-war prop device. However, it's easy to look away from the lack of dramatic worth in the acting because Sherman's action set ups are very good, with the actual battle of the title brilliantly constructed in a rock formed valley, featuring reams of extras, lots of war-fare and the thunder of howitzers filling the ears. While Boyle's (Horizon's West/Tomahawk) photography is sumptuous and a credit to the cinematographer's craft. Salter's score, tho, is only standard fare, with familiar Redskin strains for the Indians and drum beat military thrusts for the Cavalry sequences.A fine film to look at, with a more than interesting story driving it forward, it sadly, tho, needed more grit from a good portion of the cast. 6.5/10

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NewEnglandPat

This colorful western is a rousing yarn that is one of the best of the 1950s. The picture is based on two historical events, the shameful Bascom affair, and the fight in Apache Pass in which two mountain howitzers foiled a well-planned ambush by the Indians. Cochise's Chiricahuas and the U.S. cavalry do all they can to keep peace in the southwest but renegade Mogollons and greedy, scheming whites are just as determined to cause trouble between the Apaches and the soldiers. Jeff Chandler reprises his role as Cochise in the landmark western, "Broken Arrow", as does Jay Silverheels as the warlike Geronimo. John Lund is the major who is sympathetic to the Indians and values his friendship with Cochise. Bruce Cowling and Jack Elam are the white men who have other ideas about how to deal with the Indians. Richard Egan and Hugh O'Brian are also good as army lieutenants. Tech credits are great, especially the camera work by Charles Boyle and the music score by Hans Salter.

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BryanLindop

Follow up story to Broken Arrow (1950) in which Jeff Chandler reprises his role as Cochise. Cavalry Oficer John Lund has established a peaceful community relationship with Cochise which is undermined and ultimately lost when a crooked Indian-Affairs representative (Bruce Cowling) and Geronimo (Jay Silverheels) manage to incite a war for their own ends. Perhaps a little too melodramatic for its own good, with the all important action playing second fiddle to the dialogue, the film never-the-less has some exciting and tense moments and the battle scenes are first rate and very realistic. Jack Elam lends sterling support as a baddie. My only adverse comment is about the photography. The images are oddly composed to highlight the grandeur of the location setting with most of the action taking place at the bottom of the frame or even in one corner of it with lots of rocky scenery and oceans of empty blue sky given priority! Impressive no doubt, though a trifle odd and very distracting when done to excess, but at least it's all in lovely Universal Technicolor, which for me, is the icing on the cake!

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BrianG

George Sherman was an old hand at B westerns due to his long stint at Republic, where he specialized in them. His experience shows in this tight little Universal B western. John Lund and Jeff Chandler are stalwart as, respectively, a cavalry officer trying to avert an Indian war and Apache leader Cochise. The cast is filled with veteran character actors, which is always an asset, and the action scenes are extremely well handled. Altogether a tight, enjoyable little western. Recommended.

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