I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

One of the best movies of the year! Incredible from the beginning to the end.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

The Beatles: The First U.S. Visit is a re-edited version of renowned documentary film-making team Albert and David Maysles' documentary,"What's Happening! The Beatles In The U.S.A." about the Beatles' first visit to the United States in 1964. It documents their trip as they travel to New York City, Washington, DC, and Miami Beach.The noted documentary filmmakers had the presence of mind to realize there was a story here, and they followed The Fab Four with their cameras throughout their first American adventure, capturing the magic of their music and the glorious madness that was Beatlemania. They were given extraordinary access to the Beatles during their several concerts and their seminal first appearances on The Ed Sullivan Show. Also,it shows lots of spontaneous cheekiness with the press and fans; the Beatles' wide-eyed bemusement at the hysteria they caused; as much cutting up as a tiny hotel room allows; and even specific scenes such as goofing off on a commuter train and mod dancing in a nightclub.The performance segments alone are a must for fans. The three Ed Sullivan appearances show a great cross section of their hits at the time, including "All My Loving," "I Saw Her Standing There," a beautifully delivered "This Boy" by John Lennon, and a wobbly "I Saw Her Standing There" so out of tune George Harrison nearly cracks up as he listens to Lennon and Paul McCartney struggle for harmony. The blurry, badly mic'd footage of the concert at the Washington Coliseum shows the Beatles acting as their own roadies, setting up their instruments; the platform Ringo Starr drums on lurches ominously with each downbeat. It was a more innocent, exuberant time, to be sure, and this sweet documentary lets the Beatles phenomenon speak for itself.

It was madness, a frenzy, a pop-music explosion that still has barely been topped in the US for sheer virtuosity and awareness. After holding off on an official US mini-tour until they got some top 10 hits- and then suddenly getting THREE that were simultaneously number 1- 72 million people, more or less depending on who's reporting, watched the Beatles on the Ed Sullivan show when they finally played in New York city on his nightly program (the filmmakers, Al and David Maysles, couldn't get permission to film in the CBS studio, so they just went across the street and found an apartment with a family watching it instead). In short, Hard Day's Night wasn't quite as zany fiction but a skewed documentary.For The First US Visit, on the fly and almost by total luck, the Maysles capture the Beatles in all their personal humor, affability, and knack with dealing with the press or the common fan (or just a little girl at one down-to-earth moment). It was the start of their particular, wonderful style of "cinema truth", where there are barely any interviews, the camera and sound is so technologically simple that they can film practically anywhere, and it verged on being a home movie. There are moments when it does become a home movie, which might be a flaw not really either the Beatles or the Maysles' fault. The approach is so new that the Beatles themselves- according to Al on the extras on the DVD- were utterly curious about how the equipment worked, and would sometimes, as would be the case during the first thrust of "Beatlemania", be self-conscious and look at the camera.But the feeling for the most part is so natural and cool that we get to just see what the Beatles were like... which, of course, are the Beatles in all their fun, their minor moments of seriousness, their whole bewilderment at how MAMMOTH their coming to America had become. The Maysles can capture that and little details (i.e. a woman in the background of a radio station playing a song and grooving along), which is great since the documentary is inter-cut with footage from the two Sullivan appearances (NYC and Miami) and a concert at Washington DC, shot live at times like a boxing match from afar. It's the 'early' period, and it's loaded with the crying and screaming girls, and those wonderful hits "I Wanna Hold Your Hand", "She Loves You", "Twist and Shout." It's all very sweet nostalgia and fun for the Beatles fan. 9.5/10

If you wish to experience the group's charm and musical euphoria of this time full on, without the intrusions of a tacked on plot or supplementary characters, check out the wonderful documentary "The Beatles' First U.S. Visit". Done by the Maysles brothers - the duo behind the Rolling Stones' "Gimme Shelter" later in the decade - the film captures all the excitement [and footage] of the Beatles' triumphant arrival in America, including all their Ed Sullivan appearances, various backstage reflections and shenanigans, and an extended, supercharged sequence of their concert at Washington Coliseum. For my money, this film is even MORE essential than A Hard Day's Night; it is, quite simply, the best extended visual document of the Beatles that we have.

It's as if you're along for the ride as a spectator in the Beatles' entourage. A revealing look at the hoopla from their prospective. The behind the scenes footage has an intimate feel as there is no narrative to distance you from what's happening. The continuity flows seamlessly, though one wonders if the Maysles may have fabricated some of the ambient dialogue in the editing.