The Best Years of Our Lives
The Best Years of Our Lives
NR | 25 December 1946 (USA)
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It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.

Reviews
Greenes

Please don't spend money on this.

Ameriatch

One of the best films i have seen

Supelice

Dreadfully Boring

Taha Avalos

The best films of this genre always show a path and provide a takeaway for being a better person.

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p-hodges536

I won't go into the story which has been extensively covered in other reviews. What I will say is that this film deserved every one of it's seven Oscars. It is unashamedly sentimental at times, but is perfectly acted by a superb cast. They don't make films as good as this anymore, and I think it should rank in the top ten of anyone's list of favourite films. Very highly recommended.

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Takethispunch

After World War II, Fred Derry (Dana Andrews), Homer Parrish (Harold Russell), and Al Stephenson (Fredric March) meet while flying home to Boone City (a fictional city patterned after Cincinnati, Ohio. Fred was a decorated Army Air Forces captain and bombardier in Europe. Homer lost both hands from burns suffered when his aircraft carrier was sunk, and now uses mechanical hook prostheses. Al served as an infantry platoon sergeant in the Pacific. All three have trouble adjusting to civilian life.Al has a comfortable home and a loving family: wife Milly (Myrna Loy), adult daughter Peggy (Teresa Wright, who was only thirteen years Loy's junior), and college freshman son Rob (Michael Hall, who is absent after the first one-third of the film). He returns to his old job as a bank loan officer. The bank president views his military experience as valuable in dealing with other returning servicemen. When Al approves a loan (without collateral) to a young Navy veteran, however, the president advises him against making a habit of it. Later, at a banquet held in his honor, a slightly inebriated Al expounds his belief that the bank (and America) must stand with the vets who risked everything to defend the country and give them every chance to rebuild their lives.

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Johan Dondokambey

If I watched this movie before I watched Bicycle Thieves, maybe it would've ended up as just another post-war movie for me. But in combo of Bicycle Thieves, this movie tells the complete story from both sides of the war victors and losers; none get the happy live. War torn everything, even the lives of the victors. We see it first hand as how Homer struggles to regain himself after losing his hands. Fred also struggles as he has everything a decent man dreams of, but lacks any other skill that he has to bow himself down to the harsh reality of the available work. AL also struggles morally as he chooses to do the right thing. And as we see only Homer's and Frede's story closes out well, as Al's didn't really get a justified ending to his ordeal. The actors did a great job in bringing live to the scenes.

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ceb

I disagree with those who only went so far as to call "The Best Years of Our Lives" one of the best movies about returning servicemen. I believe it is one of the best movies ever made, period. It alternates with "Casablanca" for my all-time favorite movie, depending on which one I have seen most recently.The best compliment I can pay to this movie is that I hold it in such high regard despite having gone into my first viewing wanting to hate it. How dare this film win the best picture Oscar over my favorite movie (at the time) "It's a Wonderful Life," went my thinking. But when I saw "Best Years," I was blown away and I understood."Best Years" has an unbelievable number of scenes that bring a tear to the eye or a lump to the throat, with only a couple of those being the result of sadness, and with most being caused by beautiful depictions of love, loyalty, pride, patriotism, or the overcoming of personal adversity. I only need to hear the opening strains of the Homer and Wilma theme music before the bedroom scene to start losing it.What I enjoy most about the plot is how steadfast all of the lead women are, each in their own unique way. I know Harold Russell and Fredric March won the Oscars-- and they were great-- but for me, Dana Andrews as Fred and the wonderful Teresa Wright as Peggy are the standouts. I find Fred's statement that Peggy should be put into mass production to be very apt.One final aspect of the movie that fascinates me is how it can be such a perfect time-capsule of 1940s America, yet still not feel dated in terms of its human interactions.I am on the clock, waiting for my next opportunity to enjoy this complete and utter masterpiece!

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