A lot more amusing than I thought it would be.

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

A non-singing cowboy star finds that his life has been temporarily taken over by his own stand-in who does sing, and a desperate publicity mab finds himself possibly out of a job. Gene Autry shines in a dual role, one an egotistical movie star, the other an easy going stuntman looking for a break. The scene is the Texas Centennial and movie star Tom Ford cannot be found to attend as promised. It turns out that the hero of the screen isn't so clean, and the threat of exposure threatens both men's futures with ruin. Smiley Burnette is delightfully obnoxious, and Autry's future rival Roy Rogers has a role as one of the members of the sons of the pioneers. A satisfying and fast moving comedy with musical and western interludes, this is one of the best Autry films and gives a nice look at how B westerns are made behind the scenes. This shows that movies can have preposterous situations and still be good fun.

"When cowboy star Tom Ford (Gene Autry) disappears, studio publicity man Wilson gets his double, Gene Autry, to impersonate him. Gene, posing as Ford and singing over the radio, is a sensation. Ford hears a broadcast, is peeved, and threatens to sue the studio. Meanwhile, a group of blackmailers demand $25,000 from the studio to keep quiet about the hoax," according to the DVD sleeve description. Autry attempting a dual role, the sometimes derivative (but pleasant) soundtrack, and a timely Texas Centennial location only give "The Big Show" a little bigness. It's nice to see the blinking, exasperated William Newell (as Lee Wilson) play a relatively large role, and odd to see Roy Rogers' profile (screen right, as one of the Sons of the Pioneers) in an Autry picture.**** The Big Show (11/16/36) Mack V. Wright ~ Gene Autry, William Newell, Smiley Burnette, Kay Hughes

Let's get the plot out of the way first. Gene plays a double role as a bad tempered cowboy star, Tom Ford (who has large gambling debts and a blonde fiancée) and his stunt double. Gene winds up impersonating Ford at the Texas Centennial of 1936, as a cowboy and a singer, even though Ford can't sing. We expect some identity mixups and we get them. The fiancée and the gamblers appear to cause trouble and a final chase scene, but the film mostly centers around the Centennial. It's an unusual Western because it was filmed during the Centennial celebration at Fair Park, where we see many shots showing the abundance of deco buildings and statues. They're all still there, as it is now called the Texas State Fairgrounds. What a setting for a picture! We see a cast of thousands! The parades, the stadium crowds, and the outdoor staged 'panoramas' that were a common part of expositions and World Fairs from before to after the turn of the century, even up to the late forties. We see the Western cavalcade, the Texas Six Flags, and Gene's singing farewell to his 'wounded' horse Champion. It's definitely a musical Western, because the story elements fly by, especially in the 54 minute edited version found in most remainder bins (such as Platinum's 'The Great American Western Volume 5' DVD, which is the version I have.) The performance of 'The Lady Known as Lulu' by the black 'Jones Boys' is missing from the 54 minute versions. The official, restored 71 minute version has 10 songs, but only two are halfway decent (both ballads, 'Mad About You' and Jimmie Davis's 'Nobody's Darlin' But You').Other highlights: Kay Hughes is the female lead. Gene apparently likes wholesome looking girls, since she was also in 'Ride, Ranger, Ride' (1936). She plays Gwen in the first Dick Tracy serial (1937), and the spunky Molly Selkirk in 'Radio Patrol' (1937). Contrary to what most people say, here's a film where Gene actually does kiss the girl at the end of the movie, but with the vocal track still going, he's singing while he does it! Another lowlight: Gene is clearly not a stunt man. In the scenes where he's supposedly stunting for Ford, he can be seen several times carefully, warily, and worriedly looking for his safety hand holds. And of course, he's all too obviously doubled for in the fight sequence in the hotel with the evil gambler Collins (Rex King).William Newell seems to get as much screen time as Gene; his other big role is as Mala's helper Hank in 'Robinson Crusoe of Clipper Island' (1936), but after that he went on to a distinguished career as an uncredited bystander in hundreds of movies and TV shows.We get our standard sidekicks Smiley Burnette and Max Terhune (this time doing his ventriloquist act), the Beverly Hillbilles as Gene's backup group, fresh from 'The Phantom Empire' (1935), and the Sons of the Pioneers with the twinkling smile of Roy Rogers (Leonard Slye), a rhythm guitarist in the back row.Full of historical interest, it's an enjoyable diversion despite the weak music, but as a film it's just a four.

In this movie, Gene Autry is a stunt man for Tom Ford, and then does a stand-in for Ford at a Texas Centennial celebration when Ford goes on a fishing trip. At the end of the movie Gene is the star and Tom Ford is now his stunt man.But look! When the Sons of the Pioneers do their singing part in the back of the wagon, who is the guy singing, right front? Why, it's Leonard Slye, one of the original members of the Sons of the Pioneers.The movie was filmed in 1936. Five years later, when Gene Autry left the studio to serve in World War II, the studio needed another singing cowboy and Leonard Slye was chosen. Of course, the studio had to change his name, so Leonard became Roy Rogers.