The Boatman
The Boatman
| 16 October 2015 (USA)
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Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last - the river. Despite this perfect record, Miguel is no stranger to death. His nickname, "El Maldito" hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel's house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose - crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck's lone survivor, recognizes Miguel.

Reviews
Glimmerubro

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

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Hadrina

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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Fatma Suarez

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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Guillelmina

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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mdr1393503

Compelling film that, at times, felt like a documentary. Very intense. Oscar Torre's performance is especially riveting. The Latin guitar music fit well for the score! Most of all this film brings to life the struggle facing many immigrants today. Ripped from today's headlines and I can't help but wonder if that will help this film find a wider audience.

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