The Bookworm
The Bookworm
| 25 August 1939 (USA)
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Three witches need a worm to complete their potion; they dispatch a raven to catch one, and he goes after a bookworm. He chases the worm into the horror section, where the monsters attack but soon, Paul Revere rides Black Beauty to the rescue, along with the Police Gazette, and other assorted war heroes; eventually, the Boy Scouts build a match-stick bridge, leading the worm to safety.

Reviews
Redwarmin

This movie is the proof that the world is becoming a sick and dumb place

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SunnyHello

Nice effects though.

Brendon Jones

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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Matylda Swan

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

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Robert Reynolds

This is a one shot short from the MGM studio. There will be spoilers ahead:In the 1930s, many of the animation studios did shorts where characters from books/magazines come to life and interact. Warner Brothers did a number of them. This short is from MGM.The witches from Macbeth are mixing a concoction in a cauldron and come to the realization that they need a worm. The raven from The Raven is enlisted in the search for a worm and he goes leafing through books and magazines seeking a bookworm, lingering over an "Art Studies" magazine for inspiration.Meanwhile, we meet the bookworm, who is unhappy at only being a bookworm. The raven chases him, only to fail spectacularly the first time. A ghost-like version of himself gives the raven "a few pointers" and then we see the raven wearing a blue dress, weeping and carrying on about having lost her yellow basket. The bookworm tries to guess what color the basket was, driving the raven to distraction by constantly asking if it's virtually every color but yellow.The bookworm runs into the section of books where the villains are and they unsuccessfully try to catch him. Paul Revere hears the commotion, goes over to Black Beauty (the ensuing gag here will definitely offend some people!) and moves around sounding the general alarm to call out the good guys-Robin Hood, the cops, a statue of Napoleon and some octogenarian "Heroes of Gettysburg" tottering and hobbling out of a book.The bookworm gets away, only to be caught between the witches and the raven-until the Boy Scouts come to the rescue. The ending is fairly decent, so I won't spoil that here.This short is well worth watching if you have the opportunity. Recommended.

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James Christian

Inside someone's personal library, all of the characters from the books and magazines come to life. The witches from "MacBeth" (not "Hamlet", as another reviewer stated) are making their brew, and they realize they need a worm. The raven from Edgar Allan Poe's "The Raven" is commissioned for the task. Fortunately for the story, a meek little worm just happens to be perusing the books at the time. The rest of the story is a long chase scene between the raven and the bookworm.There's nothing here you haven't seen numerous times with Bugs Bunny & Elmer Fudd, Wile E. Coyote & the Road Runner, Tom & Jerry, Sylvester & Tweety, etc. But this cartoon still has a certain creative charm the way various characters from literature, pop fiction (for the time), and magazines are incorporated into the story's events.An amusing way to spend eight minutes.

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ackstasis

'The Bookworm,' a 1939 MGM cartoon short directed by Friz Freleng and Hugh Harman, takes an interesting concept and has some good fun with it. On a dark and stormy night in somebody's library, characters from literature emerge from their books and interact with each other. The three witches from "Hamlet" are wickedly brewing a potion, only to find that a crucial ingredient – a worm – is missing. The evil witches bully the skulking raven from Edgar Allen Poe's eponymous novel into acquiring a worm for them. Across the room, an innocent young bookworm emerges from his bulky encyclopedia, proclaiming himself to be "full of science and philosophy" and yearning for some adventure.After the raven catches sight of his quarry, he tries every means possible to capture the poor bookworm, and the evil characters of literature wait in the shadows with anticipation. However, the little worms resourcefulness proves greater than anybody could have imagined, and he constantly eludes the frustrated bird, finally satisfying his thirst for adventure. The bookworm doesn't do it all alone, either. After it is evident that he is in trouble, all the noble figures of history and literature – include Paul Revere, Black Beauty, Robin Hood and the aging heroes of Gettysburg – emerge from their pages to lend a hand. Eventually, it is an enthusiastic troop of boy scouts from a scouting handbook who arrive to rescue the bookworm from a fiery death.The concept behind the short, of book characters coming alive when you're not looking, reminded me a bit of Pixar's 'Toy Story (1995)' (substituting books for toys, obviously) and perhaps this cartoon served as an inspiration. The devilish raven was voiced by "The Man of a Thousand Voices," Mel Blanc, in only his third year of voice-acting. The animation in the film is a bit rough at times – certainly not as meticulously-drawn as many of Disney's films of that era – but it gets the story across well enough, and this roughness sort of complements the rather dark tone of the film. 'The Bookworm' can currently be found as a special feature in the "Complete Thin Man Collection," on the DVD for the third film in the series, 'Another Thin Man.'

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tedg

Hey, I'll bet you saw this and didn't really think about it.By this time, there had already been many cartoons that played with the notion that they exist as drawings on a page. So it seemed natural to have cartoon characters co-exist with books.In this particular one, characters from books come out of them and intermingle, beginning with the three witches from "Hamlet." They task the Raven from the eponymous "book" with getting a worm for their potion.The central portion of the cartoon is a traditional chase game between the hunter and hunted. I'm sure there are all sorts of interesting societal notions to be drawn from the prevalence of these stories, But what interests me is this wrapper. Its amazingly sophisticated in its abstraction, the humor of abstraction.The witches are stolen from Disney, "Snow White," I think.Ted's Evaluation -- 2 of 3: Has some interesting elements.

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