Too many fans seem to be blown away

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The Bosko cartoons may not be animation masterpieces, but they are fascinating as examples of Looney Tunes in their early days before the creation of more compelling characters and funnier and more creative cartoons.None of the previous Bosko cartoons were great, most of them being hit and miss, but they were interesting and mostly quite decent. The fifth Bosko cartoons 'The Booze Hangs High' is the weakest of the five so far. By all means it is a long way from awful and is watchable, but is more a very average one-time watch that is forgettable after a few days, for Bosko at this time this is somewhat of a disappointment.Certainly there are good things about 'The Booze Hangs High'. The animation is not bad at all. Not exactly refined but fluid and crisp enough with some nice detail, it is especially good in the meticulous backgrounds and some remarkably flexible yet natural movements for Bosko. The music is 'The Booze Hangs High's' highlight component, its infectious energy, rousing merriment, lush orchestration and how well it fits with the animation is just a joy.Some parts are fun and intriguing, including the imaginative ways of playing instruments. Bosko is never going to be one of my favourite cartoon characters, or among the all-time greats, but he has more personality this time round and it's more endearing than before which compared to the previous four cartoons is saying a good deal where he had not found his stride. The supporting characters are okay enough, and the sound is not too static.However, 'The Booze Hangs High's' story is paper thin and has some pedestrian stretches. The humour, with some potty humour and some really bizarre elements like the getting drunk scene, is too far and between and is not that funny.Generally, the cartoon is not that imaginative outside of the ways of how the instruments are used. Pacing is pretty dull.Overall, alright cartoon but without the desire to see it again in a hurry. 5/10 Bethany Cox

. . . Hearst's Grandpappy, Willy Randy, is on full display in this animated short, THE BOOZE HANGS HIGH. Willy Randy, no doubt the financial backer of BOOZE, made his fortune by promoting the "Demon Rum" and demonizing the alleged REEFER MADNESS. The consensus of public policy think tank experts is that Willy Randy essentially MURDERED at least 48.4 MILLION Americans by bamboozling an easily fooled U.S. Public and Congress to switch the Government's blessing from Founding Father George Washington's Medicinal Pot to the drunken Lot's incest-promoting Booze. When social scientists tally up all the young daughters dying in childbirth from liquor-induced incest to more than a million DUI traffic deaths to thousands of wood alcohol fatalities among the desperate hooked Alkies "Down in the Hollers" to millions of Hootch-caused cardiovascular slayings not to mention hundreds of thousands of sauce-facilitated suicides and murders, the tally is Pretty Darn Near 50 million genocidal killings and counting. All of this so Willy Randy could replace high quality hemp newsprint for his scandal rags with cheap acidic self-destructing pages made from the Empire of Tree Plantations in exploited Third World Nations (giving rise to the so-called "Yellow Journalism"). Surely Willy Randy (the Real Life basis for director Orson Welles' CITIZEN KANE) was one of the most evil, venal, crass criminal masterminds in human history, deserving to be dug up even Today and shot by firing squad posthumously!

The early star for the Looney Tunes cartoons from Warner Brothers was Bosco. I've seen a few of his films and still have no idea what the character is supposed to be--so I looked him up on Wikipedia. They indicate he's supposed to be a black young man. Regardless of who he is, these cartoons directed by the Harmon-Ising team tended to be rather cute and less edgy than many of their competitors. They weren't bad--they just weren't very good either. Not surprisingly, most folks today have never heard of the guy.In this installment, much of the film is pretty bland and cute. However, there is fortunately a bit of potty humor (believe me, it needed it) and a portion at the end involving pigs drinking booze. Otherwise, there just isn't a lot of plot here and the cartoon is pretty forgettable. If you care, the animation was done by Friz Freleng--a guy who later directed many of the classic Looney Tunes shorts.

This is the fourth Bosko short and it has some engaging moments. Since I'll be discussing in a bit of detail one or two scenes, consider this a spoiler warning: Bosko continues to get music out of fairly atypical places, such as a horse's tail played like a violin and a pitchfork played like a guitar or banjo. Like most early Bosko shorts, this is very musical in nature and has one extended and fairly amusing bit centering around three pigs who take turns drinking from a bottle (the "Booze" of the title) and lurching around. First, two small pigs find the bottle and sample the contents and then a larger pig commandeers the bottle and takes a few liberal swigs before tossing the bottle. The bottle then comes into the possession of Bosko, who himself partakes of its contents and staggers over to join the pigs to join them in a spontaneous (and off-key) rendition of "Sweet Adeline". A low-rent barbershop quartet. There's one brief gag that's possibly a bit unsettling with an ear of corn making an unscheduled (and no doubt unexpected) reappearance, but it's really rather mild by today's standards.Entertaining, if rather pedestrian in tone and substance, it would definitely be worth watching at least once.