Better Late Then Never

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

This is a fair or should I say more accurate portrayal of Jason Bourne from Robert Ludlum's novel. The new Matt Damon based "Bourne" was only made to make Matt Damon look good. It really lacked any sobriety.Richard Chamberlain, and Jaclyn Smith is a much more convincing as the characters they're portraying. They're also far better looking than Matt Damon, and the other chick that played their part.This is a made for TV movie and blows away the big budget Hollywood movie that's made years later. The movie is worth a watch because of the foresighted nature of Robert Ludlum's story. In the '80s, there was no one else talking about mind control, or a super soldier assassin. But in recent years, the now declassified MK ULTRA material emerged, and the fact that super soldier program like mentioned in this story indeed existed (and probably still does).Chamberlain has lot more expression as Jason Bourne than Matt Damon, which makes this an excellent mystery / action movie from the '80s.

Having read the original novel and seen the 2002 film 'adaptation' starring Matt Damon, I was always curious to see this older rendition of Robert Ludlum's most ingenious and complex novel, The Bourne Identity. Having recently had the opportunity to do so, I can safely say that this miniseries, starring Richard Chamberlain is as good as it gets. This film is meticulously close to the original novel and truly recaptures the feel of Ludlum's suspenseful Cold War era thriller about an amnesiac on a quest to rediscover his identity in a cloak and dagger world of espionage and murder. The locations are wonderful and really add on to the story. The action scenes are no where near as stylistic as those in the Damon version and therefore greatly benefit from a more realistic and gritty tone. The music too is brilliant and highlights the mysterious and suspenseful theme of the movie. This film has only two shortcomings. Firstly, Richard Chamberlain, though a great actor, comes across as being a bit too mild to be Jason Bourne, whom, as anyone who has read the novel or its sequels would know, is an on-edge killing machine. He comes across as being only moderately convincing in the more brutal actions of the character on screen. Secondly, although Yorgo Voyagis does a fair job as Carlos, the ruthless assassin determined to eliminate Bourne, he in no way captures the aura of mystery that lies around the Carlos of the novel, who is a faceless manipulator seated at the center of a web of deceit. But then again, Chamberlain more than makes up for his relative inability to portray Bourne's violent side with his excellent portrayal of Bourne's ingenuity and skill as a 'Chameleon' (something Matt Damon has thus far never brought onto the screen), and I can quite understand that the directors did not wish to spend much time establishing Carlos, since Bourne is the true center of the viewers attention. A mention must be made of Jaclyn Smith, who plays the part of Marie St. Jacques to perfection, though she barely physically resembles the character in the novel. All in all, this movie is certainly the definitive rendition of Ludlum's great thriller.

Made in the era when the mini-series were in relatively high regard and one classic was swiftly followed by another, this very respectable version of "The Bourne Identity" was released and, if memory serves, it was quite popular.Production values here are very good, it's tightly written (for the most part) and the Robert Ludlum story is full of surprises and suspense. Despite the three hour-plus running time it never slows down too much and keeps a solid momentum.Richard Chamberlain is no Robert De Niro but he pulls the role off well enough. He's quite fit and handles himself in the action department admirably. There are some good supporting actors here as well but I've never thought Jaclyn Smith to be a very good actress. She's wonderful eye candy but I didn't find her believable here at all. But then I never do.Also, call me crazy but I actually prefer this to the Superhuman agent Matt Damon portrayed in the big budget trilogy based on the Ludlum novels. Chamberlain looks a bit more human and he actually takes beatings here and gets bruised like a normal human being. He's a good fighter but nothing that borders on supernatural.

Chamberlain was probably happy to shoot this film in Europe, but I'm sure he like the pay as well. At this time he was probably the highest paid actor doing films specifically made for TV broadcast.I got the DVD of it yesterday, and the main reason I got it was because I just watched the Matt Damon series, and was curious to see how this was adapted for the "small screen" (not so small anymore). It's very different but held up well on its own, as I see it. It has things that the Damon films miss, such as in-depth character development, mostly due to being twice as long too, and a much more realistic lead character. It also has other things that make it a lesser film, like some unrealistic plot contrivances and occasionally overplayed emotional conflicts, similar to what you'd see on popular TV shows of the time like Dallas and Dynasty.One thing I like much better in the older version was the wider shots of most action scenes. This version translates well to a large screen, whereas the new version uses too many super-tight close-up action shots. These are typically used when the wider action shots don't really work well, and the closer shots give the viewer less detailed info about the action, but more movement across the screen, so as to make viewers think they saw lots of intense action.