Far from Perfect, Far from Terrible

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The acting in this movie is really good.

yes, their final for the USA, and too bad it is far from their "average" feature for the great Hal Roach (1927-1940).on the other hand, along with THE DANCING MASTERS, this hangs together as a *comedy* and the Director thankfully does not bog them down as the naïve but lovable dummies who spend all their time helping the young lovers.some genuine laughs are delivered...and this cannot be said of most of their post-Roach stuff in the '40s. some great opportunities are lost, as usual in this Fox effort, but the picture has the right look and the comedy flows, like the '43 flick mentioned above.

Way back in the day before Laurel teamed with Hardy, Stanley was quite the comic silent screen star and many of his short subjects were satires of current big screen productions. One of the best of them was Mud And Sand where Stan Laurel did a spoof of Rudolph Valentino and his role in Blood And Sand. 20th Century Fox also now owned the rights to Blood And Sand because of the great Tyrone Power sound version that had come out a few years earlier.So in their farewell film before the disastrous comeback with Utopia, Stan and Ollie did The Bullfighters where Laurel got to be a bullfighter again. And he plays a dual role the great Don Sebastian of Spain and just plain Mr. Laurel who with Mr. Hardy are a pair of private eyes from Peoria.Now if you can wrap your minds around the concept of ANYBODY hiring these two as detectives, The Bullfighters is an amusing enough film though not up to the standards of their Hal Roach work. They're in Mexico on an extradition job to bring back Carol Andrews and of course in their usual fashion make a holy hash of that.But promoter Richard Lane notices Stan's resemblance to Don Sebastian and since this guy whom he has brought over and promoted is being held up at the border. They've got a problem however in Ralph Sanford who got sent up the river on the mistaken testimony of these two lugnuts and threatens to skin them alive.The Bullfighters is amusing, especially in that last sequence when both of Laurels personas show up in the bullring with the PI from Peoria getting well fortified for the occasion. I can't blame Stan it's the only way I would go in a bull ring.You'll have to see The Bullfighters to see if Sanford makes good on his threat.

Bullfighters, The (1945) ** 1/2 (out of 4) Laurel and Hardy's final American film finds them playing detectives in Mexico looking for a woman. They end up with a seedy promoter (Richard Lane) who wants to pass Laurel off as a famous bullfighter. The boys have to go along with the plan so that the promoter doesn't turn them over to an man they wrongfully sent to prison years earlier. Going through L&H's final films at Fox, I think one could agree that they're not the best work from the boys but at the same time they're not nearly as horrible as their reputations would have you believe. This film here certainly isn't the greatest but there are enough laughs to make it worth viewing and the 61-minute running time goes by rather quickly. The best gag in the film happens early on when the boys are sitting next to a fountain and Laurel accidentally shoots Hardy with some water. Hardy, thinking it was a man sitting next to them, starts a water fight and this rather long sequence just keeps getting funnier and funnier as it goes along. What's so special about this scene isn't the water being thrown around but the facial expressions of Hardy as he keeps getting into a bigger mess. It's also priceless just seeing the look on Laurel's face as he sits back not understanding what's going on. The rest of the gags are hit and miss at best and this includes a misfire involving the boys and some eggs. The final gag inside the bullring isn't as funny as it could have been and the very final gag is a complete disaster and comes off rather embarrassing. With that said, there are enough laughs here so fans will certainly want to check it out but those new to the group will certainly want to try their earlier work first.

Laurel & Hardy's last American film is also probably the best(or more accurately,least worst)of their post-Hal Roach movies.One positive aspect,unlike their previous Fox/MGM wartime efforts,is that there are scenes in the film which are reasonably in character,as likeable innocents,and not complete idiots. A reworking of the egg-breaking sequence from HOLLYWOOD PARTY(1934)works quite well,as does a water-throwing routine.Arguably the best moments in the film are with cult character actor Hank Worden,who while registering at the hotel says he can't write("He's forging my name!",Stan protests!). Where the film falters is with supposed villain Ralph Sanford.Walter Long,Rychard Cramer,Charlie Hall and James Finlayson were both menacing and funny in the Roach films,but in this film,Sanford is neither despite his bulky frame.Former Radio announcer Richard Lane is good though,but the film falters in it's second half with a hackneyed 'double' story;namely Stan being a lookalike for the great bullfighter Don Sebastian.And for the first time since their earliest silent days,Fox's make-up department do away with their comic hairstyles.Still,the film brightens up with an amusing 'freak' ending,which Stan liked to employ occasionally with the Hal Roach studios.Not a good film,but certainly a tolerable one compared to A-HAUNTING WE WILL GO(1942) and THE DANCING MASTERS(1943).