Don't listen to the Hype. It's awful

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Blistering performances.

A pacifist-minded ex-Confederate gets caught up in a land war as he seeks a new life in post- Civil War Missouri.Considering the bizarre cast, I guess I was hoping for too much. After all, the compelling Tierney, Elam, Chaney Jr. and Dell are all established movie toughies. Then there's the unpredictable Ireland and Morris, performers comfortable playing with a wobbly moral compass. And finally there's the luscious Malone playing the good citizen, though she could also wobble when necessary, e.g. Written On The Wind (1955). Trouble is Tierney's entirely wasted, disappearing early on. No scary stare or frozen face here. As a result, there's no logical showdown between him and Ireland, as dramatically promising as that would be. Also, Chaney only gets a few minutes of loopy screen time, while Morris seems unsure of what he's supposed to do as the Marshal. And the latter's really too bad since the Marshal's uncertainty could be the story's most interesting character. The narrative itself is fairly familiar—greedy plotters trying to drive settlers off their land so they can cash in on the railway coming through. Not exactly a ground-breaking premise. On the other hand, shifting alliances among the town folk add character interest, while a restrained Ireland carries the film even though in a clichéd role. Still, I like the fact that the settlers organize themselves without waiting for the hero to save the day. That's a good non- clichéd touch.All in all, I'm wondering how a budget indie like this was able to assemble such an exotic cast, and whether they had to haul legendary juicers like Tierney and Chaney out of the nearest Hollywood bar. Too bad the screenplay didn't make better use of these colorful characters. That would have made something truly memorable. Instead, we get an unexceptional if occasionally interesting western.

This is a pretty good western drama. Good cast and fairly interesting story concerning the railroad and bushwhacking gunmen. The film is set in a time right after the civil war ended and many railroads were starting to be built.Artemus Taylor, his daughter Norah and a couple of roughnecks try to run the rest of the town out of the area by bushwhacking them in order to claim their land for themselves and sell that land to the railroad. Once the town starts piecing together the puzzle they have to find a way to fight back against the bushwhackers. There is one man that might can help save the townspeople, Jefferson Waring. Waring was in in the in civil war but swore to never use a gun again - can he, will he help the townsfolk? Worth watching if you Western films.7.5/10

Ex-Confederate John Ireland flees reconstruction and it's test of his vow of non-violence. Heading west, he winds up in a town under the thumb of powerful land baron Lon Chaney and his sadistic enforcer Lawrence Tierney, who are killing stealing land in anticipation of the railroad. Trying to leave, Ireland is only pulled in deeper.Another hard-boiled, low-budget 1950's western noir, The Bushwhackers is vivid and fairly violent entertainment that's definitely worth checking out. Like nearly all good westerns, it does a great job of manipulating the viewer, building up to the moment when all bets are off and the hero straps on his six-gun to take care of business.Here, Ireland and Tierney are fantastic. It's too bad that these two great actors were pretty much relegated to minor films (Tierney especially) due their alleged drunken exploits.The rest of the cast, Wayne Morris, Dorothy Malone (who's beautiful), and Jack Elam, are all great too.

Using a theme that became quite popular decades later, Amateau scores well on his directorial debut. The original title of this movie was to be "The Rebel" however, producer Broder was unable to keep his hands off anything he was involved in, hence the uninspired title. It is interesting to note that Director Amateau years later in his TV show "Dukes of Hazzard" named the automobile "The Rebel." Ireland is perfectly cast as the emoting Civil War veteran, only seeking peace, but willing to fight and kill to get it. The supporting cast is extremely interesting, featuring the, by then has-been Morris, Tierney, Dell, and Chaney. Considering that Ireland, Chaney, Tierney, and Morris were renown for their drinking bouts, working on this picture must have been a real challenge. The end result is a very good, if dated western, featuring some of the finest acting put on celluloid.