Truly Dreadful Film

One of my all time favorites.

Excellent, smart action film.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

What is the point of anything ? Weary, stale, flat, unprofitable.Three aspects of one persona. That is the point and message of this play and movie. If we could get down to Sidcup, get our papers, discover our identity, it would help. We could then finish the shed, and get all the rooms in the house decorated, and then rent them out. But it doesn't seem likely. We go round in circles in our dingy little car. Our current situation is just not our bag. End of story. Gripping masterpiece, not equalled by anything else from Pinter, nor by the actors. In fact, an acting masterclass, provided by the script. Once seen, never forgotten. No sex, no drugs, and any violence is merely virtual. Wonderful. But dated. Like Hamlet.

Someone said in a comment that this is "barely an adaptation" and I have to second that. Though the cast list has names of characters other than the main three, that's because there's a minute or two where the film is outside so there were a few extras who got credit.If you like the play (seeing it or reading it, whichever) you will love this interpretation of it. I can't believe this was made in 1963-the acting is passable even by today's standards and amazing for back then.There are a few lines that are switched around, very very few that are removed altogether, and certain parts of scenes are set outside of the attic-otherwise it stays true to the original version.I suppose if you know nothing of the play then this could still suit you, however, it has a strange premise, and is generally a bizarre movie altogether. The focus is mostly on character development and unusual dialogue, with monologues every three minutes, one of which is easily one of the best absurdist monologues of all time (Aston's bit at the end of act 2).Personally I would buy it just for Aston's monologue, but the movie has many other virtues, and for the standards of its day I'd feel uncomfortable giving it anything other than a 10/10

Like the other commenter I too am wondering why this isn't available on DVD. Luckily I video-taped a PBS broadcast years ago but Pinter deserves to be immortalized in a DVD collection with all the supplementary material available. (Perhaps now that he's won the Nobel) This movie was my introduction to Pinter and while I have to acknowledge the acting it was the script that hypnotized me when I happened upon it channel surfing one evening. So brilliantly absurd that you may join it as I first did from any point in the play and be instantly compelled by Pinter's bizarre reality. Bates, Shaw and Pleasance are perfectly cast but Donald Pleasance reveals a brilliance pitifully missing in his many supporting Hollywood roles. One wonders if the actors felt the magic their collaboration conveys and if so they must have been ecstatic.

This hard to find movie is now availible on an import DVD (with that "opened up" car scene) and it's worth seeking out. It's almost as good as the excellent"Homecoming" film, and while Bates and Shaw shine, it is Donald Pleasancewho steals the show. How this great actor ended up in grade Z films at the end of his career must be a sort of tragic drama in itself. It's wild to remember this "kitchen sink" classic came out of England the year the Beatles took the world by storm. Those were the days.....