Highly Overrated But Still Good

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Amazing worth wacthing. So good. Biased but well made with many good points.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

recently watched this one again after about 30 years, I well remember being pretty freaked out by it as a kid and realised it probably influenced me to seek out the thrill of disaster movies and the yuck factor/suspense of plague movies ever since. So I would have to count it as one of the most influential movies for me personally. Seeing it again, I enjoyed it on other levels...the impressive cast, the melodramatic score, the clever camera work, and the 70's style (especially the control room technology). It still has the suspense and something else I totally missed seeing it as a kid...a conspiracy element. Movies of this era lack the technical sophistication of more recent ones but can more than make up for it with the extra attention given to the craft of movie-making, basically everyone seems to take their jobs more seriously which can result in a film that the audience can take seriously too, essential for a plot that relies heavily on suspense. In sum, despite some corny moments, some inconsistent pacing and the odd plot hole, Cassandra Crossing is a better disaster movie than most, with a genuinely non-Hollywood ending that doesn't disappoint.

The current H1N1 epidemic (swine flu is a misnomer) makes "The Cassandra Crossing" a little more interesting. Mostly, this story of a terrorist spreading a disease on a Swiss train is a common disaster flick, what with the giant cast. I'd say that the upside is that it shows how the military officer (Burt Lancaster) tries to cover up the problem. The 1970s of course saw a lot of movies about suspicion of the government (like "The Parallax View" and "Three Days of the Condor"). A really fine scene is Sophia Loren in her slip.So, this isn't any masterpiece, but certainly a fun one. Also starring Richard Harris, O.J. Simpson, Ava Gardner, Martin Sheen, Lee Strasberg, Lionel Stander, Ingrid Thulin, Alida Valli, John Phillip Law, Ann Turkel, Ray Lovelock and Lou Castel.

I'm channel-checking right now and saw this movie. Sophia Loren and Ava Gardner and this is the best the writers or director could do? And O.J. . . .I think he did kill his ex-wife, but a great running back, yes. So, while I hate Pete Rose, why isn't he in the baseball Hall of Fame? I haven't heard that he's offed anyone lately. O.J. is still in the football HOF.Can you imagine Loren and Gardner in a movie together? As I'm writing this, I can't even remember the title of this crappy movie that I'm not watching. Sophia and Ava . . .now that was a pairing even a mediocre writer could have pulled off successfully with any kind of script. The two ladies could have done anything together. But this, it's like, "Will Trog be the sequel?" Well, back to DVDs.

THE DISASTER Movie is a sub-genre of the Action/Drama hybrid that seems to go on being popular down through the years. Decade after decade, we find stories of terrible impending occurrences and the number of diverse characters, perfect strangers, who find themselves caught up in the dangerous, deadly happenings; which ironically bring the varied and disparate personalities together and often in great dependence on each other's care and vigilance.AS FAR as ancestry of the film type, we can only guess; but it surely can trace at least a portion of its lineage back to the earliest days of the cinema. Even the movies of the by then well established filmmakers of the early 1920's realized the great potential in story telling that could be realized via the road to filmed disaster.EVEN the great Cecil B. DeMille applied the disaster element in his first version of THE TEN COMMANDMENTS (Famous Players-Lasky/Paramount Pictures, 1923); where he made the story both Biblical & Historical as well as Contemporary by the use of flashback from modern contemporary times to the age of Moses.TRACING the family tree of the disaster movie brings to light such titles as THE HIGH AND THE MIGHTY (????/Warner Brothers, 1954), AIRPORT ( ) and its clones, the "Sensurround" laden EARTHQUAKE (????/Universal,197?) And a minor matinée pot-boiler called ZERO HOUR (Paramount, 1957), which oddly enough gave birth to the low budgeted, big hit sensation, AIRPLANE (Zucker-Abrahams-Zucker/Paramount, 197?).THE DISASTER Movie can even trace its roots to John Ford's STAGECOACH (?????, 1939), which had all the elements; the only difference being that the tragedy isn't caused by either man-made malfunctioning of transport mode or natural causes, but by the impending attack by local hostiles.TODAY'S HONOREE, THE CASSANDRA CROSSING ( ), is one more obvious title to come out of those 1970's "new" and "more relevant" and "more realistic" school of film. The production is spectacularly mounted, with some of the truly most beautiful outdoor scenery to be captured for a non-nature film. One certainly cannot fault the Production Team as being too tight with the purse strings; for they put together a spectacularly talented and well known international cast.READING THE Cast listing one finds such notables at the top of the bill as: Sophia Loren, Richard Harris, Martin Sheehan, Orenthal James Simpson ( "O.J." to you, Schultz), Lionel Stander (off the Blacklist), Anne Turkel, Ingrid Thulin, Mr. Lee Strasberg (master of The Actors' Studio in rare film appearance), Ava Gardner (no Schultz, not the Ava from GREEN ACRES), Burt Lancaster, Lou Castel (where's Abbott?), John Phillip Law, Ray Lovelock, …etc., etc., etc.,………..ANOTHER positive element is the inclusion of Jerry Goldsmith as the Composer for the Original Score for the film. Mr. Goldsmith's composition of both the Overture (theme) and the Incidental Music is on Parr with his other work. The prolific Goldsmith was responsible for a veritable treasure trove of beautifully rendered scores. Perhaps some of the most notable original compositions would (arguably) be: PATTON (20th Century-Fox, 1970), PAPILLION (Corona-General/Solar/Allied Artists, 1973) and RUDY (Tri-Star Pictures, 1993).ATTENTION!! WARNING!! CUIDADO!! LOOKENZEE OUTENZEE!! Could be a SPOILER a comin' up!! OUR STORY……….A passenger train which is carrying a real mixed bag of passengers, which most any self-respecting disaster film would do, is making a crossing of the Alps from Switzerland into northern Italy. A terrorist purposely spreads some deadly strain of virus throughout the train and its passengers, which would normally require a state of Quarantine. The train keeps on traveling and somehow or other comes under the jurisdiction of Lt. Colonel Stephen Mackenzie (Burt L.), U.S. Army, NATO Forces.BECAUSE OF THE Highly Contagious and deadly disease, the Lt. Colonel allows the train to continue on its way to the unsafe bridge works that lie ahead of it. There the train would surely crash; killing both all on board as well as ridding Mackenzie of the problem of dealing with a potential epidemic.OF COURSE, the battle hardened and cold-blooded military man couldn't have known that the presence of some Physicians on board miraculously provided the train crew and passengers with a cure for the infectious malady by using pure oxygen inhalation. (There is another twist, but we'll not tell here!) AS FINE of a production as this picture is, and as interesting as certain of the scenes and sequences are, we cannot give it a full and unconditional endorsement; for we disdain the heavy and underhanded-handed method in which its highly one-sided, "subtle", little message is sprung on its unsuspecting audiences. It is clearly one of an Anti-Military and America Hating. It is crystal clear that this is the crux of the hidden persuaders contained within.WE FIND this sort of loading of the story with a highly charged, one-sided and distorted view of what is the responsibility of authorities in general and the Military of the United States of America to be deplorable, deceitful and deeply harmful to unsuspecting viewers.AT least a can of poison has the written warning, the antidote and the ever present skull & cross bones to give proper warning.AS for our Grade, both Schultz and hid good buddy (me) say * ½ or a D-on its Report Card.POODLE SCHNITZ!!