The Census Taker
The Census Taker
NR | 23 January 1984 (USA)
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When George and Martha let Harvey, an annoying census taker, into their home, they find themselves under a barrage of increasingly abusive questions. Furious at his intrusiveness, and at their wit's end, they kill the census taker and with the help of their friends Pete and Eva, must hide the body from a determined investigator.

Reviews
TrueJoshNight

Truly Dreadful Film

Ogosmith

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Marva-nova

Amazing worth wacthing. So good. Biased but well made with many good points.

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Bob

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Jason Daniel Baker

The small but affluent suburb of Appleton is burdened with the nuisance of a special census survey. Harvey McGraw (Garrett Morris), a profoundly irritating statistician who likes to abuse his power is sent there to ask a long, tedious series of invasive questions.McGraw makes the faux pas of visiting the Dade household interrupting dinner and inviting himself in. The Dades are locally known for being disagreeable and obsessive about their privacy. Head of the household George Dade (Greg Mullavey) - an argumentative crank & right-wing libertarian is instantly perturbed by McGraw.When McGraw doesn't let George's wife Martha Dade (Meredith McRae) get away with giving her age as 29 things deteriorate further. The Dades alligator shirt-wearing Hitler Youth/android sons Edward and Robert then question the constitutional validity of the survey and are blatantly recalcitrant.As the questions become more personal McGraw realizes first, that he wore out his welcome on the doorstep and second, that he might not leave the Dade residence alive. The subject of how many firearms are in the house prompts the method of extermination - a shooting which is neither completely on purpose nor entirely accidental.The constant bickering in the family impedes their attempts at covering up what they are sure will look like murder. They have company visiting i.e. Martha's lover/George's best friend Pete Taggert (Sam Bottoms) who happens to be a cop and his wife Eva (Austen Taylor) who happens to be Mrs.Dade's sister and George's lover.An awkward evening ensues as the Dades attempt to hide their affairs from each other and a corpse from those whom they are having affairs with.They entire rhythm of the performances are like that of a stage play, That approach doesn't work on film. The timing of what absurdist humor there is to be found gets thrown off by that undermining all of it. The result is that comes off like bad dinner theater performed on the sales room floor of a rattan furniture store.Jennifer Precious Finch - beloved former bassist of grunge era band L7 appears briefly as a punk rocker girlfriend of one of the Dade brothers.

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rreger

By far the worst movie I have ever seen. (And I've seen "Flesh Eating Mothers.") When I'm laying on my death bed, one single tear will roll down my cheek as I remember the 1 1/2 hours I wasted subjecting myself to this movie.

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SatyrIX

I remember the original appearance of this film - it had all the corporate venality of the SNL product we've come to accept as so much saturation in movies over the last two decades, and was DOA in theatres when released.Today however, the movie has a bizarre level of subliminal black humor that manages to play pretty entertainingly; it also has incidental music by the Residents throughout (mostly stuff from the Commercial Album), which works surprisingly well.Overall, the movie is similar in feel to Eating Raoul, or the late 70s tv show Mary Hartman, in terms of questionable funniness but sustained 'edginess'. Speaking of MH, MH, the husband reprises his role here, more or less; his Martin Mull-ish cop buddy, IMO, was the comic highlight of the film.

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donlhumphries

Came across this movie just recently, and found it quite a good suspense thriller. The tension builds gradually, as the census taker asks all kinds of impertinent questions, thus invoking the wrath of the married couple. Complications ensue, and the body count mounts. A grim comedy, with several twists.

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