just watch it!

It's Difficult NOT To Enjoy This Movie

It is a performances centric movie

Excellent but underrated film

I would like to start off by saying I am a fan of Brad Jones and The Cinema Snob. I love his movies Freak Out, Cheap, and Midnight Heat. I think Game Boys is fine, I'm not the biggest fan of Paranoia or Hooker with a Heart of Gold, but we'll get to that later. With that said, I was expecting to love The Cinema Snob Movie, so I bought the DVD, popped it in and was blown away at how bad it was. I feel terrible for saying that because I see the love and the effort put into the making of the movie from the director, actors, writers, etc. but I just felt so let down by this movie. Before I talk about the bad, I'll talk about the things I like: 1) The cast...for the most part. Brad, Orlando, Jillian, Noah, and the array of side actors in the film club all do a great job, there are weak links, but I'll get to that. 2) The writing. While I have some problems, I felt the story was well enough written that I was watching to see what happened next, I may have gotten bored, but I couldn't turn it off. 3)The directing. On the one hand, the point-and-shoot style of filming is a little too bland for my taste, it works for a comedy, and it works as a joke in itself after the characters talk about how their style of filming is such. I felt the movements were naturalistic, the cuts during the murders do well in concealing the effects while letting you see enough to leave an impact.Now for the bad: 1) Jake and Ryan. I'll be the bad guy and say I hate Jake as an actor and personality. I don't find him funny, I find his delivery stilted and awkward, and I can't stand his voice. I know that last one is an unfair criticism, but it really is a distraction for me in any of Jone's work even Midnight Heat. His delivery is awkward here too and I dreaded anytime he was on screen. As for Ryan, I am a huge fan of him as an actor and personality. He was a stand out in Freak Out despite such a small part and was one of my favorite parts of Cheap. Oddly enough, he lacks the personality he showed in those films, and I know that was intended, but just because it was intended doesn't mean it works. 2) The pacing. This movie is over two hours long. The murder plot doesn't come until the second half. Most of that first half is just telling jokes, which, fair enough it's a comedy, but if you want to have a murder mystery too, shouldn't that be introduced a little sooner? It's just a personal preference. 3) The look and sound. I do not like Paranoia, Hooker with a Heart of Gold, and The Cinema Snob Movie for similar reasons, but the one that connects them all is their look. I'm not talking about how their shot, but how their shots look. It's too clean, but not clean enough. On the one hand I feel this is an unfair statement as it shows Team Snob is growing as filmmakers, but on the other hand I miss the look of his old movies. For some reason, it's easier for me to accept bad audio and bad lighting than it is for me to accept sort of good lighting and OK audio.

The Cinema Snob Movie is a non-canonical origin story to "The Cinema Snob" series. On the surface it does appear that way. But like an artichoke, when the layers are peeled back and the heart is exposed we realize the film has a much darker tale underneath.So let's peel back those layers and expose what is at heart here.Clue #1 the DVD artwork done by David Gobble. At first glance, it may not seem out of place. But does it capture the tone of the film? Not really.Or does the image of Brad's face jutting out of the shadows, his head rest on his fist like Rodin's The Thinker, impart a message to the viewer? Perhaps its hinting at a darker, more thought-provoking story lying deep within.The Lloyd Approved DVD describes the plot as: "When small time exploitation filmmakers Craig (Brad Jones) and Neil (Jake Norvell)are denied filming permits by the snooty head of the local film commision (Note: their spelling mistake), Craig's only option is to go undercover as a pretentious film snob. But once accepted by the group Craig finds himself thrust into a strange and deadly mystery surrounding the very secretive club." On the surface, this does appear to be what the film is about. And after watching it you would say "But of course, that is exactly the movie I just watched." Except it isn't.Clue #2, the film's lack of logic and reality. Now this is a big one. Some of the actors come off like they are in a different movie. Craig has normal reactions to things. However Neil, and most of the other characters, do not. There are murders occurring and yet (spoilers) never once do the real cops show up. Is there an explanation for all this? Yes.You see Craig Golightly is the killer. The film we are watching is his reconstruction of reality in order to alleviate guilt from himself.When viewing the film from this angle, it's amazing how much sense everything makes. It's classic Freudian Wish fulfillment, where Craig is now the hero who saves the girl.Clue #3 "Craig's Serial Killer" is Det. Ted Adams. Why does he do it? For revenge. Does this make any sense at all? Not a bit. The only way Ted could have the knowledge to pull this off is if he is actually Craig.When does the first murder occur? When Craig joins the film club. You see, Ted Adams is Craig's version of his evil self. He's overweight, whiny, misguided. The story about his father- that's Craig's father and this fuels his insecurities about his own filmmaking.Why did Craig kill all these people? If the events in the film are a reconstructed reality then Craig has the ability to re-arrange the order of the murders.In reality Dan Phillips, Nancy's husband, is the first one to die. All the other murders are done by Craig and Nancy to prevent the police from learning about their affair.Clue #4 Identity issues. Craig Golightly sounds like a fake name. Perhaps it's a pseudonym being used by the killer. The contrivance of making Craig into a pretentious film snob is actually a storytelling technique used to clue us in. For after that, he takes on the persona of Vincent Dawn. In one revealing moment, the "cops" even point out that Craig mistakenly told them his name was Vincent. Why did he lie? Because he forgot his real name wasn't Vincent. Something seem a little off about that excuse? Now, let's break the story down to it's brass tacks.Craig, along with Neil, is trying to make a film called Black Angus. But they are having troubles putting it together and on top of that, Craig is insecure of his abilities because of his father's career.He joins a local film club, headed by Dan Phillips, in order to boost his confidence. However he is looked down on by everyone because of his taste in films. Phillips himself is the worst offender.There is only one person in the group who respects and encourages Craig. And that's Nancy, Phillips' wife. Soon the two start having an affair. At some point, Dan learns about the affair and confronts Craig. Craig loses control and suffocates Dan. He tells Nancy what he did, and she helps him cover up the murder.But soon others in the film club become suspicious. The affair had already been gossip and now with Dan's death, the group suspects foul play. Nancy and Craig start to bump off people one by one in order to protect themselves. Nancy seems to get turned on by it, while Craig is both repelled and excited by the power.Unfortunately the cops do catch on. Only they don't suspect Craig. They arrest Nancy thinking she acted alone. Nancy maintains her innocence and doesn't rat on Craig. Craig, in order to save Nancy from the police, enlists the help of Neil and an actor but their efforts prove unsuccessful.Neil ends up helping Craig find a Lawyer. The lawyer is Gene (Noah Antwiler). Gene is rich, knows everybody, and seems to be Craig's last hope for freeing Nancy. Gene is unsuccessful and Nancy ends up getting the death penalty. She dies, never incriminating Craig in their crimes. Craig walks away from the whole thing a free man.In order to remove the guilt he experiences following this, Craig constructs this new reality: a reality where he becomes the hero, where he saves Nancy from the cops, and where he is finally able to make his film Black Angus.I highly recommend this brilliant thriller. See it twice. Once for the story told on the surface. And the second time what's buried beneath the layers; the story at the heart of the artichoke.

When I received the DVD, my older brother looked at the box and read the back, and his response was "Wow, there is nothing I would rather watch less". To this, my reaction was simply "First, no one is asking you to. And second, it's not for you". Little did I know that this is actually one of the major themes of the CS's cinematic debut.Firstly, Nostalgia Critic may have been the gateway drug to TGWTG, but the Cinema Snob is the reason I keep coming back, especially after the tremendous loss of theSpoonyOne from the site (he is a close second to CS as my favorite), and to see these two still working together just made me so glad to see them not deprive the internet community of their amazing chemistry. I hope their collaborations continue for years to come. Brad Jones is one of the most charismatic and witty personalities on the internet, and this is simply a showcase of his immense talent, brought to us by the talented folks he has managed to surround himself with. That said, while the film does lose momentum a bit in the third act, it never feels rush or poorly paced. TeamSnob has something important to say about the state of culture, and uses their time on film wisely. Also, Springfield has never looked prettier during the day or more sinister at night.Brad carries the show, no question about it. Craig Golightly's alter ego is clearly a manifestation of the conflict within him, the desire to make something important but only being able to make trash. But trash this ain't. This theme was also sort of looked at with the CS's subplot in the TGWTG film 'To Boldly Flee'. What lives on, integrity or infamy? Beauty or shock?Special mention has to be made of Noah Antwiler aka Spoony. He absolutely steals every scene he is in. I've always thought Spoony was naturally talented and effortlessly sharp, and he really hits a stride here. Orlando as well really gets it and owns his Vladmir character, spewing out one of the best lines in the whole movie near the end. They both play it just wacky enough that the jokes work, and they seem to exist just outside the real world. The rest of the actors who make up the film club are excellent mock-ups of the various reasons why people get into art films - to be pretentious, because they were shamed into it by being told their taste was wrong, because they have voyeuristic fantasies, etc. Each is like a little call-out to the Eberts of the world.The film making and direction are top notch, and really display their growth as a production crew. Ryan and co. are clearly learning from their past works like 'Hooker' and 'Paranoia'. The pacing and editing are tighter, and the timing of the jokes really hit 80-90% of the time. It sometimes even rivals a lot of major independent works. TCSM is in a world of it's own, and it allows itself to really indulge in it, very much like It's Always Sunny in Philadelphia, even going so far in one bar scene to use what could be called a trademark Sunny gag ("Yeah, I'm still here"). Alas, there are always a few shortcomings, and they had to do with casting. I think Jake was fine as Neil, but I don't think he really quite fit the role, especially opposite someone with the personality of the CS. Not that he was terrible, but something about the mixing made him sound like he had a lisp, which I know from the CS site he certainly doesn't. It was a little distracting. Brian Lewis's Scott Bakula was a complete throwaway. I really dig the guy, but he was wasted here. AND WHERE WAS JERRID? But nothing spoiled the overall film, and these are minor squabbles from a devoted fan. I was laughing out loud too much to really be dragged down by them.From the worst modern independent films (Birdemic) to the best, this should rank up there as one of the top from the Internet 2.0 era. With most independent films of this kind, you usually find yourself forgiving the shortcomings and looking the other way when a glaring flub occurs because you are constantly reminded of the limits of the film makers. Any message or emotions are lost because the audience is too distracted by the miracle that a completed film was even made. But there was rarely a moment that took me out of the story here. I got their point, and it came across with style and quality.The message, as others have pointed out, is great: don't apologize for your taste. Do what you love, and love what you want to. The CS is the perfect vehicle to make this point - he himself is the contradiction in most creative people. His reach exceeds his grasp. You watch his series, and the humor comes from the fact that his intellect and his taste are completely opposite and always fighting within him. And who wins? The viewing public.Bless them for trying to make a film that reached beyond the fanbase. People who get the CS and the generation of internet reviewers born from the MST3k era will love this film, and people who don't get it, that's okay. They're not supposed to.ps - props to Big Box Model Jillian for giving up the goods.

The Cinema Snob Movie is a treat for fans of Brad Jones's internet review series, even as it tries to extend its appeal to a broader audience. It has a lot of humorous moments, but starts to get bogged down towards the end.The film provides an origin story for the Cinema Snob character, who started out as wannabe exploitation filmmaker Craig Golightley but adopted the persona of a film snob to impress a film commissioner for some filming permits. Things become complicated when a series of gruesome murders begins.The film is at times very funny, with the best moments coming from Noah "The Spoony One" Antwiler. Although there are some in-jokes for fans of the web reviews, the film doesn't mine that vein too much. Indeed, given that most people buying this DVD will be fans of the series, it might have been better to cater to the fans a bit more.The film has a good message about liking movies you actually enjoy rather than whatever critics tell you to like. However, the last twenty minutes of the film get bogged down in too many unnecessary scenes. The movie is about a half hour too long, an issue that besets most of the Brad Jones / Ryan Mitchelle collaborations. Still, it's well worth your time.