Powerful

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Nick Cooper (Jack Jones) is a singer in desperate need of a comeback. So he holes up at a creepy country estate (that's your first mistake right there) hoping to be inspired. He instead finds himself tortured by the restless spirit of his murdered wife (get it? She COMES BACK?).The film features New Zealand star Pamela Stephenson (Bloodbath at the House of Death, History of the World, Part I), who can be depended upon to show great nudity, and she briefly exposes herself here.Not too crazy about the ending. but you do get to see Charlie's Angels' Bosley in full drag.Watch closely, as Jack Jones sings in the new film American Hustle.

A singer (Jack Jones) holes up at a sinister estate to write new songs for his act. The ghost of his murdered wife (Holly Palance) begins to haunt him, then the person who actually killed her shows up at the mansion.How did this title wind up in the hands of Troma? Granted, over the years a number of decent films (many of them horror) have found their way into Troma's catalog, but this one is strong enough that it could easily have been picked up by MGM or Warner or someone with a little more respect.I am not familiar with Jack Jones' singing or acting career. I only know he performed the "Love Boat" theme and was the third husband of Jill St. John. I think he did a great job here as the lead, and makes a believable everyman. Another reviewer said he looks like Robert Redford. I guess I can see it, but let us not get carried away! As for Pete Walker, who was ignored and unappreciated in his day, this is probably among his best work. On top of the decent plot, we have gore, blood and rotting corpses... everything you want from a horror film.

Being famous can have its drawbacks. Famous singer Jack Jones plays Nick Cooper, a well-known pop singer who relocates to a London estate to start recording music again following his divorce from his wife Gail(Holly Palance). Little does he know while he was flying to England, his ex-wife is brutally murdered. While he was trying to reclaim his past fame, the people he is staying with have a secret that is even well- hidden from Nick. The stay at the estate was not very pleasant to him. He would hear moans, sobbing, and crying from within, and the caretakers take his complaints very lightly. Not only that his wife gets killed, his friend Harry (Peter Turner) gets stabbed as well. So when Nick began to start losing his mind, the insanity points out to the people he is staying with. To me, that estate was nothing more than tourist trap. Jack Jones has put a performance on both music and the big screen. David Doyle has been well known as John Bosley on "Charlie's Angels". This movie is quite subtle, and not too violent. Has plenty of suspense though. This one is great for the music buffs. 2 out of 5 stars

It has taken me a while to become a Pete Walker fan, but you can officially include me in the club. The Comeback may be one of his weakest films that I've thus far seen, but it's still a solid little thriller with a few great moments along the way. For example, Walker handles the first murder scene quite well. The murderer comes out of nowhere to commit an incredibly brutal and violent act against his victim. Walker is able to catch a real sense of malice and hatred on the part of the killer – something quite nice when compared with the usual unemotional serial killer. Another real plus for The Comeback is the presence of Walker regular Shelia Keith. She may not have as much to do here as in something like House of Whipcord or Frightmare, but she's incredible in the scenes she does have. The woman could chew scenery with the best of them. She has an air about her that works in Walker's films. The creepy old house, the elevator scenes, and Walker's use of red herrings are also among my favorite bits of the movie.But, as my rating would indicate, it's not all good. My biggest problem is the casting of Jack Jones in the lead. He's dull and unappealing. He can't carry most of the scenes he appears in let alone the entire movie. During the film, I began to dub him "The Anti-Shelia Keith" as he lacks anything approaching the screen presence of scene-stealing Keith. My other big problem is with David Doyle as Jones' manager. As is evident even in his performances on Charlie's Angels, Doyle cannot play "serious" believably at all. He comes across as far too goofy to add the required gravity to a given scene. He's just bad.If you're a fan of Pete Walker and enjoy his work with Shelia Keith, you should be able to find something enjoyable in The Comeback. If you're new to Walker, I would suggest starting with another of his films.