SERIOUSLY. This is what the crap Hollywood still puts out?

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Agreeably cast and beautifully photographed, yet this "B"-feature with a Hollywood background is basically very disappointing. One brief shot of the back lot is just about our sole glimpse behind the movie-making veil, though there are the usual manufactured scenes affording the customary unrealistic insight into the picture-shooting process. This talking down to the audience is doubly irritating, because it presents everything in such simplistic terms, we lose interest in the characters and the story. Not that the characters are much anyway, but when played by such lights as Montgomery, Mowbray and Miljan — and Miss Hughes — they come across quite appealingly. The story, however, is as thin as a Charity biscuit, as well as being as diluted as Fellowship tea, and it revolves on a series of mundane misunderstandings that would bore the pants off even the most unsophisticated hayseed. Still, the direction is smooth and other production credits are first-rate.

Delicious, spunky little romantic comedy abounding with wry swipes at the idiocy of Hollywood moviemaking. A spoiled, demanding, utterly gorgeous blonde sex symbol (the underrated and wickedly delightful Mary Beth Hughes, in her best film role) meets her match when a hunky rodeo cowboy (George Montgomery, most often wasted in 'B' westerns but proving himself a deftly humorous romantic lead) is cast as her leading man in her latest sarong saga. Frequently hilarious and quite sexy comedy--a "Taming of the Shrew" deliciously set against the lunacies of Hollywood movie-making. Had MGM gotten its gilded paws on this premise, it would have starred Jean Harlow and Clark Gable, cost a bundle, and not have been nearly as much fun as this Fox quickie. The ravishing Ms. Hughes proves herself an expert comedienne, and Montgomery is hilarious as her reluctant, rebellious romeo. The chemistry between these two underrated talents is combustible--and "The Cowboy and the Blonde" is one of the most sparkling, overlooked screwball farces of the 1940s. Check out the similarities between this deft frolic and "Bus Stop." Ms. Hughes and Montgomery could easily have subbed for Monroe & Don Murray--the chronological timing simply wasn't right, and more's the pity.

This fun film is a western version of "The Taming of the Shrew," with the Shrew in question being the glorious, yet underrated Mary Beth Hughes, queen of the bitchy blonde B-girls. George Montgomery makes a pleasant enough leading man, but let's face it, the main reason to watch is Mary Beth's pouty lips, hands on hips, and diva like attitude.