Must See Movie...

In truth, there is barely enough story here to make a film.

This movie feels like it was made purely to piss off people who want good shows

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

An emotional documentary. What I didn't like was the unnecessary villainization of Shaun White. It sounded like petty jealousy.

This is a documentary that will stick with you. It chronicles the story of Kevin Pearce, who was one of the best snowboarders in the world prior to suffering a career-ending brain injury during a practice run 49 days before the 2010 Olympics. While that may seem like a story fairly narrow in scope, this is a layered film, and you certainly don't need to be a huge snowboarding fan to love it. It's human drama, asks some fundamental questions, and is brilliantly told by director Lucy Walker.To start with, there is the accident itself, which was not only caught on film, but which had filmmakers there beforehand, as Pearce and his buddies in the 'Frends' crew (so named because there is no I in friends) were gearing up for the Olympics. The way Walker presents it is masterful: after the guys play rock-paper-scissors to determine the run order, Pearce drops in, everything seems routine, and then he falls so unexpectedly. There is no build-up, it's just as it happened, and just as things happen in life. She was there to film the immediate aftermath with friends and family, and then stuck with the story for 4 years, on Pearce's long road to recovery, which was filled with physical, mental, and spiritual challenges.Along the way, Walker rewinds through Pearce's childhood and his ascent to becoming a serious challenger to Shaun White (if not already better than him) in the years between the 2006 Olympics and 2009, having beaten him in several competitions. That caused White to kick Pearce out of his apartment, effectively ending their friendship (these two Friends, despite going back to when they were young, certainly had an 'I' in their relationship, that belonging to White). White is interviewed for the film, and far from demonizing him or exercising a heavy hand, Walker simply lets the facts and people speak for themselves. White is a genius snowboarder but also a selfish loner, obsessed with winning, which runs counter to the sport's culture; while Pearce is just as competitive, he's beloved for his attitude and generosity.But this is really the story of what happens in recovery. Pearce first struggles just to survive and then to regain control of basic body functions, but all along he still has the dream of returning to snowboarding. However, he has TBI (Traumatic Brain Injury), which creates a whole host of complications: memory loss, mood swings, impulse control issues, diminished ability to decide things for himself, and substantially higher risk for serious injury if he hits his head again. The sport is full of people who have gone back to it after one TBI only to get another, and become incapacitated or die. In a moving and disturbing scene, Pearce meets one such guy, who, while still mobile, is pretty far gone, and abusive to his own mother.Pearce's family is, quite frankly, amazing. It's so close-knit and a model of unity and love, with both parents supporting their son but calmly expressing their concerns. His brothers simply do the same. The documentary really fleshes all of them out, showing footage from them growing up, the brothers competing (including David, who has Down's syndrome, in handicapped competitions), and the dad's glass-making business. As Pearce stubbornly persists in his desire to snowboard when it almost seems laughable to the rest of us who are not the best in the world at something (and who may forget it would be like telling Mozart he could no longer make music), the fundamental question starts to emerge: when does your decision to pursue your passion, the thing that drives you, become selfish because of the grave risks, and what you've put your loved ones through? To see these conversations with doctors, therapists, friends, and at the family dinner table, and to see them evolve over the years, is outstanding filmmaking.A question specific to the sport, of course, is safety. With wall height increasing in 'super pipes' and the explosion of stunts, athletes literally need to practice new tricks on runs with foam or mattress landings because of the risk. As Pearce's father says, and so rationally even after everything that's happened, the athlete will always push himself, and in other sports such as auto racing, eventually there were rules for things like engine size for safety.We see Sarah Burke, a pioneer who pushed getting super pipe skiing added to the Olympics in 2014, interviewed with her boyfriend Rory Bushfield, talking about Pearce but also her passion for the sport despite all the injuries she's sustained over the years, then we see her get married to Bushfield, and then we hear she died tragically at the exact same spot Pearce had his accident. It's ominous and moving to hear her say "It's what our lives are, is being on the hill. And there's a reason for that — it's amazing. It's where we met, it's where we play, we live...", and then Bushfield gently adding "and hopefully where we'll die." There is a cringe-inducing crash reel of sorts shown for other falls towards the end, for both snowboarding and motorcycle stunt riding, but Walker uses restraint and does not sensationalize. As Pearce eventually comes to a place of acceptance, one can't help but be touched by his story and by his family and friends who stuck with him, and yet also feel concerned for the sport, despite the majesty and beauty of athletes skillfully twirling through the air at what seem like impossible heights. The soundtrack is excellent and adds to the emotional impact the film makes. I didn't know Pearce's story or really understand what this documentary was going to be about, and ended up riveted.

Yes, The Crash Reel is a movie about snow boarding, but it also covers much more. Kevin Pearce was a champion snow boarder and potential Olympian until a serious fall during training in 2009 left him with hospitalised, suffering from traumatic brain injury. There followed nearly two years of physiotherapy before he was able to resume his life, although he would never again be able to pursue his passion for snow boarding. As Pearce struggles to cope with the realisation that returning to the sport he loves could be fatal, we also get to meet Pearce's loving and supportive family, including his mother who worries for his safety. And we also meet his brother David who suffers from Downs Syndrome but who is a fascinating character in his own right and whose story is also worthy of following. This documentary from Oscar nominated filmmaker Lucy Walker (Countdown To Zero, Waste Land, etc) traces Pearce's life and obsession with becoming the best snow boarder in the world. The film largely consists of footage shot over a period of fifteen years by Pearce's friends and family, which has been cleverly assembled by Walker and her editor Pedro Kos into this compelling, life affirming and inspiring story about his triumph over adversity. The film is an exploration of the risky nature of extreme sports, and how the influx of money and fame puts enormous pressure on the competitors. It also explores the intense rivalry between Pearce and his best friend and fellow champion Shaun White, who went on to win gold at the 2010 Winter Olympics. Extreme sports junkies will get plenty of snow boarding action and lots of the spills and spectacular falls that provide this fascinating documentary with its nicely ironic title.

It is with no doubt one of the most controversial stories in snowboarding for the past decade. Kevin Pearce's crash marks a sad milestone in the quest for higher, bigger and more spectacular jumps. It's already here where the documentary does not quite know which red line to follow: KP or the dangers in snowboarding? For now we follow Kevin's development and his rivalry with Shaun White and it's already at this point where it becomes obvious in what corner White is put.I must admit that I am not the biggest White fan and treasure KP a lot more but at some points it becomes ridiculous that the only thing that obviously matters is to beat Shaun. Kevin has brought much more to the table than just tricks and fortunately the makers decided to show some of it too.As soon as we get to the crash the film becomes very loose, not quite sure if it's a reality soap like Metallica's "Some Kind Of Monster" or a warning campaign against the risks of actions sports. The VERY intimate conversations with his family and therapists are interesting to watch, especially if you keep in mind that KP had to learn EVERYTHING anew, not just walking - particularly social skills as well. And that's where it gets ugly in my opinion. I was always wondering "WHY is there a camera present in this very room at this very conversation?" In a situation like this I would not want any public participation at this point. Still the film digs into very intimate details and presents them quite shamelessly.I think the most important part of the film is Kevin stating that he wants to go back on his board immediately although each and everyone around him tells him otherwise. Because he still needed to learn so much he was obviously going through a phase of selfishness that usually a four-year-old would go through. By doing so he severely hurts his loved ones and literally puts his life on the line again.This raises the following questions for me: - Was Kevin actually REALLY aware of what he got himself into here? - Even if there is so much love and understanding, why did his family agree on letting the makers dig that deep? - What is the actual conclusion of this film? On one hand we got Kev desperately wanting and getting back on his board but at the same time we see the tragic fates of other athletes. - Shaun White may be faceless, spoiled and egotistic but that's just the way HE pursues. So why the vilification?One true gem of the film is his disabled brother who is as honest as one could be. He is one of the few constants in the film who actually take part in convincing KP not to ride competitively anymore. Although as simple as his mind might appear he is the true pole of sanity.The Crash Reel is a very ambitious film about the risks of action sports and one athlete who was somehow lucky. Still, I somehow don't feel quite satisfied which the direction the film was taking and I also don't understand why the Pearce's allowed the makers to be present at such intimate conversations.